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My Daughter is a Zombie
(Jombittal,
좀비딸)

My Daughter is a Zombie (Jombittal, 좀비딸)

Director – Pil Gam-sung – 2025 – South Korea – Cert. 15 tbc – 114m

*****

When his teenage daughter becomes a zombie, her father must use his skills as an animal trainer to help her lead a normal life – from LKFF, the London Korean Film Festival 2026 which runs in cinemas from Monday, November 2nd to Tuesday, November 16th

Like fathers everywhere, Lee Jung-hwan (Cho Jung-seok from Exit, Lee Sang-geun, 2019) struggles to connect with his 15-year-old daughter Lee Soo-ah (Choi Yu-ri from Alienoid, Choi Dong-hoon, 2022). A failed, professional K-pop dancer who achieved modest success as an animal trainer – for instance, successfully getting his zoo workplace’s Bengal Tiger to dance – he has passed on his love of dancing to his daughter, although her generation’s idea of dancing is very different from his. Nevertheless, it’s in the family’s genes.

One day, they observe bizarre behaviour outside their window from a neighbouring couple, which could be easily explained if life were like a zombie movie. The woman having bitten her husband’s neck, she advances towards their sitting room window and, recognising life (food) when dad moves into her sight in the course of rescuing the cat, relentlessly hammers her head against the glass ’til it breaks. … Read the rest

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Wild Horse Nine

Wild Horse Nine

Director – Martin McDonagh – 2026 – US – Cert. 15 – 118m

*****

Two Santiago-based CIA operatives travel to to Easter Island prior to the 1973 coup in Chile; one of them is dying – out in UK cinemas on Wednesday, November 4th

In 1973, Shortly before the CIA’s destabilisation of Chile, two of its operatives travel from Santiago to Easter Island. The terminally ill Chris (John Malkovich) wants to see the Big Heads (the island’s famous indigenous statues) before he dies, and his colleague Lee (Sam Rockwell) – possibly his only friend – has agreed to accompany him.

Their Santiago-based boss MJ (Steve Buscemi) is concerned; Chris has a habit of shooting his mouth off and saying things he shouldn’t, as evidenced in the airport when Chris starts to chat with two attractive female Chilean students Monica (Mariana di Girolamo) and Alicia (Ailín Salas) and he states, after bringing up the subject of “destabilising your country”, that “we ARE the CIA, actually,” leading to furious denials of the fact by Lee. Both girls are horrified.

Chris has an agenda beyond seeing the Big Heads – as he later confides to Lee, when you’ve seen one Big Head, you’ve seen them all.… Read the rest

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Whalefall

Whalefall

Director – Brian Duffield – 2026 – US – Cert. 15 – 106m

The abusive father drama (about half an hour) ***

The whale scenes (most of the film) *****

A man’s memories of his emotionally abusive father help him to survive when he is swallowed by a whale – out in UK cinemas on Friday, October 16th

This is very much a film of two elements. On the one hand, it’s about a bereaved man coming to terms with his memories of his recently deceased, abusive father. On the other hand, it is the spectacle, indeed, the experience, of a man being swallowed by a sperm whale. The whole thing, based on a novel by Daniel Krauss, is set in a coastal town and, mostly, in the nearby ocean.

In the opening 10 minutes, Mitt Gardiner (Josh Brolin from Dune & sequels, 2026, 2024, 2021, Sicario, 2015, all Denis Villeneuve; No Country for Old Men, Joel and Ethan Coen, 2007), an experienced diver losing his fight against a rare cancer named mesothelioma, steps off the side of a boat into the ocean and is never seen again. (Except in flashback.) Before jumping into the water, he seals a number of letters and puts them in a box on the deck.… Read the rest

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Kneecap

Kneecap

Director – Rich Peppiat – 2023 – Ireland, UK – Cert. 18 – 105m

****

A fictionalised origin story about an Irish language rap band as a music teacher teams up with two younger men to turn their confrontational, anti-British poetry into Irish rap music – provocative sex-, drugs-, and violence-laced music biopic screens as part of Film Tottenham presents Rebel Party! on Sunday, September 20th 2026, 6.30 for 7pm start

NSFW

Kneecap are an Irish-speaking rap band who came together on the eve of the 2017 Irish language march in Belfast, Northern Ireland. This drama about them, whatever else it might be and whatever other accusations can be levelled against it, certainly never plays it safe.

That’s obvious from the get-go, when the voice-over by one of the band members explains and shows how all movies abut Northern Ireland start – with footage of terrorist explosions during ‘the troubles’. The film then proceeds to have its cake and eat it, having started in exactly that manner, by starting again with the story of one of its members as a child being baptised in a wood at night and attracting RUC helicopter searchlights for their pains.

It moves pretty swiftly on to show the two fully grown lads in the band as party animals, consuming alcohol and drugs and dealing the latter, for instance giving it away free at early gigs to attract an audience, and engendering a hostile attitude to the Peelers (as they refer to the British police).… Read the rest

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Features Live Action Movies

Leviticus

Leviticus

Director – Adrian Chiarella – 2025 – Australia – Cert. 15 – 88m

*****

Following treatment by a faith healer, two gay teen lovers are stalked by a being that for each of them resembles the other – out in UK cinemas on Wednesday, September 2nd

This is at once a drama and a supernatural horror movie made from a gay perspective. At no point (unless I missed it) does the film refer to anyone or anything called Leviticus. Perhaps that’s the name of the monster (who is not named in the film). Perhaps it’s a reference to the Book of Leviticus in the Bible – possibly not such a stretch since key plot elements involve a local, fundamentalist Christian church community – and such gathered groups tend to believe the Bible to be true word for word (rather than, say, using it as a text to be read and engaged with, taking into account its historical context and trying to make sense of it in today’s world).

Naim (Joe Bird from Talk to Me, Danny & Michael Philippou, 2022) and Ryan (Stacy Clausen) hang out together in the area around their small outback town. Naim is unnerved by the sight of a snake digesting a toad.… Read the rest

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Scars of the Sun
(Taiyo no Kizu Ato,
太陽のきずあと)

Scars of the Sun (Taiyo no Kizu Ato, 太陽のきずあと)

Director – Chusei Sone – 1981 – Japan – Cert. 18 – 99m

***1/2

A young gang leader whose father is a successful literary figure finds himself battling against a rival – part of the Chusei Sone Double Feature on Blu-ray from Monday, July 27th.

NSFW

A dull, industrial pumping sound can be heard in the background. A man in a white raincoat and a hat waits. The wind blows his open coat. He takes out a cigarette. Down the road, another man steals a white car from a garage explaining, “I’ve a funeral to attend.” He picks up the raincoat and hat man.

Another car, red, heading in the opposite direction on the other side of the highway, U-turns and joins him. Both drive recklessly until the white one narrowly avoids a collision with a bicycle.

The other man asks Shuhei (Keniichi Kaneda), in the raincoat and hat, what they do about the now somewhat battered car. Shuhei says it can be fixed using his father’s money. When he tries to sign in for the funeral, he’s told to leave because the deceased wouldn’t have wanted him to attend.

They gather with others at a bar.… Read the rest

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Animation Features Movies Music

The Obsessed
(Toritsukare Otoko,
トリツカレ男,
lit. Obsessed Man)

The Obsessed
(Toritsukare Otoko, トリツカレ男, lit. Obsessed Man)

Director – Wataru Takahashi – 2025 – Japan – Cert. PG tbc – 90m

*****

An obsessive becomes fixated on a woman he sees in a park – sweet, romantic drama plays in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June

Giuseppe (voice: Masaya Sano) becomes obsessed with things. It’s just the way he is. His current obsession is singing. So obsessed that he messes up at work. His restaurant boss is basically a good guy who has tried over the years to look out for his employee as he has become obsessed with, in turn, insects, or ice hockey, or sunglasses. Sometimes his patience is stretched to the limit.

One day, he meets a mouse,(voice: Hayato Kakizawa), befriends him, names him Cielo, and invites the little guy into his home. One past obsession was learning languages – Giuseppe chalked up about 15 and picks up mouse language fairly easily. The mouse worries about Giuseppe, whose flights of fancy mean he’s not a particularly grounded individual.

Another day, walking in the park, Giuseppe sees a pretty girl selling balloons, and she becomes his new object of obsession.… Read the rest

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We’re Nothing
at All
(Ngo Mun
Bat Si Sam Mo,
我們不是什麼)

We’re Nothing at All (Ngo Mun Bat Si Sam Mo, 我們不是什麼)

Director – Herman Yau – 2026 – China, Hong Kong – Cert. 18 – 128m

*****

A seasoned forensics expert pieces together the story behind a bus bombing as the lives and motives of those responsible is revealed in interweaving serial flashbacks – out in UK and Ireland cinemas on Friday, May 29th

A police procedural but not exactly a thriller. This starts off with an unforgettable sequence as, below us, a bus silently weaves its way through streets. And then, without warning, explodes. You’d be forgiven for thinking that, after this bravura opening, you’re in for yet another Hong Kong cops and robbers action movie. And yet, while this is undeniably a police procedural, and contains enough gore and grisly bits to earn it a BBFC 18 certificate, it’s far from your standard HK action outing. Given that Herman Yau’s previous work has included a thriller about a cannibal serial killer The Eight Immortals Restaurant – the Untold Story aka Bunman – the Untold Story (1993) and cops and robbers bomber thriller Shock Wave (2017), this is something of a surprise.

Rather, it’s a drama. If you will, a police forensics drama.… Read the rest

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Rebuilding

Rebuilding

Director – Max Walker-Silverman – 2025 – US – Cert. PG – 96m

****

A divorced man whose home has been destroyed by a forest fire begins to reconnect with his pre-teenage daughter – out in UK cinemas on Friday, April 17th

This opens with an image of red hot embers rising and falling a black night sky. A couple of brief, opening, expository shots is all we are shown of the tragedy, but it’s enough: much of the remainder of the narrative takes place against a backdrop of leafless, tall, burned trees, an area of likely great former beauty now reduced to desolation. This is not the cinema of big budget disaster scenarios with no-holds barred pyrotechnic effects: it’s something altogether much lower key and quieter, an exploration of the effect of natural disasters on the lives of those people who survive them.

The fire has destroyed the 20 acres of property on the edge of the forest where Dusty (Josh O’Connor from The History of Sound, Oliver Hermanus, 2025; Mothering Sunday, Eva Husson, 2017; God’s Own Country, Francis Lee, 2017) lives, an area of outstanding natural beauty. He sells off his surviving livestock at an auction, then calls in on his ex-wife Ruby (Meghann Fahy from The White Lotus, TV series, 2022) who lives in the nearby town with their pre-teen daughter Callie-Rose (Lily LaTorre) and his mother-in-law Bess (Amy Madigan from Weapons, Zach Cregger, 2025; Pollock, Ed Harris, 2000; Field of Dreams, Phil Alden Robinson, 1989).… Read the rest

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Animation Features Live Action Movies

The Last Blossom
(Housenka,
ホウセンカ)

The Last Blossom (Housenka, ホウセンカ)

Director – Baku Kinoshita – 2025 – Japan – Cert. 15 – 90m

*****

A man lives with his wife and child… only they are not really his wife and child – out in UK cinemas on Friday, March 27th

Here’s a movie that breaks all the moulds. I could (and will) tell you several things about it, any of which would (and will) immediately spark preconceptions about what it is. And those preconceptions would (and will) be wrong.

If we start off with it as a drama about family life, which it arguably is, that doesn’t quite give you the full idea. This is a pretty strange family: it’s effectively a single parent mum Nana (voice: Hikari Mitsushima) and her baby son Kensuke who have been taken in by the kindly Minoru Akutsu (voice: Junki Tozuka) who wants to help them. Akutsu is in love with Nana, but he’s the quiet type and can’t bring himself to verbally express his love for her. (Which, I guess, makes this into a romantic drama of sorts. Certainly a tale of unrequited love, albeit an odd one.) And over the years, as the boy grows, the man comes to think of the boy as his own son.… Read the rest