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Ghostbusters Afterlife

Director – Jason Reitman – 2021 – US – Cert. 12a – 124m

*****

A single parent mum and her two teenage kids relocate to a small American town to find strange, paranormal goings-on – out in cinemas on Thursday, November 18th

Hollywood loves sequels to or reboots of successful films. The original Ghostbusters (Ivan Reitman, 1984), in which three parapsychologists set up as a team to capture the many ghosts that have inexplicably begun appearing in New York City, was unlike anything that had gone before with its mixture of comedy, action and the paranormal. Deservedly a huge hit, it spawned the inevitable sequel Ghostbusters II (Ivan Reitman, 1989) which didn’t have a strong enough plot to maintain interest beyond the first 20 minutes or so. The reboot Ghostbusters (Paul Feig, 2016), recasting the parapsychologists as women, worked well enough.

Ghostbusters Afterlife, however, is another attempt at a sequel. A very brave attempt it is too, because sequels are often expected to basically rerun the original film in an attempt to serve the audience a second helping of what they enjoyed before. After seeing it, you might argue that Afterlife does that, but going in, you might wonder what on Earth is going on.… Read the rest

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Features Live Action Movies

Samjin Company English Class (Samjin Group Yeong-aw TOEIC-ban, 삼진 그룹영어토익반)

Director – Lee Jong-pil – 2020 – South Korea – Cert. 12 – 110m

*****

Three undervalued corporate women employees investigate an environmental cover up at their company – a teaser screening from the London Korean Film Festival

1995, Korea. Three twentysomething women working in the Samjin Company are consistently undervalued. They meet up after work and swap stories about their respective departments.

Lee Ja-young (Go Ah-sung from Snowpiercer, 2013; The Host, 2006, both Bong Joon Ho) is a Girl Friday smarter than most of the male employees in her office, including her immediate superior and corporate conformist Choi Dong-soo (Cho Hyun-chul), which would probably cease to function without her. Jeong Yu-nah (Esom from Microhabitat, Jeon Go-woon, 2017) is a marketing minion constantly held back by an immediate superior who does everything they can to take credit for her ideas. Sim Bo-ram (Park Hye-su) is a maths prodigy working in the accounts department where her forward-thinking, male boss Bong Hyeon-cheol (Kim Jong-soo), against the prevailing sexist norm, is possessed of the ability to recognise talent in employees regardless of gender and treat them decently as co-workers.

Sent to clear out the old offices of the boss’ son Oh Tae-young (Baek Hyeon-jin), Lee is told by a male colleague to flush a pet goldfish down the toilet “to set it free”.… Read the rest