Gregory Peck Archives - Jeremy C. Processing

Director – Stanley Kramer – 1959 – US – Cert. PG – 134m

*****

Australia is the only country yet to succumb to radiation sickness following a nuclear war – on Blu-ray from Monday, July 27th

The nuclear submarine USS Sawfish, under the command of Commander Dwight Lionel Towers (Gregory Peck), surfaces in Melbourne, Australia. Lieutenant Peter Holmes (Anthony Perkins) makes a bottle of milk for baby Jennifer and a cup of tea for his sleeping wife Mary (Donna Anderson from Inherit the Wind, Stanley Kramer, 1960; Count Yorga, Vampire, Bob Kelljan, 1976). He has to pick up the milk as it won’t be delivered any more. He’s on his way to see the admiral, who gives him a job on the Sawfish.

Reporting to the commander, he offers to take the latter for a drink, and winds up inviting his to stay at his home. He puts local woman Moira Davidson (Ava Gardner) in charge of him; at a party, where there’s a row between scientist Julian Osborn (Fred Astaire) and another man over who caused the nuclear war, she gets very drunk and comes on to Towers, but she falls asleep, so he puts her to bed.… Read the rest

Cape Fear
(1991)

Director – Martin Scorsese – 1991 – US – Cert. 18 – 128m

*****

A vicious ex-con seeks revenge on the family of the lawyer he sees responsible for his incarceration in prison – review from Strait – the Greenbelt Newspaper, March 1992.

Directed by Martin Scorsese with characteristic and frenetic energy, Cape Fear is his best movie in years. It ranks not so much alongside The Last Temptation of Christ (1988, file under embarrassing personal projects along with Until the End of the World, Wim Wenders, 1991) but rather as a companion piece to early collaborations with actor Robert De Niro like Mean Streets (1973), Taxi Driver (1976) and Raging Bull (1980).

Here, the actor is first glimpsed from behind as a muscled torso tattooed with the Scales of Justice and numerous biblical verses. It’s a foretaste of things to come.

While the original Cape Fear (J. Lee Thompson, 1962) had Robert Mitchum as ex-con Max Cady who terrorises the lawyer (and his wife and daughter) responsible for his prosecution, Scorsese’s remake borrows religious elements from another Mitchum-as-villain vehicle, Night of the Hunter (Charles Laughton, 1955), in which his character justifies his actions in fundamentalist Christian terminology.

De Niro’s Cady is specifically a self-designated vessel of judgement upon the lawyer and his kin.… Read the rest