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Features Live Action Movies

EO (IO)

Director – Jerzy Skolimowski – 2022 – Poland – Cert. 15 – 88m

*****

Forced to leave his home in the circus, a donkey undergoes a series of adventures – out in UK cinemas on Friday, February 3rd

After an absence of some seven years from the cinema, Skolimowski has chosen to make a movie with an animal as its central character rather than a human being. EO is a donkey (played by some six donkeys over different parts of the film) who undergoes a series of adventures as things happen around him. He starts out as a performer in a circus with a girl called Kasandra (Sandra Drzymalska), who takes good care of him and treats him with genuine affection.

Life is good. But then he finds himself co-opted by (and Kasandra arguing with) another circus person Wasyl (Maciej Stepniak) who uses a whip on him to get him to drive a cart of rubbish to the local tip. These two episodes set the tone for what is to follow: while all the humans here use the animal for their own ends, some treat him with kindness while others don’t, rather using him as a means to an end without any sense of his being a conscious creature.… Read the rest

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Features Live Action Movies

Nocebo

Director – Lorcan Finnegan – 2022 – UK, Ireland – Cert. 15 – 96m

***

A mother and fashion designer’s stress levels increase when she hires a too good to be true Filipino au pair – out in UK cinemas on Friday, December 9th

A nocebo is a negative placebo – a belief that some factor will cause a medical or psychological condition to get worse, which it then does.

Christine (Eva Green), a high-flying fashion designer, and her husband Felix (Mark Strong), who works in advertising, lead pressured lives, and they have a daughter Roberta, known to her friends as Bobs (Billie Gadsdon), at primary school. Deciding which of them is going to drop Bobs off at / pick her up from school is always a challenge.

Christine is in the middle of a shoot involving child models when she receives a phone call with bad news about “they’re pulling out the bodies” and has a nervous breakdown, suddenly experiencing bizarre and horrifying hallucinations, with everyone she sees on the set spouting boils, a fate also visited on a mysterious, blind dog covered in sores. A tiny beetle burrows into her neck, later resulting in an itchy sore.

She takes time off work and sleeps with special breathing apparatus at night.… Read the rest

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Animation Features Movies

Tad The Lost Explorer And The Curse Of The Mummy (Tad The Lost Explorer And The Emerald Tablet; Tadeo Jones 3. La Tabla Esmeralda; Tadeo Jones 3. La Taula Maragda)

Director – Enrique Gato – 2022 – Spain – Cert. U – 90m

****

In Mexico, desperate for recognition as a bona fide archaeologist, our hero unearths an Egyptian sarcophagus and unleashes a mysterious power from an Inca temple – out in UK cinemas on Friday, September 9th

Gato’s third instalment of the Tad The Lost Explorer franchise is a lot better than it sounds, chiefly because it delivers narrative coherence and picks up and runs with numerous opportunities afforded by character and script where the similarly inventive Minions: The Rise Of Gru (Kyle Balda, Brad Ableson, Jonathan del Val, 2022) failed.

Having agreed with girlfriend Sara not to go public about his previous archaeological discoveries, Tad has with her help got on to the Chicago Museum’s dig in Mexico – as a lowly assistant, even though he seems more clued-up than the three qualified archaeologists in charge. Rashly opening a secret door by pushing a part of a wall frieze, he finds himself in a vast chamber containing an Egyptian sarcophagus, his report of which is pooh-poohed by his three superiors until, after firing him, they discover it for themselves and take the credit.

This rivalry between the ‘amateur’ Tad and qualified but comparatively clueless ‘professionals’ is kept up throughout the narrative, although the professionals remain secondary characters.… Read the rest

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Features Live Action Movies

All My Friends Hate Me

Director – Andrew Gaynord – 2021 – UK – Cert. 15 – 93m

***

A thirtysomething charity worker’s birthday weekend at the country house of rich friends from his student days turns into a nightmare – out in cinemas on Friday, June 10th

Pete (Tom Stourton, who co-wrote this with Tom Palmer, with both of them producers here) heads off to the house of rich friends in Devon he hasn’t seen since university days for a weekend celebrating his 31st birthday. He doesn’t know the area well and gets lost en route. He’s a bit shocked to find a dog tied up in a field and far more shocked when he disturbs a man sleeping in a parked car who goes berserk and pursues him like a madman, causing the panicking Pete to rapidly flee in his car.

He parks by a gate and a local comes over. “Do you know the way to the manor?”, he asks. “Yes,” comes the reply. “Could you tell it me then,” he asks again. “Yes, I can,” comes the reply. Eventually, he gets the address out of the man. He later relays this story to his friends at the manor, unaware that the man, Norman (Christopher Fairbank), the local who looks after the grounds, has just come in the door behind him.… Read the rest

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Features Live Action Movies

Till We Meet Again (Yue Lau, 月老)

Director – Giddens Ko – 2021 – Taiwan – Cert. 15 – 128m

***1/2

A man ripped from his true love by a fatal lightning strike partners with another dead person as gods of love linking romantic souls together – out in cinemas on Friday, March 11th

A young man is struck by lightning in a thunderstorm and dies. When you die, it seems, you have the choice of reincarnating and going through another life (in whatever form that might take for you) or of staying behind as a god to help people during their lifetimes. For instance, you could be a god of love who helps people to find their soul mate.

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At least this is what happens to lightning-struck Alan Shi (Kai Ko from The Road To Mandalay, Midi Z, 2016) who discovers parts of his face burned off and allocated a bureaucratic caseworker in echoes of movies as diverse as Beetlejuice (Tim Burton, 1988) and After Life (Horokazu Kore-eda, 1998). After some indecision and an encounter with the none too happy girl Pinky (Gingle Wang from Detention, John Hsu, 2019) in the next compartment, he opts to become a god of love and starts training as such.… Read the rest

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Animation Features Movies

Sing 2

Director – Garth Jennings – 2021 – US – Cert. U – 110m

****

The song and dance impressario tries to duplicate his local success in the entertainment capital of the world – animated sequel is out in cinemas on Friday, January 28th

Following successfully putting on a talent show in his local theatre in Sing (Garth Jennings, Christophe Lourdelet, 2016), impressario koala Buster Moon (voice: Matthew McConaughey) wants to move up to the big leagues and stage a musical in Redshore City, the entertainment capital of the world. He thinks it’s his big break when a talent scout, the tall, thin dog Suki Lane (voice: Chelsea Peretti), visits a performance, but has reckoned without her withering appraisal that he’ll never make it outside his local town.

Her put-down, however, only serves to spur him on to attempt the impossible: he corrals his unbelieving performers to Redshore City by coach, rehearsing a new play on the back with them seat en route, for an audition at the prestigious Crystal Tower Theater in front of its owner, wolf Jimmy Crystal (voice: Bobby Cannavale), who presses the ‘reject’ buzzer on most audition acts within about three stanzas and frequently far less.

Crystal’s rejection of Moon’s act on grounds of looking for something more original prompts the troupe’s precocious pig Gunter (Nick Kroll) to spout off, to Moon’s initial horror, about his own idea for a sci-fi musical set in Outer Space and starring the reclusive, rock star lion Clay Calloway (who hasn’t been seen in public for 15 years since the death of his wife and muse).… Read the rest

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Documentary Features Live Action Movies

The Weald (Somaudo Monogatari, 杣人物語)

Director – Naomi Kawase – 1997 – Japan – 73m

***

Serial elderly residents of Japan’s Yoshino Mountains go about their daily business and talk about life’s joys and hardships – online in the UK as part of Yamagata International Documentary Film Festival (YIDFF) from Monday, January 17th to Sunday, February 6th, 2022.

Prior to making such features as The Mourning Forest (2007), Sweet Bean (2015) and Japan’s 2021 International Oscar entry True Mothers (2020), independent Japanese film maker Kawase cut her teeth on intensely personal, low budget documentaries, first shorts then both shorts and features.

For this her third feature length documentary, Kawase took her camera up the Yoshino Mountains at the Southern end of Japan’s two island mainland to shoot the lives of elderly locals recording them and presenting her footage as a series of straightforward portraits. There’s no attempt to impose any narrative or outside agenda; rather, her camera gives space to these people to talk, reminisce and, ultimately, simply to be.

A woman who has spent her entire life farming a small plot of land keeps herself to herself, claims she isn’t lonely and that she likes being at home. “How much longer can I do this,” she asks the camera as she walks up a woodland slope.… Read the rest

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Features Live Action Movies

Sweat

Director – Magnus von Horn – 2020 – Poland, Sweden – Cert. 15 – 106m

****

An Instagram fitness celebrity struggles with the tension between constant self-promotion and everyday existence – on MUBI from Friday, September 17th

This opens with Sylwia Zajac (Magdalena Kolesnik) leading a demanding workout with a crowd of dozens of her fitness fans in a shopping mall. It closes during her appearance on the ‘Good Morning TVN’ TV chat show with her doing a wake up workout for the camera. Somewhere in the middle, when she visits her mum Basia (Aleksandra Konieczna) for a birthday gathering where she meets Basia’s new boyfriend Fryderyk (Zbigniew Zamachowski), she plays her latest fitness DVD on the big plasma TV she’s just given her mum – who thinks it’s too big for her living room.

Hitchcock once described movies as “life with the dull bits left out” but this Polish movie takes a completely opposite approach, with writer-director Van Horne interested in the dull bits in between the star’s high profile presence. Sylwia is as much an Instagram personality as a fitness trainer and has “around 600 000” followers on the platform.

During the opening workout, she addresses her fans as “my loves”, the mode of address she consistently uses in her posts and, it turns out, in life, and after the workout she publicly takes a selfie.… Read the rest

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Features Live Action Movies

Settlers

Director – Wyatt Rockefeller – 2021 – UK – Cert. 15 – 103m

****1/2

The lives of a one-child family living on a farm on Mars are changed forever by the arrival of a hostile outsider – out on digital platforms from Friday, July 30th

Reza (Jonny Lee Miller from Regeneration, Gillies Mackinnon, 1997; Trainspotting, Danny Boyle, 1996) and his wife Ilsa (Sofia Boutella from Climax, Gaspar Noé, 2018) have emigrated to Mars to take over a farm which they now run with the help of their nine-year-old daughter Remmy (Brooklynn Prince from The Florida Project, Sean Baker, 2017). Growing vegetables and rearing pigs, they seem very happy with their lot, not least because that the Earth the couple left behind was not in a good way… We hear very little about it beyond a conversation where Remmy learns her parents never encountered whales or elephants, only dogs, even as that planet hangs in the sky as a constant reminder of where they came from.

The light has a reddish glow. Everything around the compound is dirt, rocky outcrops and occasional areas of bush and scrub. There is no-one else around apart from the three of them.… Read the rest

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Documentary Features Live Action Movies

The Truffle Hunters

Directors – Michael Dweck, Gregory Kershaw – 2020 – US, Italy – Cert. 12a – 84m

*****

Italians carry out a trade their families have pursued for generations with their beloved, faithful and trained dogs – in cinemas from Friday, July 9th

Cinema is about many things. Among them, it’s about the camera, the eye, the ability to observe, to watch. This facet of the medium is immediately apparent as The Truffle Hunters opens with a long shot of a picturesque section of hillside forest, its foliage a cacophony of greens and yellows. We become aware of movement in the vegetation. Two dogs are moving around separately, purposefully, under the watchful eye of their human master, an old man. He – and his animal entourage – are truffle hunters, seekers after the delicacy that is the white truffle which has refused all attempts at systematic cultivation and grows only in Langhe, Piedmont, Northern Italy. For mysterious reasons on which no-one agrees.

These men (they’re all men) are now in their seventies and eighties. They all have their own, jealously guarded territories for hunting the truffles. We watch as a younger man tries to prize the whereabouts of likely truffle finds out of an older man, but he won’t have it.… Read the rest