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The 355

Director – Simon Kinberg – 2022 – US – Cert. 12a – 124m

***

Five female agents from different national security agencies team up to prevent a deadly new cyber-weapon falling into the wrong hands – out in cinemas on Friday, January 7th

An illegal deal is going down 150 miles south of Bogotá, Columbia. A ruthless and powerful mercenary (Jason Flemyng) will stop at nothing to get hold of a deadly new cyber-weapon – a hand-sized device which is capable of accessing and utilising any other computer control system and that can be plugged into a laptop. However, things don’t go according to plan when the sellers’ mansion is raided by Colombia’s Dirección Nacional de Inteligencia (DNI) and the cyber-weapon taken by operative Luis (Édgar Ramirez) who pans to sell it on and vanish with the money.

Posing as a married couple, CIA operatives Nick (Sebastian Stan) and Mace (Jessica Chastain) are sent to Paris, France to rendezvous with Luis and buy the cyber-weapon off him. In their temporary apartment, Nick unexpectedly kisses her and they sleep together, but later he is fatally shot when the operation goes wrong because an operative of the German national security organisation the Bundesnachrichtendienst (BDN) Marie (Diane Kruger) snatches the bag.… Read the rest

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Shock Wave 2, (Chai Dan Zhuan Jia 2, 拆彈專家 2)

Director – Herman Yau – 2020 – Hong Kong – Cert. N/C 15 – 120m

****

A former bomb disposal expert suspected of a terrorist atrocity must prevent a terrorist organisation from destroying the Hong Kong International Airport and taking numerous innocent lives in the process – now available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland as part of the Hong Kong, Reimagined strand until Wednesday, May 12th

If you’ve seen Shock Wave (Herman Yau, 2017) you’ll know that a sequel with Andy Lau reprising his character wouldn’t be possible. Both director and star clearly wanted to capitalise on the first film, however, so they’ve simply dumped character names and most of what happened in the first film, reinvented the main character and started all over again with a completely different story. This has the effect of making the audience feel that they’re seeing another film in the series but at the same time seeing something that’s brand new, not at all a carbon copy.

Except that in the broadest outline it IS a carbon copy: once again, Andy Lau plays an heroic member of the Hong Kong Police’s Explosive Ordnance Disposal Bureau (EOD) with Philip Keung as a friend and colleague in the force, this time round named Lee Yiu Sing, while the plot involves the potential huge bombing of an important Hong Kong landmark – here the Hong Kong International Airport which is blown up at the start only for a voice-over to explain that this terrorist atrocity has been prevented thanks to one man.… Read the rest

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Shock Wave (Chai Dan Zhuan Jia, 拆彈專家)

Director – Herman Yau – 2017 – Hong Kong – Cert. 15 – 118m

****

A bomb disposal expert must prevent a bomber from destroying the Cross Harbour Hong Kong Tunnel and taking numerous innocent lives in the process – now available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland as part of the Hong Kong, Reimagined strand until Wednesday, May 12th

Undercover police bomb disposal expert JS Cheung (Andy LauInfernal Affairs, Andrew Lau, Alan Mak, 2002, Days Of Being Wild, Wong Kar-wai, 1990, As Tears Go By, Wong Kar-wai, 1988) of the Hong Kong Police’s Explosive Ordnance Disposal Bureau (EOD) blows his cover during a daring operation by a gang of criminals to kill as many cops as possible using car bombs. The car chase mayhem ends with the arrest of Biao Hong (Leo Wang Zi-yi) the explosives nerd and little brother of gang leader Peng Hong (Jiang Wu – Wrath Of Silence, Xin Yukun, 2017; Monster Hunt, Raman Hui, 2015). Some time later, Peng Hong Blocks traffic in the busy Cross Harbour Hong Kong Tunnel running from Kowloon to Hong Kong, trapping motorists and passengers as hostages and threatening to blow up the tunnel unless his brother is released.… Read the rest

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Every Time I Die

Director – Robi Michael – 2019 – US – 97m

***1/2

Reality disintegrates around a man tormented by the accidental, childhood death of his sister – on VoD from Monday, October 26th

People who’ve apparently died then come back to life have often reported the sensation of going down a dark tunnel towards the light, which they then haven’t reached because they’ve been brought back to life. That motif is realised a repeated, clumsy special effect at various points in Every Time I Die, along with more subtle and arguably more successful variants on the same theme, such as a child waking up in a hospital room where the door is slightly ajar revealing a light source beyond.

Other elements recur too: protagonist Sam (Drew Fonteiro) repeatedly feels a pain in his head and blacks out, only to repeatedly come to or wake up in another scenario. He wakes as a young lad of eight (Kenneth Moronta), a camera on the table in front of him, in the hospital room with the door ajar and the light beyond, Then he wakes up, in that device we’ve seen so many times in movies where it was all a dream. Here he wakes staring at the face of Mia (Melissa Macedo) who has spent the night with him and now must leave early to go back to her husband Tyler (Tyler Dash White), a soldier recently returned from several months away on active duty.… Read the rest

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The Brand New Testament (Le Tout Nouveau Testament)

Director – Jaco Van Dormael – 2015 – Belgium – Cert. 15 – 113m

*****

Review originally published in Reform, read the full review here.

Showing on MUBI UK from Saturday, August 22nd, 2020

At the end of Time Bandits (Terry Gilliam, 1981), the Supreme Being (Ralph Richardson) bumbles around in a lounge lizard suit mumbling, “I think it has to do with free will, or something.” A similar sense of whimsy pervades the latest film from Flemish director Jaco Van Dormael (Toto The Hero/1991, The Eighth Day/1996) who reworks God The Father as a slobbish despot. Many people in contemporary Western culture struggle with the idea of a loving, patriarchal God so if you’re going to have a crack at exploring Christian theology for the unchurched, this is not a bad place to start… [Read the rest]

Review originally published in Reform, September 2016, to coincide with the film’s UK DVD release.

See also alternative review originally published in (the final issue of) Third Way, May 2016, to coincide with the film’s UK theatrical release.

Showing on MUBI UK from Saturday, August 22nd, 2020.

Trailer:

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The Brand New Testament (Le Tout Nouveau Testament)

Director – Jaco Van Dormael – 2015 – Belgium – Cert. 15 – 113m

*****

Original UK release date 25/03/2016, cert.15, 113 mins

Review originally published in Third Way, read the full review here.

Showing on MUBI UK from Saturday, August 22nd, 2020

The idea of God being an utter bastard sounds theologically none too edifying, yet in the hands of Flemish director Jaco Van Dormael (Toto The Hero/1991, The Eighth Day/1996) that’s not the case. It’s whimsical in the same way as Ralph Richardson playing the Supreme Being bumbling around at the end of Time Bandits (Terry Gilliam, 1981) in a lounge lizard suit mumbling, “I think it has to do with free will, or something.” [Read the rest]

Review originally published in (the final issue of) Third Way, May 2016, to coincide with the film’s UK theatrical release.

See also alternative review originally published in Reform, September 2016, to coincide with the film’s UK DVD release.

Showing on MUBI UK from Saturday, August 22nd, 2020.

Trailer:

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Animation Features Live Action Movies

The Pool

Director – Ping Lumpraploeng – 2018 – Thailand – 91m

****

Now on Shudder, 30 days FREE with promo code SHUTIN

Day (Theeradej Wongpuapan) wakes up. There’s a lot of blood. He’s at the bottom of a drained, six metres deep swimming pool with a crocodile advancing towards him. But how did he – and for that matter the crocodile – get there?

Flash back to six days earlier. Day and his girlfriend Koi (Ratnamon Ratchiratham) are working on a movie set. He looks after the swimming pool and as a bonus his dog Lucky has to heroically jump from the poolside over the water in the schedule’s very last shot. The dog leaps, the crew gets the shot, it’s a wrap, everyone’s happy. In fact, Day is so happy that when almost everyone else has gone, he dozes off on a lilo in the pool while its draining. When he wakes, the water level has gone down so far that he can’t get out. Somewhere on the ground nearby, a flier announces an escaped crocodile on the loose.

I review The Pool for DMovies.org in my LEAFF (London East Asia Film Festival) 2019 coverage. Now on Shudder.… Read the rest