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Animation Documentary Features Live Action Movies

Free Chol Soo Lee

Directors – Julia Ha, Eugene Yi – 2022 – US – Cert. 12a – 83m

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Imprisoned for a murder he did not commit, Korean American Chol Soo Lee became a figurehead for a protest movement, something he felt unable to live up to – out in UK cinemas on Friday, August 19th

In San Francisco’s Chinatown in 1973, Korean loner Chol Soo Lee was arrested and subsequently convicted for a gang murder. While it’s true he had foolishly borrowed a gun off a work colleague a few days previously and accidentally discharged it into his apartment wall giving himself a police record, he was not the murderer. He was identified on the flimsiest of premises by unreliable witnesses, possibly not helped by white cops who wanted to convict a felon for the crime and consign the case to history.

On what was to be his last journey through the outside world before many years in prison, he heard the Tower of Power song “You’re still a young man” on a car radio crossing the Golden Gate Bridge. It resonated. As the years passed in prison, his mother abandoned him. He had fallen for a Japanese American girl he’d met Jean Ranko who subsequently told him in a letter that she had no romantic interest in him.… Read the rest

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Features Live Action Movies Music

Stardust

Director – Gabriel Range – 2020 – UK – Cert. 15 – 109m

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In 1971, an unknown David Bowie tours America to promote his new album The Man Who Sold The World – on VoD from Friday, January 15th

The late David Bowie remains one of the most significant and iconic musicians, artists or stars of the last century. Aside from numerous clips of him performing music or being interviewed of radio or TV, he has a presence in a number of films, among them science fiction adventure The Man Who Fell to Earth (Nicholas Roeg, 1976) and Japanese POW outing Merry Christmas Mr. Lawrence (Nagisa Oshima, 1983). So if you’re going to try and recreate Bowie on film, you’d better be sure of what you’re doing.

On paper, Stardust seems to be doing everything right. Director Range is first and foremost a Bowie admirer familiar with the music, the albums, the wider body of work, the man. You’d have to be in order to make a film like this. And he’s honed in on a particular episode of Bowie’s life – a very interesting one too, the period in the early seventies when he was known for little more than two seeming novelty records, The Laughing Gnome and Space Oddity, the latter now widely regarded as one of his finest songs.… Read the rest