Tag: drunk

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Kinds of Kindness

Director – Yorgos Lanthimos – 2023 – UK – Cert. 18 – 144m

***

A triptych of stories from rising star cult director Lanthimos performed by the same intimate, ensemble cast – baffling auteur exercise is out in UK and Ireland cinemas on Friday, June 28th

Beyond a description of its structure – three separate stories performed by the same ensemble cast directed by one of today’s more idiosyncratic directors – Kinds of Kindness is not an easy film to synopsize. If the term ‘kindness’ in the title is meant to relate to the stories, it’s not immediately obvious as to how that should be (unless kindness is being used in the sense of “type of category” as the stories seem to function, on one level at least, as exploration of categories of transgressive behaviour). In terms of actors giving performances, the film is a masterclass; in terms of technical achievement – camera, editing, sand so on – it’s top of the line stuff; yet, in terms of what the film is about, the point of it, why anyone would want to make this film, you may find yourself completely baffled.

The main cast comprises Emma Stone, Jesse Plemons, Willem Dafoe and Margaret Qualley with support from Hong Chau, Joe Alwyn, Mamoudou Athie and Hunter Schafer.… Read the rest

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Next Sohee
(Da-eum So-hee,
다음 소희)

Director – July Jung – 2022 – South Korea – Cert. 18 – 134m

*****

A schoolgirl on an internship is appallingly exploited by her employers, and a police detective is called in to investigate – out in UK cinemas on Friday, June 14th

Here’s a film which presents a real problem for reviewers. Something monumental happens in the middle of the film which entirely changes it. It’s a little bit like the shift from the traumatic drama to the police manhunt in High and Low (Akira Kurosawa, 1963) and a bit like the infamous shower scene in the middle of Psycho (Alfred Hitchcock, 1960). And yet, the film is like neither of those classics in any other way (except, perhaps, the fact that it’s a remarkable film that will leave you with an indelible impression afterwards). Still, how much can a reviewer give away without ruining the film for audiences?

It’s very much a film of two halves. The first half centres around Sohee (Kim Se-eun), a star pupil at an average secondary school. She is obsessed with dancing, specifically the kind of dance moves associated with K-pop girl- and boy-bands. Among her friends are another former intern from her school who dropped out of her intern position and now spends her evenings getting paralytically drunk.… Read the rest

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If Only I Could Hibernate
(Baavgai Bolohson)

Director – Zoljargal Purevdash – 2023 – Mongolia, France, Switzerland, Qatar – Cert. 12a– 96m

****

A gifted Mongolian boy is torn between providing for his siblings and pursuing his studies – out in UK cinemas on Friday, April 19th

Teenager Ulzii (Battsooj Uurtsaikh) lives with his mum and his three younger siblings in the yurt district of Ulaanbaataar, Mongolia’s capital city, their father having long since disappeared. Mum (Ganchimeg Sandagdorj) is illiterate and struggles to find work, and there is much antagonism between her and Ulzii, who is going through the school system his mother never experienced and took money from his summer job to buy sneakers before giving the remainder to his mum, who needs it to buy coal for their yurt’s stove to keep the family warm in severe, subzero wintry conditions. Sometimes it’s all too much for their mum, who often gets drunk at night.

In class, Ulzii is the star pupil at physics, often completing complex equations using solutions his teacher wouldn’t expect from anyone less than two years older. His teacher (Batzorig Sukhbaatar), finding a prodigy on his hands, starts to coach him to do well in the National exams in order to win a free university scholarship to study physics, which the boy wouldn’t otherwise be able to afford.… Read the rest

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Typhoon Club
(Taifu Kurabu,
台風クラブ)

Director – Shinji Somai – 1985 – Japan – Cert. 18 – 115m

*****

A group of teenagers is trapped inside their school by a typhoon – screenings around the UK and Ireland from Wednesday, April 3rd; also available on Blu-ray from Third Window Films

A film about teenagers which uses tropical weather conditions – in this instance, an approaching and then all-encompassing typhoon – as a catalyst for exploring character. Its bravura visual style engages from the get-go, with a shot looking across a swimming pool between two ropes of a lane with a child swimmer.

Thursday. A bunch of girls in bathing costumes including Yasuko (Tomoko Aizawa) lark about outside in what is obviously hot and humid weather – one runs through a shallow pool and turns on a water spray to catch the others as they follow, but soon their tomfoolery looks like it may have dire consequences as they all but drown the boy pool swimmer Akira (Toshiyuki Matsunaga). Fortunately, Kyoichi Mikami (Yuichi Mikami), who turns up with his friend Ken (Shigeru Benibayashi) in tow, is able to sort the situation out by administering artificial respiration.

Later, Akira and Mikami, with Ken smoking between the pair of them, hang out on a bamboo scaffolding structure discussing girls, including Yasuko’s lesbian activities with another girl.… Read the rest

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Driving Mum
(Á Ferð Með Mömmu)

Director – Hilda Oddsson – 2023 – Iceland, Estonia – Cert. 12a – 112m

****1/2

After his mum dies, a man must honour her last wish by driving her to her final resting place… On the way, she talks to him… – out in UK cinemas on Friday, March 1st

The 1980s. Jón (Þröstur Leó Gunnarsson) lives with his mother (Kristbjörg Kjeld) and his faithful dog Brezhnev in a remote part of rural Iceland. Days are spent sitting in the house knitting sweaters and listening to the radio – actually audio cassette recordings of the radio which run out in mid-sentence. These are periodically received in batches in boxes from a visiting trader in a boat in exchange for Jon and his mum’s home-knitted sweaters. Mum regrets never having been to Gullfoss, and Jon points out it’s unlikely to happen now. He is also a keen amateur photographer who operates his own darkroom. Rightly or wrongly, his mum worries about how he will survive after she’s gone.

One morning, he wakes to discover she has died in her sleep. He makes her corpse up as best he can, which leaves much to be desired, since her resultant look is somewhere between a clown and a zombie.… Read the rest

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#Manhole
(#マンホール)

Director – Kazuyoshi Kumakiri – 2023 – Japan – LEAFF Cert.15 – 99m

***

A man falls down a manhole following his stag night and turns to social media to get help and, hopefully, escape – plays in the Official Selection at the 2023 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 18th to Sunday, October 29th.

The opening minutes of #Manhole resemble any number of Japanese movies you can think of as Shunsuke Kawamura (Yuto Nakajima) attends a surprise party put on by work colleagues at his local watering hole. It’s a good night, suggesting he’s well loved (albeit on a fairly superficial level) and he leaves extremely drunk, briefly saying goodbye to best mate Etsuro Kase (Kento Nagayama from Love Life Koji Fukada, 2022; Villain, Lee Sang-il, 2010) whose well-intentioned present – a lighter – may not be so much use to Kawamura now that he’s given up smoking. Or so it would seem at that point in the proceedings.

Kawamura must have drunk a good deal more than he realised because as he staggers home, he falls down a manhole off of which someone, by accident or design, has left the cover. His upper leg is badly cut.… Read the rest

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Killers
Of The Flower Moon

Director – Martin Scorsese – 2023 – US – Cert. 15 – 206m

*****

A returning WW1 veteran marries into Oklahoma’s Osage Indian tribe at the time of the Osage Indian Murders – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 20th

At slightly over 80 years of age, Martin Scorsese has now been making movies for over 60 years. Like his last, fictional, narrative feature The Irishman (2019), this one is pushing three and a half hours. I always have issues with films that long: the vast majority are that way due to director’s ego and / or inability to tell a story concisely. Some of them might have been better suited to a TV mini-series ( a medium in which, incidentally, Scorsese also works). Yet if you try and imagine Killers Of The Flower Moon cut down in length, it’s difficult. Maybe you could take out the frame story – the performance of a crime drama on the radio on the subject of the Osage Indian Murders – but that sets the scene nicely at the start and takes you back out of the movie equally nicely at the end, so it would be a shame to do so.… Read the rest

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The Ex-Files 4:
Marriage Plan
(Qian Ren 4,
前任4：英年早婚)

Director – Yusheng Tian – 2023 – China – Cert. PG – 129m

****

A man in a trial marriage attempts to help his best friend, on the rebound from a failed relationship, navigate the process of finding a new partner – out in UK cinemas on Friday, October 6th

Chinese writer-director Tian’s romantic franchise, now on its fourth entry, has built its previous instalments around characters whose former partners interfere one way or another with their current, ongoing, attempts at relationships. Meng Yun (Han Geng), a character from the original The Ex-Files (2014) is single again following events in The Ex-Files 3: Return Of The Exes (2017), while the relationship of regular character Yu Fei (Zheng Kai) with girlfriend Ding Dian (Zeng Mengxue) has settled down into some sort of stability.

The latter couple are eating out when she suggests, more on a whim than from any basis in fact, that she might be pregnant. His offer to marry her were that to be the case is met with a degree of disbelief in her arguments about being an independent woman, so they agree to a trial marriage. Yu Fei juggles this with trying to help the single Meng find love, enrolling him in a dating site and offering advice as things develop.… Read the rest

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Animation Features Movies

Guillermo del Toro’s
Pinocchio

Directors – Guillermo del Toro, Mark Gustafson – 2022 – US – Cert. PG – 114m

*****

Created as a puppet by a bereaved, religious woodcarver father, a little wooden boy must make his way in a world of ruthless show business, Fascism and war – stop-frame puppet movie is out on Netflix on Friday, December 9th

Co-helmed by Will Vinton alumnus Gustafson, del Toro’s Carlo Collodi adaptation sees him return to the theme of the Catholic Church collaborating with Fascism that he previously explored in Pan’s Labyrinth (2006). The story roughly follows the familiar template of Disney’s Pinocchio (1940), even down to punctuating the action with songs, but with the loosely defined place and time of a fairytale shifted to a very specific Italy before (briefly) and during World War II, with Pleasure Island replaced by a boys’ military training camp. The emphasis has shifted, too, from the notion of the narrator cricket character as conscience to coming to terms with mortality, although the idea that just because things appear to be fun they may not necessarily be good is knocking around in there too.

A narrator who will later identify himself as Sebastian J. Cricket (voice: Ewan McGregor) introduces us to churchgoing woodcarver Gepetto (voice: David Bradley), who is working on a statue of Jesus Christ crucified for the local church, raising dutiful son Carlo (voice: Gregory Mann), an equally religious child with a true sense of wonder at the world around him, including planes in the sky.… Read the rest

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Red Angel
(Akai Tenshi,
赤い天使)

Director – Yasuzo Masumura – 1966 – Japan – Cert. 15 – 95m

An army nurse is sent to China – as a slogan in one of the film’s trailers puts it, “on the battlefield where life and death is decided.”

*****

Full Blu-ray review published at All The Anime.

In 1939, for her first posting, Nurse Sakura Nishi (Ayako Wakao) is sent to Tianjin Army Hospital. A number of the male patients appear to be faking medical conditions so as to escape the front line, where Japanese casualties are heavy. When she first does her rounds, Private Sakamoto (Jotaro Senba) and a number of the other men are very forward and ask her a lot of personal questions.

Much worse is to come, however, because when she does her night rounds, she finds herself trapped in the men’s dorm and raped by Sakamoto while the others hold her down. Reporting this incident to the head nurse (Ranko Akagi), Nishi learns she’s this soldier’s third victim. The head nurse resolves to have Sakamoto sent back to the front.

As if all this wasn’t bad enough, Nishi is then posted to a front-line hospital where medics go through the incoming wounded, pronouncing them dead or designating them for surgery, for which read amputation.… Read the rest