Tag: gang

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Blow the Night
(Yoru o Buttobas,
夜をぶっとばせ)

Director Chusei Sone – 1983 – Japan – Cert. 18 tbc – 108m

****

Two teenage girls: a high school dropout who falls in with gangs, and 24 hours in the life of a girl who knows a band – part of the Chusei Sone Double Feature on Blu-ray from Monday, July 27th.

NSFW

This starts out with a rock drummer playing a fill, freeze-framed almost immediately to the title of the film, then his band The Street Sliders – whose record company Epic / Sony put ¥10m into the film’s budget – launching into a blistering Japanese Punk / R&B number with the cheerful chorus “Masturbation! Masturbation!” The film travels quite some distance with a cut to disaffected schoolgirl Takada (Namie Takada playing a younger version of herself) being told by the principal that she just needs to turn up for school while the exams are on. “Well-behaved student, my ass!” says a suited teacher after the girl’s been dismissed. “What kind of student dyes her hair and her nails red?”

Well, Namie is the kind that gets in at home without keys in the afternoon by negotiating an open window, changes schools every couple of years, and lives with her sister, grandma.… Read the rest

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Scars of the Sun
(Taiyo no Kizu Ato,
太陽のきずあと)

Director – Chusei Sone – 1981 – Japan – Cert. 18 – 99m

***1/2

A young gang leader whose father is a successful literary figure finds himself battling against a rival – part of the Chusei Sone Double Feature on Blu-ray from Monday, July 27th.

NSFW

A dull, industrial pumping sound can be heard in the background. A man in a white raincoat and a hat waits. The wind blows his open coat. He takes out a cigarette. Down the road, another man steals a white car from a garage explaining, “I’ve a funeral to attend.” He picks up the raincoat and hat man.

Another car, red, heading in the opposite direction on the other side of the highway, U-turns and joins him. Both drive recklessly until the white one narrowly avoids a collision with a bicycle.

The other man asks Shuhei (Keniichi Kaneda), in the raincoat and hat, what they do about the now somewhat battered car. Shuhei says it can be fixed using his father’s money. When he tries to sign in for the funeral, he’s told to leave because the deceased wouldn’t have wanted him to attend.

They gather with others at a bar. His companion, Kobayashi, explains that Sugeru was so good at driving that he, Kobayashi, fell asleep.… Read the rest

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Animation Features Movies

Scarlet
(Hateshinaki Sukaretto,
果てしなきスカーレット,
lit. Endless Scarlet)

Director – Mamoru Hosoda – 2025 – Japan – Cert. 15 – 111m

****

Trapped in the Otherworld, a limbo preceding the afterlife, Princess Scarlet seeks revenge on her uncle who has killed her father the King – anime reimagining of Hamlet is out in UK cinemas on Friday, March 13th

Walking across a vast desert and dying of thirst, a redhead recalls how she came to be there. Those were happier times in sixteenth century Denmark, when Scarlet (voice: Mana Ashida from Lonely Castle in the Mirror, Keiichi Hara, 2022; The House of the Lost on the Cape, Shinya Kawatsura, 2021; Poupelle of Chimney Town, Yusuke Hirota, 2020; Pacific Rim, Guillermo del Toro, 2013) – for it is she – spent time with her father King Amleth (voice: Masachika Ichimura from Giovanni’s Island, 2014), drawing his portrait outdoors. Amleth always had the best interests of his people at heart.

Yet there was always a dark foreboding in the background – Scarlet’s severe mother Gertrude (voice: Yuki Saito from The Third Murder, Hirokazu Kore-eda, 2017) who ripped up her drawing, her power-hungry, warmongering Uncle Claudius (voice: Koji Yakusho from Perfect Days, Wim Wenders, 2023; Belle, Mamoru Hosoda, 2021, The Third Murder; Cure, Kiyoshi Kurosawa, 1997; Shall We Dance, Masayuki Suo, 1996) with his greedy eyes on the throne.… Read the rest

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Resurrection
(Kuangye Shidai,
狂野时代,
lit. Wild Times)

Director – Bi Gan – 2025 – China – Cert. 15 – 160m

****

An authority figure pursues a Deliriant – a man who escapes the authorities and his own social responsibilities by dreaming – through a period of a hundred years – out in UK cinemas on Friday, March 13th

This opens with a long series of intertitles about people discovering that the secret to eternal life is to stop dreaming. Rebels who refuse to do this are known as Deliriants, and they cause all manner of disruption to wider society. Then, the celluloid image catches fire…

revealing people watching stupified from the cinema stalls only to be rushed out by a truncheon-wielding policeman as music plays in the manner of a silent film. A lady photographer (Shu Qi from The Assassin, Hou Hsaio-hsien, 2015; The Transporter, Louis LeTerrier, Corey Yuen, 2002; Millennium Mambo, Hou Hsaio-Hsien, 2001) appears to take a picture of the unseen projector (where we, the audience, are sitting).

The intertitles continue. One Deliriant (Jackson Yee from The Battle at Lake Changjin II: Water Gate Bridge, Tsui Hark, 2022; The Battle at Lake Changjin, Chen Kaige, Dante Lam, Tsui Hark, 2021) has been forgotten because he’s hiding in an ancient, distant past – that is film.… Read the rest

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Strongroom

Director – Vernon Sewell – 2025 – UK – Cert. 12a – 80m

*****

Three men have planned the perfect bank robbery… but then, everything goes wrong – out in UK cinemas on Friday, January 30th, BFI Blu-ray Monday, February 23rd, and BFI Player Monday, March 23rd

Strongroom doesn’t hang around. It opens with a strongroom door which must be locked at close of business by two separate keys, one looked after by the bank manager Mr. Spencer (Colin Gordon from Oh Brother!, TV series, 1968; The Pink Panther, Blake Edwards, 1963; Heavens Above!, The Boulting Brothers, 1963; The Man in the White Suit, Alexander Mackendrick, 1951) and the other by his secretary Miss Taylor (Ann Lynn from Just Good Friends, TV series, 1984-86; A Shot in the Dark, Blake Edwards, 1964). This Saturday, she’s agreed to work late as no-one will be in until the Tuesday after Easter.

What neither of them know is that sitting outside the bank in their small van, waiting for the bank employees to leave as per their usual schedule, is a gang of three criminals Griff (Derren Nesbitt from Tucked, Jamie Patterson, 2018; Where Eagles Dare, Brian G.… Read the rest

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Mo Papa
(Mo Papa)

Mo Papa

Director – Eeva Mägi – 2025 – Estonia – 88m

*****

A young ex-con imprisoned as a teenager for killing his younger brother tries to make his way in present-day Tallinn – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

I am wary of unscripted feature films. There is a reason why most narrative movies are made working from scripts; actors have lines to speak, to help them get a handle on their characters. Technicians have an idea of what they are realising on the screen or the soundtrack for a director. Without a script, most attempts at making a film are liable to founder. And quite probably result in an indulgent, unwatchable movie.

Mo Papa, according to the Festival’s blurb, was unscripted. On the one hand, I fear the worst. On the other, after three years of watching Critics’ Picks at Tallinn, I know the standard to be generally high, and duff films are happily all too rare. Would Mo Papa turn out to be one of those rare blips?

It’s also an Estonian movie, and because this is an Estonian festival, in a sense that ups the ante. So I’m really hoping it’s going to be good.… Read the rest

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Nobody 2

Director – Timo Tjahjanto – 2025 – US – Cert. 15 – 89m

**

A professional hitman takes his family on holiday to rebuild their trust, embracing and revelling in the violence that erupts around him – out in UK cinemas on Friday, August 15th

“Who are you people?”, asks one of two investigating officers of a man (Bob Odenkirk) and his dog in an interrogation room in the bookend device that opens and closes this sequel. Flashback: he is a married man Hutch with a wife Becca (Connie Nielsen) and two teenage kids Brady (Gage Munroe), 17, and Sammy (Paisley Cadorath), 12. As the days of the week go by – Monday, Tuesday, Wednesday, Thursday, Friday – mum gets the kids fed and off to their school (which we never see) and she drives off to her demanding real estate job (which, again, we never see).

We do see his work, though. Some days, he lies in, his head flashing back to disturbing and violent memories. Some days, he works: for instance, the day when he enters a hotel lift and brutally fights to the death with the three bodyguards protecting a suited convention guest who has in his possession the Card which our man has been instructed to retrieve.… Read the rest

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Two Way Stretch

Director – Robert Day – 1960 – UK – Cert. U – 78m

****

Three prisoners plot a heist with the perfect alibi… that they are incarcerated in prison at the time – classic British prison comedy is out on UK Blu-ray on Monday, August 4th

Very much of its time, this British prison comedy concerns three convicts and an outside contact who sets them up with the perfect job. The top-billed performer is Peter Sellers, a British household name by this time thanks to radio’s long-running comedy series The Goon Show TIMES, but far from being a straightforward vehicle for Sellers’ indisputable comic talents, the film is very much an ensemble piece, with a main cast that reads like a who’s who of British comedy acting talent of the time.

Prisoner Dodger Lane (Peter Sellers) and his two cellmates Jelly Knight (David Lodge) and Lennie Price (Bernard Cribbins) have engineered themselves a cushy existence in one of H.M. Prisons where every morning at 7 a.m. sharp, groceries are delivered by van via a rope through their cell window and their beloved cat Strangeways is periodically taken out for a walk by friendly Chief Prison Officer Jenkins (George Woodbridge). The latter is due to retire shortly, and soon after that, the three men’s sentence (for the same crime) is due to end.… Read the rest

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This is England

Director – Shane Meadows – 2006 – UK – Cert. 18 – 101m

A young, pre-teenage lad falls in with a gang of skinheads in Post-Falklands War, Thatcherite Britain – originally published in Third Way in 2007, to coincide with the film’s UK release date

The above one line synopsis, although accurate, doesn’t even begin to convey the piece’s considerable strengths. (Note: Meadows would subsequently develop this into a series of TV dramas in the UK using many of the same cast and characters: This is England ‘86, This is England ‘88 and This is England ‘90 in 2010, 2011 and 2015 respectively.)

Meadows is a unique and powerful voice, a teenage school dropout who kicked off his career in features with 1996’s 60-minute feature Small Time and went on to greater things TwentyFourSeven (1997) and critical favourite A Room For Romeo Brass (1999). His highest profile effort is the less impressive Once Upon A Time In The Midlands (2002), which suffers from trying to make an epic with an all-star British cast. Meadows is not about big movies (not yet, anyway) – he began shooting movies with mates as actors and has an uncanny ability to draw incredible performances out of actors and non-actors alike, based as much on the people concerned as on their acting ability.… Read the rest

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Cadejo Blanco

Director – Justin Lerner – 2023 – Guatemala, US, Mexico – Cert. 15 – 125m

*****

A young woman infiltrates a drugs gang in order to find out what happened to her elder sister, who never came back from a night out – out in UK cinemas on and on demand Friday, August 23rd

This opens with a deceptively simple sequence of two young women getting ready to go out for an evening. The older one, who apparently goes out a lot, and we’ll later learn is called Bea (newcomer Pamela Martínez), is pressurising the younger one Sarita (Karen Martínez from The Golden Dream, Diego Quemada-Diez, 2014), who has never been out to a club before. They might be flatmates, but as the scene plays out, it emerges that they are sisters. Bea helps Sarita dress up.

While this may sound banal, it’s shot in a long take, and there’s something utterly compelling about it. Perhaps it’s the script, which appears to do everything it needs to with no flab or wastage. Perhaps it’s the casting: you absolutely come to believe these two are sisters (as far as I can tell, despite having the same surname and looking quite similar, the two actresses are not real life sisters).… Read the rest