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The Million Ryo Pot
aka
Tange Sazen
And The Pot
Worth A Million Ryo
(Tange Sazen
Yowa:
Hyakuman Ryo
No Tsubo,
丹下左膳余話
百萬両の壺)

Director – Sadao Yamanaka –1935 – Japan – 92m (longest available version)

***1/2

Period drama in which various characters palm a worthless pot off on others only to later discover it’s extremely valuable – plays UK cinemas in the Japan Foundation Touring Film Programme 2023 between Friday, 3rd February and Friday, 31st March

A gorgeous restoration by Nikkatsu, this populist potboiler from 1935 is an excuse to show off the talents of chambara star Denjiro Okochi as the eponymous ronin Tange Sazen, who at one point cheerfully admits himself to be a freeloader off of archery club hostess and geisha house owner Ofuji (Kiyozo).

The equally eponymous pot, however, is in the film from the start, as after he has passed it off to his brother Genzaburo (Kunitaro Sawamura) who has married the daughter of a swordsman in Edo, a regional Yagyu Lord is informed that the pot’s glaze conceals a map to the whereabouts of a treasure chest containing a million ryo hidden by one of his ancestors shortly. Unaware of its considerable value, the latter’s wife Hagino (Hanai Ranko) is embarrassed by this piece of worthless junk and wants her husband to throw it in the shed, so she doesn’t have to look at it.… Read the rest

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A Far Shore
(Tooi Tokoro,
遠いところ)

Director – Masaaki Kudo – 2022 – Japan – 128m

****

An underage Okinawa bar hostess attempts to raise her small son while worsening circumstances conspire against her – world premiere in the Karlovy Vary International Film Festival (KVIFF) 2022 which runs from Friday, July 1st to Saturday, July 9th

A man in Okinawa club Night Babylon asks her age of a hostess: “you don’t seem very old”. It turns out the girls in question are under 18 (the legal age limit for working there; in Japan, it’s also illegal to consume alcohol under the age of 20). In fact, these girls are 17 and proud of the fact that in “wild Okinawa”, the hostesses in bars are so young. The hostesses in question are Aoi (Kotono Hanase) and her friend Mio (Yumemi Ishida), and when not working, they like to party hard, for instance to celebrate a friend’s birthday, which involves much drinking and dancing in a club. There don’t appear to be any men in their immediate peer group: they’re all women.

Once she returns home from her club night shift, Aoi calls in on her grandmother to pick up her two-year-old son Kengo (Tsuki Hasegawa).… Read the rest

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Beasts
Clawing At Straws
(Jipuragirado
Japgo Sipeun
Jimseungdeul,
지푸라기라도
잡고 싶은 짐승들)

Director – Kim Yong-hoon – 2020 – South Korea – Cert. 15 – 108m

****

A number of individuals in dire financial straits do whatever they can to get hold of a bag of money – on Curzon Home Cinema from Friday, August 6th and Digital from Monday, August 23rd

Seemingly disparate plot strands suggest a group of separate stories about to be narrated in parallel, but in fact they’re all part of the same story and eventually converge in this compelling thriller involving an ensemble of characters and a bag of money. A number of the characters are in dire and indeed impossible financial circumstances with no obvious way out. The bag of money, when it turns up in each of their lives, represents a possible escape route for each of them.

Lowly bathhouse attendant Jung-man (Bae Seong-woo) finds the abandoned carryall stuffed full with wads of banknotes in a locker on the premises. Of course, the right thing to do would be to hand it in to his boss, but his boss is a nasty piece of work who fires any employee who’s late twice. Besides, Jung-man’s incontinent mother (Youn Yuh-jung) who lives in his home has dementia, refuses to wear incontinence pads and makes life hell for his wife who works a menial cleaner’s job at the airport.… Read the rest