Categories
Documentary Features Live Action Movies

My Name Is
Alfred Hitchcock

Director – Mark Cousins – 2022 – UK – Cert. 15 – 120m

*****

Idiosyncratic documentary is a personal journey through Hitchcock’s movies narrated by the legendary director himself – out in UK cinemas on Friday, July 21st

Hitchcock having been dead for over four decades, he doesn’t actually narrate this film. The voice over is instead a convincing impression by Alistair McGowan and even though you know it’s a trick, you soon settle in to the idea that Hitch genuinely recorded a voice over for this film. Cousins even plays along with the odd, “yes, Mr. Hitchcock.”

Cousins has these days established himself as a documentarian of cinema, covering subjects as integral as the act of looking itself (The Story Of Looking, 2021) and key directors such as Orson Welles (The Eyes Of Orson Welles, 2018). He’s very knowledgeable on cinema and numerous other subjects, and the effect is rather like spending a pleasant evening chatting in the pub with a friend possessing these skillsets (albeit a pub equipped with the ability to unobtrusively show film clips as and when needed). He’s also very much his own man, a superb communicator with his own unique way of looking at things, so you’d expect a film about as well known a director as Hitch to be not only well-informed about its subject but also to offer some unique insight or perspective that mark the production out as coming out of Mark Cousins’ head.… Read the rest

Categories
Documentary Features Live Action Movies

Brainwashed:
Sex-Camera-Power

Director – Nina Menkes – 2022 – US – Cert. 18 – 107m

***1/2

A lecture on how movies treat male and female bodies differently, augmented with interviews from female directors, actresses, critics and others, using numerous film clips – on BFI Player from Monday, July 17th

This is a film based on a lecture given by director Menkes under the title: Sex and Power, the Visual Language of Cinema. As far as I can tell from the evidence here presented, it is (or was) something like a TED Talk but much longer. It’s possible it may have worked better as a live lecture than as a film. I’m guessing also there’s something of the band Talking Heads’ Stop Making Sense (Jonathan Demme, 1984) concert film about this: a live performing act wanting a film of their performance so it can reach a wider audience without the necessity of the performers physically touring the act. But where Stop Making Sense is a masterpiece of the filmed performance (or, technically, in that film’s specific case, the filmed music concert) genre, Brainwashed: Sex-Camera-Power is not. Even if you’re broadly in tune with its thesis (which I like to think I am), it does feel like you’re being repeatedly told the same thing and somewhere (perhaps around the 75 minute mark) you get fed up with it.… Read the rest