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Documentary Features Live Action Movies

Boorman
and the Devil

Boorman and the Devil

Director – David Kittredge – 2025 – US – Cert. 15 – 112m

*****

How director John Boorman’s sequel (or not) to The Exorcist became one of the biggest Hollywood flops of all time – out in UK cinemas on Friday, September 25th

This quite understandably takes a while to get around to its subject, talking both about where Hollywood found itself in the 1960s and looking at Boorman’s directorial career before settling on the production that nearly destroyed his career. Once it gets there though, a considerable amount of time is allotted to a production which starts to sound like one of the most amazing spectacles ever filmed. Yet this comes alongside a feeling that, on the most fundamental level, something is going to go or perhaps has already gone horribly wrong before the director has even signed on.

By the early 1960s, Hollywood was making big budget epics like Cleopatra (Joseph L. Mankiewicz, 1963) or The Fall of the Roman Empire (Anthony Mann, 1964). When such movies started to fail at the box office, it turned to younger directors in the hope that they might understand what audiences wanted. The result was movies like Easy Rider (Dennis Hopper, 1969) or The Graduate (Mike Nichols, 1967).… Read the rest

Categories
Features Live Action Movies

Jurassic World
Dominion

Director – Colin Trevorrow – 2022 – US – Cert.12a – 148m

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Sixth Jurassic movie promises then dumps a plot where humans and dinosaurs co-exist in the modern world and instead heads for a secluded valley where numerous dinosaurs are kept by a dodgy corporation – out in cinemas on Friday, June 10th

There’s a long tradition in cinema of putting dinosaurs alongside humans, as if the dinosaurs on their own wouldn’t be enough to bring in audiences. This is nonsense of course: look no further than the TV series Walking With Dinosaurs (1999), Walt Disney’s Fantasia (segment directors: Bill Roberts, Paul Satterfield, 1940) or The Animal World (effects: Willis O’Brien, Ray Harryhausen, 1956), and the high regard in which they’re held, for proof.

The genius of Jurassic Park (Steven Spielberg, 1993) was to reconstruct the dinosaurs from their DNA, providing a much better reason to put both species side by side than the lost plateau of The Lost World (effects: Willis O’Brien, 1925), the lost island of King Kong (effects: Willis O’Brien, 1933), the lost valley of The Valley Of Gwangi (effects: Ray Harryhausen, 1969) or the cavemen and dinosaurs of One Million Years B.C. (effects: Ray Harryhausen, 1966).… Read the rest