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Hope
(Hopeu,
호프)

Hope (Hopeu, 호프)

Director – Na Hong-jin – 2026 – South Korea – Cert. 15 – 160m

*****

A cop and various groups of hunters track then confront a monster wreaking havoc in a small town and the woodlands nearby – out in UK cinemas on Friday, September 25th

Patrolling local cop Bum-seok (Hwang Jung-min from Deliver Us From Evil, Hong Won-chan, 2020; The Wailing, Na Hong-jin, 2016; New World, Park Hoon-jung, 2013; Shiri, Kang Je-Gyu, 1999) and his second cousin Sung-ki (Zo In-sung from Escape From Mogadishu, Ryu Seung-wan, 2021; A Dirty Carnival, Yoo Ha, 2006) arrive at the scene of a tragedy where four men are waiting. Further down the road, initially in the distance and later seen in close up like so much in this film, lies the slaughtered bull, huge slashes on its flank.

The slashes are too big to have been made by a bear. One of the men suggests it’s the tiger that comes down from Siberia every few years. The men head to the woods where the tiger has been spotted. The cop’s route takes him into a nearby town of Hope Harbor, where huge holes in shop fronts suggest the presence of a creature much bigger than a tiger.… Read the rest

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Heart of the Beast

Heart of the Beast

Director – David Ayer – 2026 – US – Cert. 12a – 100m

*****

A heart attack and his plane’s crash landing force a pilot and his dog to cross the Alaskan wilderness on foot – out in UK cinemas on Wednesday, September 23rd

In a framing device that opens and closes the narrative, a woman (Anna Lambe) is driving her car along a road in Alaska in the middle of nowhere. She is forced to stop by a dog standing facing towards her in the middle of the road. As if it were trying to tell her something…

Some days earlier, retired, special forces soldier James Belmont (Brad Pitt) and his former combat dog Odin are travelling around Alaska by Cessna seaplane. They land on an unspoiled lake. Odin has a prosthetic leg. They pitch tent on the beach, then go exploring in the nearby woods where they are surprised to run across another human being.

There shouldn’t be anyone else around these parts, and the suspicious James reverts to combat mode, deploying his gun in readiness. However, the stranger (J.K. Simmons) turns out to be friendly, simply another person enjoying the solitude of the place, who tells them he’s pitched his own tent next to theirs.… Read the rest

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Landship

Landship

Director – Callum Burn – 2026 – UK – Cert. 15 – 89m

****

A British tank crew on the offensive on WW1’s Western Front becomes stranded behind enemy lines when their vehicle is immobilised – out on DVD, Blu-ray and Digital in the UK and Ireland on Monday August 10th

Doom-laden music. Historial WW1 footage. 1917. Captions explain the situation. The Allies, surrounded on three sides near Ypres, France, push forward, sustaining heavy casualties. Visuals: a lone British officer – you can tell by his revolver and moustache – moves around in the murk near a barbed wire barricade. One hesitates to say “advances” because he appears to be going back and forth. Possibly, he’s lost. A German knocks him out with a rifle butt.

Half-way through the movie, we’ll realise this sequence was a flash-forward. Perhaps the screenplay could have delivered a better oening (this one feels like it came out of the editing).

August 22nd 1917. Four privates inside an industrial metal structure, playing cards, argueing. One of them, Ernest (Ernest Hans Braedy – Nadav Burstein) is sketching a bird from memory. Their C.O., who we’ll later learn is Lieutenant Hill (David Dobson from Spitfire Over Berlin, 2022; Lancaster Skies, 2019; Fray Bentos, short, 2014, all Callum Burn), introduces a senior officer Captain Richardson (Vin Hawke from Battle Over Britain, Callum Burn, 2023) who is joining them today.… Read the rest

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The Killer
(Dip Huet
Seung Hung,
喋血雙雄)

The Killer (Dip Huet Seung Hung, 喋血雙雄)

Director – John Woo – 1989 – Hong Kong – Cert. 18 – 110m

*****

Having accidentally blinded a nightclub singer in a hit, a gunman takes on one last job to fund the operation to restore her eyesight – 4K Restoration plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July

Following the success of A Better Tomorrow (1986), this secured John Woo the international interest that would eventually bring Hollywood offers. Woo further distils A Better Tomorrow’s themes of brotherhood, loyalty and betrayal through the device of a cop first facing off against and subsequently bonding with the assassin he’s pursuing; many consider The Killer Woo’s finest achievement.

Professional assassin Ah Jong (Chow Yun-fat) accidentally blinds nightclub singer Jennie (Sally Yeh) with a stray bullet in a hit to become the focus of his guilt. Detective Li Ying (Danny Lee) is trying to catch him.

The backdrop is already familiar Woo and Hong Kong gangster genre territory – triad hits and betrayals, working cops misunderstood by their superiors. The action set pieces rank among the director’s finest: the opening night club slaying, the Dragon Boat Festival hit followed by the fight on the beach, car chases and multi-storey car park shoot outs, all topped by the brilliantly choreographed and seemingly endless final shoot out wherein killer and cop join forces in a church surrounded by unfriendly gangsters.… Read the rest

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Animation Features Movies

Rogue Trooper

Rogue Trooper

Director – Duncan Jones – 2026 – UK – Cert. 15 tbc – 90 m

*****

In the ongoing war between the North and the South, a small elite fighting unit is dropped onto the planet to clear the way for advancing forces – premieres in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June

To the uninitiated, Rogue Trooper was one of the staple strips of groundbreaking British comic 2000 A.D. I mention this because to a critic coming in cold to the script, where main characters are confusingly named as numbers like 19 or 27, it’s a near-impossible film to synopsise.

Which is not to say that there isn’t a plot – there most definitely is one – more that it’s difficult to sort out what’s going on from the get-go. Although this is essentially science-fiction, it may also represent one of the strongest, on-the-ground portrayals of the fog of war the cinema has given us, with much of the battlefield action quite literally shrouded in a permanent haze of smoke from gunfire and explosions.

In addition, wider shots of views of the planet deliver impressive vistas which hark back to background painting effects in movies Forbidden Planet (Fred M.… Read the rest

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Normal
(2025)

Normal (2025)

Director – Ben Wheatley – 2025 – US – Cert. 15 – 90m

*****

Following the recent death of the town’s sheriff, an interim sheriff takes on the job at Normal, Minnesota – a town harbouring dark secrets related to Japanese yakuza – out in UK cinemas on Friday, May 15th

Osaka, Japan. Three yakuza gang members who have failed to carry out a job properly must atone in front of their boss by cutting off their little finger. The two that do so are sent to the US on their next mission.

Normal, Minnesota. Following the recent death of old Sheriff Gunderson, Interim Sheriff Ulysses (Bob Odenkirk from Nobody, Ilya Naishuller, 2021; Better Call Saul, TV series, 2015-22) is getting to grips with his new job, driving around with Deputy Mike (Billy MacLellan from Nobody; Maudie, Aisling Walsh, 2016). Ulysses will be in the town for a mere eight weeks and his philosophy is, don’t upset anything and leave the place as you find it.

Normal may hold a few surprises for Ulysses. Such as the day he discovers a trail of red outside the door which turns out to have been caused by the local moose with a can of red paint dangling from one antler, of which he takes a photo.… Read the rest

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I’ve Seen All I Need To See

I’ve Seen All I Need To See

Director – Zeshaan Younus – 2025 – US – Cert. 15 – 84m

*

A woman mourns her sister, dead in circumstances which remain far from clear – impenetrable drama is out in UK cinemas on Friday, May 1st

NSFW

Parker (Renee Gagner from Gazer, Ryan J. Sloan, 2024) sits on a chair and delivers a monologue. Apparently she’s doing an audition for an acting part. Either way, she rambles on about being finger-fucked in a car by a man who would later be turned to red mist as he served abroad with the military. The sequence, which consists of one unbroken, locked-off camera shot, is unlikely to engage you on any level. And it’s typical of everything else about this lacklustre effort.

In the middle comes a sequence in which car headlights appear in a night of pouring rain, and a series of characters gather outside a warehouse. One of them pulls out a gun. Shots are heard to be fired, by which time the picture has cut to a sunset landscape so you could be looking at the end of this mysterious meeting that looks like it isn’t going to go well, or it might be unrelated.… Read the rest

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Resurrection
(Kuangye Shidai,
狂野时代,
lit. Wild Times)

Resurrection (Kuangye Shidai, 狂野时代, lit. Wild Times)

Director – Bi Gan – 2025 – China – Cert. 15 – 160m

****

An authority figure pursues a Deliriant – a man who escapes the authorities and his own social responsibilities by dreaming – through a period of a hundred years – out in UK cinemas on Friday, March 13th

This opens with a long series of intertitles about people discovering that the secret to eternal life is to stop dreaming. Rebels who refuse to do this are known as Deliriants, and they cause all manner of disruption to wider society. Then, the celluloid image catches fire…

revealing people watching stupified from the cinema stalls only to be rushed out by a truncheon-wielding policeman as music plays in the manner of a silent film. A lady photographer (Shu Qi from The Assassin, Hou Hsaio-hsien, 2015; The Transporter, Louis LeTerrier, Corey Yuen, 2002; Millennium Mambo, Hou Hsaio-Hsien, 2001) appears to take a picture of the unseen projector (where we, the audience, are sitting).

The intertitles continue. One Deliriant (Jackson Yee from The Battle at Lake Changjin II: Water Gate Bridge, Tsui Hark, 2022; The Battle at Lake Changjin, Chen Kaige, Dante Lam, Tsui Hark, 2021) has been forgotten because he’s hiding in an ancient, distant past – that is film.… Read the rest

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Crime 101

Crime 101

Director – Bart Layton – 2025 – US, UK – Cert. 15 – 140m

*****

A high class lone operator thief and the rigorously analytical cop on his trail cross paths with a disillusioned insurance saleswoman to the wealthy – out in UK cinemas on Friday, February 13th

As coloured dots come into focus, they are revealed to be the lights of a Los Angeles freeway upside down, an image which bookends the movie. Davis (Chris Hemsworth) exercise in his sparse apartment before donning a suit. Detective “Lou” Lubesnik (Mark Ruffalo) shaves in his small, untidy bathroom. Sharon Coombs (Halle Berry), in her bathroom, goes through the laborious task of applying make-up.

This is essentially a four-hander – more of the fourth character later on.

Davis is a lone operator who thinks through his proposed robberies beforehand in such a way as to ensure that no-one gets hurt. LAPD investigator Lubesnik has become obsessed with a string of robberies he believes committed by the same person, to the detriment, as his colleagues and superiors see it, of his regular police work. Sharon works for a high end insurance company who have been stringing her along for years with hollow promises of board membership to use her now fading good looks to close sales to wealthy clients.… Read the rest

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Odyssey
(2025)

Director – Gerard Johnson – 2025 – UK – Cert. 18 – 110m

****

A ruthless London estate agent with mounting debts finds herself at the mercy of criminal backers – out in UK cinemas on Friday, November 7th

This starts off no holds barred with protagonist Natasha (Polly Maberly from Muscle, Gerard Johnson, 2019) having a tooth removed at the dentist’s, then having her card declined as she attempts to pay the £950 bill, going out of the front door after the third failed payment attempt. Throughout what follows, she will consistently receive phone messages about the outstanding amount and ignore them, although you suspect they are slowly eating away at her soul along with most of the other influences in her life. Somehow the incident seems to define her character: a driven, self-made woman – or, more accurately, a self-making one who never quite got there and lives beyond her means to maintain the illusion.

Natasha runs a tight office with right-hand woman Safi (Kellie Shirley), tech guy Spike (Charley Palmer Rothwell) developing a game-changing app for her, and promising new girl learning the ropes Dylan (Jasmine Blackborow). But Natasha is the person in charge of everything, the place where the buck stops, and despite their undoubted talents the other three seem scarcely to matter: it’s all about Natasha as she struggles to see through a hostile takeover, or, as she frames it, merger.… Read the rest