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Animation Features Movies

Lupin III The First

Director – Takashi Yamazaki – 2019 – Japan – Cert. 12a – 93m

****

Master thief Lupin III sets out to steal a diary protected by a lock with a fiendishly complex mechanism and becomes embroiled in an occult, Nazi plot to take over the world – was out in Showcase cinemas in the UK on Wednesday, June 2nd at 7.30pm only (and not press screened beforehand)

A character with a long history in Japan in anime, manga artist Monkey Punch’s celebrated gentleman thief Arsène Lupin III, a descendant of Maurice LeBlanc‘s Arsène Lupin character for reasons, initially at least, of copyright avoidance rather than innocent genealogy. LeBlanc’s bona fide character recently featured in the French live action Netflix series Lupin (creator: George Kay, 2021). 

For this Japanese reboot, Lupin III and his fellow franchise characters are back on the big screen, now lovingly animated in state of the art 3D animation which has never looked quite like this. The nimble movements of Lupin as he typically evades the grasp of Interpol’s Inspector Zenigata by firing a climbing line at a ceiling, outwits an ingenue girl thief on Paris rooftops and finally has his stolen object taken off his hands by the shapely Fujiko Mine as she dangles from a helicopter rope ladder would look good in drawn animation – for similar antics look no further than earlier Lupin III outing Castle Of Cagliostro (Hayao Miyazaki, 1980) – but they look considerably better rendered in full 3D CG here. … Read the rest

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Features Live Action Movies

La Haine

Director – Mathieu Kassovitz – 1995 – France – Cert. 15 – 98m

***1/2

Three disenchanted, immigrant youths from a banlieu estate take themselves to Central Paris for 24 hours – in cinemas from Friday, September 11th, on Blu-ray from Monday, November 16th and on BFI Player from Friday, December 18th

There’s a verbal story opening and underscoring La Haine. A man falls off a building. Each storey he passes in his descent, he says, “so far, so good…” “so far, so good…” “so far, so good…” It’s not how you fall, it’s how you land. Cue an image of planet Earth with a flaming Mototov Cocktail descending towards it.

Shot in stylish black and white and set in the aftermath of a riot in a Parisian banlieu, the film follows three young friends who beneath their tough guy street banter are concerned for their friend Abdel who has been hospitalized and may well die. While ‘banlieu’ translates literally as ‘suburb’, the French banlieu is at the rough, opposite end of the social scale from cosy, English ‘suburbia’. The banlieu is more like an English sink estate, full of people at the bottom of the social order, powerless, excluded.

This particular banlieu is home to immigrants of various different ethnic backgrounds: Sayid (Saïd Taghmaoui) is Arabic, Vinz (Vincent Cassell) Jewish and Hubert (Hubert Koundé) Black.… Read the rest

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Features Live Action Movies

Les Misérables

Director – Ladj Ly – 2019 – France – Cert. 15 – 104m

****

Exclusively in cinemas from Friday, September 4th

Although this takes its title from Victor Hugo’s eponymous novel, it’s not really an adaptation except in the loosest possible sense. It ends on a quote from the book:

“There are no bad plants, nor bad people – only bad cultivators.”

What it DOES have is a poor underclass and a bunch of cops whose job it is to keep them in order and keep the peace. An optimistic prologue shows the whole of France watching a world cup match and celebrating as France wins – a joyous, transcendent occasion and an example of how things could or ought to be.

Then it quickly shifts gear: three cops in their car patrol a poor housing estate. Chris (Alexis Manenti) is white with an in your face, tough guy approach that commands the residents ‘respect’. The equally tough and no-nonsense Gwada (Djebril Zonga) is black, generally more conciliatory and better at negotiating with local people on the ground. Newcomer Ruiz (Damien Bonnard), in his first day on the job, hails from the countryside and finds himself at odds with the approach of the other two, particularly Chris.… Read the rest

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Animation Art Documentary Features Live Action Movies

Buñuel In The Labyrinth Of The Turtles

Director – Salvador Simo – 2018 – Netherlands – 80m

***1/2

Streaming on BFI Player (extended free trial offer here) from Thursday, July 16th – with more Buñuel movies here.

Following the success of his surrealist film L’Age D’Or / The Age Of Gold (1930), film director Luis Buñuel finds his main source of funding cut off when the strongly Catholic mother of his primary investor puts pressure in the latter. At the same time, a stranger named Eli Lotar strikes up a post-premiere conversation with the director saying he saw no influence of Dali in the film and presses a book Las Hurdes into Buñuel’s hands.

Frustrated at the lack of funding for his films, Luis decides to film the book which details the appalling living conditions of poor people in a remote village in rural Spain.

As part of my Annecy 2019 coverage, I review Buñuel In The Labyrinth Of The Turtles for DMovies.org.

Categories
Animation Live Action Movies Shorts

La Jetée

Director – Chris Marker – 1962 – France – Cert. PG – 28m

*****

This movie has been resonating around my head these last weeks of the COVID-19 crisis as pertinent to where we are at present.

La Jetée / The Pier remains unlike anything else I’ve ever seen, black and white still images with voice over (which means that the English language dub, excerpted below, works just as well as the French language original). Little bits of it are really tough to watch in our current situation. For me, watching it again helps me deal with where we are right now. It’s about grief, about a world we’ve lost, to which we can never go back. It’s a film that regularly and rightly crops up on critics’ lists of the best films ever made. At the time of writing this, the film reads differently from the way it did three months previously. Not for everyone at the present time, but if you’re up for it, highly recommended.

Watch the opening minute below: