Categories
Art Features Live Action Movies

Leonora
in the Morning Light
(Leonora
im Morgenlicht)

Directors – Thor Klein, Lena Vurma – 2025 – Germany, Romania, Mexico, UK – Cert. 15 – 103m

**

In Mexico, France, Spain and the England of her childhood, Surrealist painter Leonora Carrington must confront her personal demons – out in UK and Ireland cinemas on Friday, May 29th

Deserted hillsides, a sliver of a road, eventually a tiny red car moving along it, to the accompaniment of a pulsating electronic score suggesting the present day. Another stretch of road: the car drops off the woman, in stylish trousers and blouse, who smokes observing the landscape. The driver gets out to photograph her, much to her displeasure, but he’s run out of film.

An illustrated title card: Death. Xilitla, Mexico, 1951. The man takes her to the rooming house of Edward (Ryan Gage), leaving her as he promises to look after their son. Outside the window, she can hear the two men discuss all that has happened to her. Her madness.

©Mirjam Kluka, Dragonfly films, Alamode Film

She and Edward are riding with others in the back of a lorry on a road. In Spanish, she asks a woman on the lorry (Yasmira Escárrega) about her amulet – “a sacred stone that illuminated the path through the underworld”.… Read the rest

Categories
Documentary Features Live Action Movies

The Balloonists

Director – John Dower – 2025 – UK, Austria, US – Cert. PG – 86m

****

The story of balloonist Bertrand Piccard’s three attempts to circumnavigate the globe in a balloon – out in UK cinemas on Friday, May 22nd

Bertrand Piccard’s house, as his astonished interviewer notes, is a museum, a personal collection of memorabilia from the history of aviation. It grew in a mere 66 years from the Wright Brothers’ pioneering efforts to the Apollo 11 moon landing. His family was in Florida at the time of the Apollo 7-12 launches which he witnessed. Five days before the moon landing, he vowed to become an explorer himself, but then when Armstrong walked on the moon Piccard felt everything had been done. He got depressed.

And then he saw a balloon and discovered that no-one had ever flown round the world in one.

In 1997, His first attempt, the Breitling Orbiter, ditched in the Mediterranean after six hours. Many others tried, including Richard Branson, who knew how to do publicity: in Morocco, Branson’s balloon blew away before it could be launched.

Enter British engineer Andy Elson. But the film switches back to Piccard, whose grandfather was a pioneering balloonist and whose father designed submarines and made a record-breaking dive to the Mariana Trench.… Read the rest

Categories
Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen
Frida Kahlo
Special Edition
with new material from
The making of an icon

Director – Ali Ray – 2020, 2026 – UK – Cert. U – 93m, 101m

*****

The tragic yet resonant life of Mexican artist Frida Kahlo, and her transformation into a modern, cultural icon – out in UK cinemas from Tuesday, May 19th

As dour piano chords play, a title announces that Frida Kahlo held only three solo exhibitions in her lifetime. This is contrasted with an auction where “one of her most complex self portraits” The Dream (The Bed) / El Sueño (La Cama) (1940) auctions for a starting price of $22m and selling for $47m. As of November 2025, this was the highest ever value for a work by a female artist achieved at an auction.

Now, in 2026, the Museum of Fine Arts, Houston and the Tate Modern, London collaborate on a major exhibition entitled Frida: the making of an icon, opening on Friday, June 19th at the Tate. Exhibition on Screen’s Special Edition of their 2020 film concludes with ten minutes of newly shot footage of that exhibition.

Frida works at a writing desk as she (voice: Diana Bermudez) reads the latter she is composing. You notice the ornate rings on her fingers, her lavish earrings, the green and yellow jungle design of her print dress as she talks about “too much pain… It will take me years to get out of this mess I have in my head.… Read the rest

Categories
Art Features Live Action Movies

The Christophers

Director – Steven Soderbergh – 2025 – US, UK – Cert. 15 – 100m

**

Two siblings hire a young art restorer to forge some of their famous artist father’s unfinished paintings before he dies so they can collect on their posthumous sale – out in UK cinemas on Friday, May 15th

Professional art restorer Lori Butler (Michaela Coel) runs a London fast food stall between painting restoration gigs. Then she gets a phone call and meets in a pub with Barnaby (James Corden) and Sallie (Jessica Guning), the son and daughter of ageing artist Julian Sklar (Ian McKellen) who, worried that their father is about to die imminently from a medical condition, want to ensure he (for which read Lori) ‘completes’ (for which read ‘forges’) the third, unfinished series of paintings known as the Christophers after the model Julian used.

Against her better judgement, she accepts the gig, and finds herself playing the ruse of working as Julian’s assistant, basically an excuse for getting into his studio and forging the completed works on canvas as a nest egg for his children who, it later transpires, have already sold the as yet unpainted works to a buyer for a tidy sum.… Read the rest

Categories
Dance Features Live Action Movies Music

The Testament
of Ann Lee

Director – Mona Fastvold – 2025 – US, UK – Cert. 15 – 130m

****

In the mid-eighteenth century, wishing to preach her unique take on the Christian Gospel, Ann Lee crosses the Atlantic with a small party from from Manchester, England, to establish a Shaker community in America – unlikely religious musical is on Disney+ from Wednesday, March 13th

This review is written after seeing this film for a second time. On my first viewing, I went in cold, knowing a great deal about both Christian history and the Quakers, but nothing about the Shakers (‘the Shaking Quakers’) around whom the historical side of this film is based. As far as I can tell, the historical portrayals of the Shakers here, and their leader Mother Ann Lee (Amanda Seyfried in a career-defining role), are pretty accurate.

This is to leave aside the fact that this is also a musical, the genre in which people suddenly burst into song, and we somehow accept it. In real life, people generally don’t burst into song in the ordinary run of things. And yet, it’s a genre convention we accept, and as a genre the musical has a perfectly respectable history. That said, if you’ve been brought up within any sort of English protestant Christian church tradition, from C of E to house churches, you’ll be familiar with people singing hymns as part of their religious worship.… Read the rest

Categories
Documentary Features Live Action Movies Music

Billie Eilish
Hit Me
Hard and Soft
The Tour
Live in 3D

Directors – James Cameron, Billie Eilish – 2026 – US, UK – Cert. 12a – 114m

*****

One night of the singer’s latest world tour is captured up close and personal using specially developed, 3D camera technology – out in UK cinemas on Friday, May 8th

Disclaimer. Yes, I listen to a great deal of music. No, I don’t know the first thing about Billie Eilish. However, I have a huge admiration for James Cameron, who might reasonably be described as the R&D wing of the movie business.

I have also, in my time, seen a good few concert movies, but never anything quite like this. That’s in part because the contemporary music concert has come a long way, and Billie Eilish typifies a performer who is the act, performing on custom built stages in large stadium-sized venues, even though she has working with her a band and two backup singers, not to mention a vast array of lighting, stage and sound technicians. 

And, in her case, James Cameron.

Who insisted that she be given equal director / producer credit on the film. At least, that’s how he puts it in one of many of the more intimate backstage / offstage / on tour sequences inserted into the footage of the one concert which forms the backbone of the film. … Read the rest

Categories
Animation Documentary Features Live Action Movies

Our Land

Director – Orban Wallace – 2025 – UK – Cert. 12a – 90m

***

An exploration as to why the English people only have the ‘right to roam’ over some eight per cent of their countryside – out in UK cinemas on Friday, May 8th, with previews Tuesday, May 5th, Wednesday May 6th

This sets out its stall with a bold move: an arresting animated sequence by May Kindred Boothby in the style of woodcut prints accompanies a brief, verbal historical overview by Robert MacFarlane (the nature and geography writer whose book of the same name was recently turned into the documentary Underland, Rob Petit, 2025) of English land ownership. It goes back to the 1066 Norman invasion by William the Conqueror who declared land the property of the Crown (!) and then doled that land out to the barons that had helped him become King of England. Prior to this, any English person had the right to go anywhere within the countryside.

What follows after that visually inventive and historically informative introduction admirably manages to avoid one of the common pitfalls that far too often beset documentaries whose subject is one specific issue. Namely, presenting one point of view as the irrefutable final word on the matter.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Coup 53

Director – Taghi Amirani – 2019 – UK – Cert. 15 – 120m

*****

The officially unacknowledged British role in the 1953 coup overthrowing the Iranian government – more timely than ever, and now back out in UK cinemas from Friday, May 5th 2026; more dates added daily at https://coup53.com/
Originally in UK cinemas from Friday, August 21st 2020

A documentary begun in 2009 interviewing many people who died before the film’s completion some ten years later, this covers the 1953 coup in Iran backed by President Eisenhower in the US and Prime Minister Churchill in the UK which replaced Iran’s democratically elected, left-wing Prime Minister Mossadegh with the Shah. The UK has never officially acknowledged its role in this coup.

Amirani’s researches lead him to a basement of documents held by Mossadech’s grandson in Paris comprising archive material from the Granada TV 1985 End Of Empire documentary series, for which he gets access to the rushes from the BFI. Iran was included because it had been controlled by British interests for so long (because of its oil reserves). Amirani’s editor, helping pull all this together, is the legendary Walter Murch (Gimme Shelter / 1970, The Conversation / 1974, Apocalypse Now / 1979, The English Patient / 1996).… Read the rest

Categories
Documentary Features Live Action Movies

London’s Last Wilderness

Director – Pablo Behrens – 2026 – UK – Cert. 12a – 61m

*****

London’s Thames Estuary filmed and edited from the point of view of an alien – out in UK cinemas on Friday, April 24th

A genre bender of a documentary, this owes a great deal to Petropolis (Peter Mettler, 2009) which comprises aerial cinematography of the environmental wreck of Canada’s Alberta Tar sands. The subject of London’s Last Wilderness, however, is not an ecological catastrophe, however much its narration by intertitle might (mis)interpret it as the aftermath of a war zone. It is rather the estuary of the Thames, the river that further inland flows through London, which city puts in a brief appearance towards the end. Indeed, insofar as this has a narrative spine, it is of a journey from the largely uninhabited estuary inland to the metropolis itself.

Where Petropolis was shot largely from a helicopter by a cameraman, the results recalling nothing so much as the aerial footage that opens The Shining (Stanley Kubrick, 1980) and closes (because they bought the rights to it) Blade Runner (Ridley Scott, 1982), aerial photography has moved on considerably in the last fifteen of so years with the evolution of drones, today a major part of the filmmaker / cinematographer’s arsenal.… Read the rest

Categories
Features Live Action Movies

Rose of Nevada

Director – Mark Jenkin – 2025 – UK – Cert. 12a – 114m

****1/2

A fisherman joins the crew of a mysteriously reappeared fishing vessel and finds himself inexplicably trapped 30 years in the past when it originally disappeared – out in UK cinemas on Friday, April 24th

30 years ago, the Rose of Nevada, a small fishing vessel, set sail from a small, Cornish coastal village and never returned. Now, suddenly, it reappears in the harbour with its captain looking for crew. Nick (George Mackay) and Liam (Callum Turner), but on their return after their first fishing trip, they arrive back not in the present but 30 years ago.

Apart from this peculiar slippage of time, everyone behaves as if nothing unusual is going on. Nick misses his partner and child. Liam finds himself with a new partner and child, and plays along, taking advantage of what circumstances have offered to him, which doesn’t seem so bad. 

Nick, however, feels increasingly isolated and uneasy in this situation.

Jenkin’s film plays out as a strange, enigmatic mystery.

Working as is his wont as director, cameraman and editor, not to mention sound designer and musician, Jenkin takes real pleasure in building up his story from a series of tiny details, necessitated to some extent by his use of a clockwork Bolex camera which can’t shoot a take longer than 27 seconds.… Read the rest