Features Live Action Movies

Ghostbusters Afterlife

Director – Jason Reitman – 2021 – US – Cert. 12a – 124m


A single parent mum and her two teenage kids relocate to a small American town to find strange, paranormal goings-on – out in cinemas on Thursday, November 18th

Hollywood loves sequels to or reboots of successful films. The original Ghostbusters (Ivan Reitman, 1984), in which three parapsychologists set up as a team to capture the many ghosts that have inexplicably begun appearing in New York City, was unlike anything that had gone before with its mixture of comedy, action and the paranormal. Deservedly a huge hit, it spawned the inevitable sequel Ghostbusters II (Ivan Reitman, 1989) which didn’t have a strong enough plot to maintain interest beyond the first 20 minutes or so. The reboot Ghostbusters (Paul Feig, 2016), recasting the parapsychologists as women, worked well enough.

Ghostbusters Afterlife, however, is another attempt at a sequel. A very brave attempt it is too, because sequels are often expected to basically rerun the original film in an attempt to serve the audience a second helping of what they enjoyed before. After seeing it, you might argue that Afterlife does that, but going in, you might wonder what on Earth is going on.… Read the rest

Features Live Action Movies

Little Joe

Director – Jessica Hausner – 2019 – UK – Cert.12A – 105m


Available on Blu-ray from Monday, June 15th.

Currently streaming on BFI Player, iTunes, Amazon Prime and Curzon Home Cinema.

A scientific explanation follows a vertiginous shot circling over rows of plants in a high tech, white, laboratory nursery against an eerily unearthly electronic score. Alice (Emily Beecham) and Chris (Ben Whishaw) have genetically engineered a plant which in return for being looked after, watered regularly and talked to emits a scent which will make its carer/owner happy.

Outside of work, single mum Alice confides in her psychologist (Lindsay Duncan) her worries that she doesn’t give her young son Joe (Kit Connor) enough of her time. We sense that Alice is a control freak concerned that her “handling the unpredictable” job may include elements she can’t manage. Then she crosses a line by bringing one of the happiness plants home for Joe to nurture, naming it Little Joe. In caring for the plant, he sniffs its scent. As he becomes more and more occupied with the plant’s welfare, he neglects other things, including his hitherto beloved mother.

Over at I review Little Joe on its UK theatrical release.