Tag: avant-garde

Exhibition on Screen
James McNeill Whistler

Post author By Jeremy Clarke
Post date September 14 2026
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James McNeill Whistler

Exhibition on Screen: James McNeill Whistler

Director – David Bickerstaff – 2026 – UK – Cert. U – 90m

*****

A look at the work of 19th Century painter Whistler, seen through the lens of the 2026 Tate Britain exhibition – out in UK cinemas from Tuesday, 15th September

Before watching this latest Exhibition on Screen feature, I was able to visit Tate Britain’s stunning James McNeill Whistler show, which sits very much at the film’s core. The film had the effect of making me want to go back for further visits.

Exhibition on Screen’s film opens with shots of a Victorian concert hall interior where the unseen Whistler (voice: Bret Jones) is addressing the room with his spoken lecture on art, something the film will return to towards its close. After a montage of brushes, painting surfaces and palettes, establishing shots of Tate Britain take us straight into the current Whistler show. “People sometimes think of Whistler as being based in French art, and sometimes as being based in British art,” explains Carol Jacobi, Curator of British Art 1850-1915, Tate Britain, “whereas…he was very much an independent…and very much leading the avant-garde in both those countries.”

Susan Grace Galassi, Curator Emeritas, The Frick Collection, New York, who considers Whistler one of the greatest American artists, notes that he didn’t distinguish between fine or applied art, that he was as great a painter as he was a printmaker.… Read the rest

Tags 1855, 19th century, 2026, A. O. Koritskii, America, American, American South, aristocrats, Arrangement, art, Art Critic, art historian, art history, art lessons, artisan, avant-garde, backstreets, bars, birthplace, blue Japanese porcelain, bohemian, Boston, Bret Jones, British art, brushes, butterfly, Can-Can, Carol Jacobi, Charles Baudelaire, Charles Lang Freer, Chelsea, chief engineer, Coastal Survey, coastline, coin, collection, commission, common people, concert hall, Connecticut, countryside, critic, cult of personality, curator, dancer, dandy, Dante Gabriel Rossetti, David Bickerstaff, display, disreputable, draughtsmanship, draw, drawing, drawings of coastlines, East End, England, etch, etching, everyday life, exhibition, Exhibition On Screen, F.R. Leyland, fabric, falling out, family, feud, fine and applied art, Finette, France, freedom, French art, Gustave Courbet, Harmony, Henry Murger, house brushes, independent, interior, interior design, irascible, James McNeill Whistler, Japan, Japanese, Japanese porcelain, Kensington, La Vie Boheme, lecture on art, letters, life size photographs, London, Lowell, Manet, Massachusetts, military surveyor, Mme Gérard, modern life, Modernism, money and payment, monogram, moral, motif, New York, Nocturne, one good eye, ordinary, outsider, painter, painting, painting as painting, painting surfaces and palettes, panel, Paris, Patricia de Montfort, peacock, peasants, Phil Grabsky, poet, Pomfret, porcelain, Pre-Raphaelite, printmaker, printmaking, prostitutes, provocateur, Rachel Campbell-Johnston, railway construction, railway engineer, railways, Rembrandt, responsible male, river, river bridges, river painting, River Thames, Rotherhithe, rural and urban, Russia, Salon d’Exposition, self-portrait with a pipe, self-promotion, self-publishing, shelving, ships, smoking a cigarette, Southerner, Spanish wall coverings, St. Petersburg, St. Petersburg Academy of Fine Arts, St. Petersburg to Moscow, Stephen Calloway, sting in the tail, story, struggling artist, studies, subject, surveyor, Susan Grace Galassi, Symphony, Tate Britain, temper, Thames, The Frick Collection, The Peacock Room, UK, upbringing, urban, Velázquez, Victorian, Wapping, West Point Military Academy, Whistler, Whistler’s mother, workmen

Animation Features Movies

Bouchra

Bouchra

Directors – Orian Barki, Meriem Bennani – 2025 – Italy, Morocco, US – Cert. 15 – 83m

***1/2

A queer artist and filmmaker jackal living in New York desperately wants to come out to her mother back in conservative Morocco – out in UK cinemas on Friday, August 7th

This opens with a lengthy, bravura shot framing a section of a moving carriage on an urban, New York train. Inside, passengers include our main protagonist, the eponymous, anthropomorphised, leather jacket-clad, female jackal Bouchra, standing. The shot is static in the sense that the camera and the train are moving completely in sync, so that the moving carriage, although clearly moving, is motionless relative to the viewer (apart from the occasional judder caused by the travelling of the train).

As the train travels its route, our moving view of the moving carriage is constantly interrupted by objects between us and the carriage – grids of cabling, sections of barrier and other trackside features. This momentarily recalls the similar urban carriage interior early on in Perfect Blue (Satoshi Kon, 1997), although there are no reflections here, merely levels, and any similarity between the two films stops beyond this point.

Bouchra is very different from Perfect Blue in intent, with a narrative – such as it is – that feels as if someone is shooting a documentary within New York’s queer subculture, capturing footage on camera and seeing what turns up, then trying to turn the resultant footage into a film.… Read the rest

Documentary Features Live Action Movies Music

Ryuichi Sakamoto: Coda

Director – Stephen Nomura Schible – 2017 – Japan – Cert. PG – 100m

*****

Review originally published on All The Anime ahead of UK release on Friday, June 29th 2018; published here following Sakamoto’s death on Tuesday, 28th March 2023 – screening on MUBI as of Thursday, April 13th

Portrait of the artist at age 66. A new documentary Ryuichi Sakamoto: Coda finds musician Ryuichi Sakamoto working on a new album following a third degree throat cancer diagnosis and time off work for treatment. At the same time, it presents a select chronological appraisal of his career from Yellow Magic Orchestra and Merry Christmas Mr Lawrence up to the present day.

Like Sakamoto himself, Coda starts and ends with the piano. But not just any piano. Sakamoto had heard of one that survived the 2011 Fukushima tsunami and wanted to find out for himself what it sounded like. He is shown a tidemark on a curtain “up to which the piano floated” and another tidemark on the piano itself indicating its journey. He’s impressed with its sound…

[Read the rest at All The Anime…]

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