Categories
Animation Features Movies

Mad God

Director – Phil Tippett – 1987-2021 – US – 83m

*****

A man in a gas mask descends into a dark, dangerous world on a mysterious mission, encountering strange creatures, humanoids and societal constructs along the way – stop-frame epic 34 years in the making as of Tuesday, June 28th, has become the most watched premier of 2022 on Shudder, where it plays in both the UK and the US from Thursday, June 16th; also plays London’s Prince Charles Cinema Tuesday. July 5th to Friday, July 8th

My immediate reaction after watching this was two-fold. On the one hand, wow!!! On the other, how on earth do I put the experience of watching this into words? Mad God definitely has a structure, yet what’s amazing about it is the visuals, the animation, the effects. Even though I’m familiar with the work of its director Phil Tippett (as one of the heirs apparent to stop-motion maestro Ray Harryhausen in the world of visual effects – career highlights include RoboCop, 1987; Jurassic Park, 1993, Starship Troopers, 1997) this film is something altogether different (even if its roots can be seen in his VFX work).

Following the destruction of a tower resembling Babel in a black cloud, and a lengthy quotation purporting to be from Leviticus 26, a man in gas mask and protective clothing descends into the bowels of the world on a mission, the exact nature of which is never revealed.… Read the rest

Categories
Dance Features Live Action Movies

Climax

Director – Gaspar Noé – 2018 – France – Cert. 18 – 97m

*****

Uppers and downers – either way blood flows. Arthouse enfant terrible Noé combines technical skill and singular focus with some of the most spectacular dancing ever put on film to produce a dark and challenging vision of hell on earth – now available on VoD

Cinema at its purest. Bright white on a screen. A woman starts crawling from the top of the screen. Extreme audience disorientation. We realise she’s crawling through snow. She appears to be in a bad way. Traces of blood. The camera follows her forward movement down the screen. Slowly a tree comes into shot from the bottom. We are watching the same overhead camera movement.

A series of vox pops on a television screen with shelves of books on one side and piles of DVDs on the other. Dancers answer questions on why dance is important to them. Would they do anything in order to make it big? What would they do if they weren’t able to dance?

Then the narrative proper begins. It’s 1996. We’re inside a building with a dance floor watching the most amazing dance routines we’ve ever seen.… Read the rest