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Palimpsest
The story of a name
(隱蹟之書:重寫自我)

Palimpsest: The story of a name (隱蹟之書:重寫自我)

Director – Mary Stephen – 2025 – France – Cert. – 108m

*****

Exploring her family history, Hong Kong-born Mary Stephen delves into the mystery behind her surname being British rather than Chinese – plays at the Barbican as is the opening film of the UK’s Hong Kong Film Festival which runs from Friday, September 25th to Sunday, 4th October at various venues

The director narrates her film in the first person, talking about the fact of her father’s name being Henry Stephen on his birth certificate, while her mother retained her Chinese name on the document. Mary Stephen herself was born in Hong Kong in 1953, the same year as Queen Elizabeth II’s coronation in Britain. Archive images of Hong Kong from that year show a strange dislocation, with images of the new English monarch jostling side by side with Chinese words on buildings. A British built clock tower looks strangely out of place.

She worked for years with celebrated New Wave director Eric Rohmer as his editor. His name, too, was a palimpsest.

Her father died and was buried in Canada in 1979, alongside her mother. When the family first moved there, she was a teenager.… Read the rest

Categories
Features Live Action Movies

EO
(IO)

Director – Jerzy Skolimowski – 2022 – Poland – Cert. 15 – 88m

*****

Forced to leave his home in the circus, a donkey undergoes a series of adventures – on BFI Player as a Subscription Exclusive along with three other Skolimowski titles on Monday, April 3rd, following its release in UK cinemas on Friday, February 3rd

After an absence of some seven years from the cinema, Skolimowski has chosen to make a movie with an animal as its central character rather than a human being. EO is a donkey (played by some six donkeys over different parts of the film) who undergoes a series of adventures as things happen around him. He starts out as a performer in a circus with a girl called Kasandra (Sandra Drzymalska), who takes good care of him and treats him with genuine affection.

Life is good. But then he finds himself co-opted by (and Kasandra arguing with) another circus person Wasyl (Maciej Stepniak) who uses a whip on him to get him to drive a cart of rubbish to the local tip. These two episodes set the tone for what is to follow: while all the humans here use the animal for their own ends, some treat him with kindness while others don’t, rather using him as a means to an end without any sense of his being a conscious creature.… Read the rest