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Kidnapped
(Rapito)

Director – Marco Bellocchio – 2023 – Italy, France, Germany – Cert. 12a – 135m

*****

A boy is forcibly taken from his Jewish family by the Pope to be raised as a Catholic priest because he has been baptised into the Catholic faith – out in UK cinemas on Friday, April 26th

Italy, the mid-nineteenth century. The Papal States will have disappeared by 1870 as Italy moves towards unification. In the meantime, they are still under the administrative control of the incumbent pope, Pius IX.

Bologna, 1852. A maid sees off a soldier in the night following a romantic tryst. The soldier is neither here nor there; the maid, Anna Morisi (Aurore Camatti) will play a significant part in what follows. The life of a nine-child Jewish family is about to be disrupted forever.

The home of the very ordinary Mortalo family, who are Jewish: father Momolo (Fausto Russo Alesi), mother Marianna (Barbara Ronchi) and their nine children. The parents are deeply religious and raise their offspring accordingly, teaching them, among other things, to recite the Shema prayer every night before they go to sleep. One night in 1858, they are visited by the authorities under Feletti (Fabrizio Gifuni) who have come to take away one of their children under Papist law.… Read the rest

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Kidnapped

One God, two families

Kidnapped
Directed by Marco Bellocchio
Certificate 12a, 135 minutes
Released 26 April

This Italian drama, based on true events, is set when the papacy was both the head of the Roman Catholic Church and the state authority in parts of Italy, a situation that would change with Italian unification in the 1870s and the instigation of a secular, country-wide system of government. There would be implications for the separation of church and state.

In 1858, six-year-old Jewish boy Edgardo Mortalo (Enea Sala) was removed from his family by the papist authorities following his Catholic baptism (how he was baptised emerges later) and taken to a school run directly by Pope Pius IX (Paolo Pierobon) to educate such ‘Christians’ in the faith and turn them into priests.

The Church’s theological rationale behind this appalling action… [read the rest at Reform]

[Read my longer review on this site]

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After Yang

Director – Kogonada – 2022 – US – Cert. PG – 96m

****1/2

In the distant future, a couple must come to terms with the loss of the eldest child, actually an A.I. purchased as an ethnically programmed companion for their adopted South East Asian daughter – SF mystery drama is on Sky Cinema from Thursday, September 22nd

Memory is one of the great themes of cinema because when you point a moving image camera at someone, you capture and preserve their moving image for posterity. (Something similar happens when you record the sound of someone’s voice. Or even if you write down their words on paper, a simpler, more primitive form of recording.) Memory is also one of the elements which defines us as human beings.

Full marks, then, to director (actually writer, director, editor) Kogonada for taking the short story Saying Goodbye To Yang by Alexander Weinstein and expanding it into a feature. As described in the parlance of the distant future world in which this is set, Yang is a technosapien (i.e. a robot), a purchased elder sibling of a family comprising father Jake (Colin Farrell), mother Kyra (Jodie Turner-Smith) and daughter Mika (Malea Emma Tjandrawidjaja).

Mika is adopted, and her ever so Hollywood liberal parents – he a white man who has built a business around his passion for tea, she a black woman who is a hard-working, highly motivated high-flier in a demanding corporate business that’s never really defined – are concerned that she connect with her South East Asian heritage.… Read the rest

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Nope

Director – Jordan Peele – 2022 – US – Cert. 15 – 130m

Overall **

The alien in the sky finale when the film finally dumps the other stuff *****

A black Muybridge model’s ranch-owning descendants and the survivor of a TV sitcom which turned into a bloodbath encounter a dangerous alien presence that attacks from the sky – out in UK cinemas on Friday, August 12th

There appear to be three separate films here.

In the first, a descendant of the black rider photographed in Eadweard Muybridge’s studies of a horse in motion, here historically repurposed as the first piece of moving film (which is debatable), is an old man OJ Haywood Sr. (Keith David) who dies in a bizarre accident on his ranch, where he runs a horse rental service for the motion picture business, leaving behind his children OJ (Dan Kaluuya from Judas And The Black Messiah, Shaka King, 2021; Black Panther, Ryan Coogler, 2018; Get Out, Jordan Peele, 2017) and Emerald (Keke Palmer from Lightyear, Angus MacLane, 2021; Hustlers, Lorene Scafaria, 2019). The bizarre accident may be related to the third plot. Or may not be.

In the second, a wholesome, family TV sitcom is shut down after its star chimpanzee goes on a rampage during the shooting of an episode, killing all members of the cast except the young boy Ricky Park (Jacob Kim) hiding under the table, who witnesses the animal being shot.… Read the rest

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No Time To Die

Director – Cary Joji Fukunaga – 2021 – UK – Cert. 12a – 163m

*****

We have all the time in the world. The new Bond movie gives Daniel Craig’s James Bond unexpected space to deal with human relationships and mortality – out on Blu-ray and DVD in the UK on Monday, December 20th and the US on Tuesday, December 21st

With its release delayed for over a year because of the global COVID-19 pandemic, Daniel Craig’s final screen outing as James Bond 007 finally arrives in UK cinemas, a week ahead of US release. Which is as it should be: Bond is British after all.

And yet, the plot sees Bond, now retired and living (like his late creator Ian Fleming towards the end of his life) in Jamaica, help out not MI6 but the CIA in the form of Felix Leiter (Jeffrey Wright in his third outing in the role opposite Craig’s Bond.).

The snowbound opening shows a little girl’s mother killed by a man wearing a Noh mask over a disfigured face; in the space of an edit, the little girl grows up to become Madeleine Swann (Léa Seydoux), previously Bond’s love interest in Spectre (Sam Mendes, 2015) and still together with him here.… Read the rest