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Rodeo
(Rodéo)

Director – Lola Quivoron – 2022 – France – Cert. 15 – 105m

***

Le Fast et la Furieuse. A young woman bike thief makes her mark on a group of bikers living in a bike repair shop run from a prison by its incarcerated owner – out in UK cinemas and exclusively on Curzon Hone Cinema on Friday, April 28th following its appearance in the BFI London Film Festival 2022

Julia (Julie Ledru) loves motorbikes. She loves riding them. And she loves stealing them. At various points in the narrative, she follows up ‘bike for sale’ ads, goes to see the seller, impresses them with her considerable knowledge, persuades them to let her test drive the bike by riding it alone for a certain distance then rides off with it. She’s also poor and living on a rundown housing estate, an environment beloved of a certain strata of French cinema (e.g. Two Of Three Things I Know About Her, Jean-Luc Godard, 1967, La Haine, Mathieu Kassovitz, 1995; District 13, Pierre Morel, 2004). Not that you see much of this environment after the opening reel. She represents a very French form of anti-hero, and if you don’t have any problem with her sense of entitlement and the fact that she sees nothing wrong with stealing, this is a rollicking good yarn.… Read the rest

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Features Live Action Movies

Sick Of Myself
(Syk Pike)

Director – Kristoffer Borgli – 2022 – Norway – Cert. 15 – 95m

*****

Fed up with the attention her successful artist partner is getting, a woman deliberately consumes dangerous prescription drugs to make herself the centre of attention– out in UK cinemas on Friday, April 21st

Young Oslo couple Thomas (Eirik Sæther) and Signe (Kristine Kujath Thorp from Ninjababy, Ingvild Sve Flikke, 2021; The Burning Sea, John Andreas Andersen, 2022) have an unhealthy relationship. He is a compulsive thief, stealing luxury items such as expensive wine and designer furniture from restaurants and showrooms, respectively. She is a compulsive liar and attention seeker. They somehow co-exist in a state of unstable equilibrium. They are on a collision course because he has a potential celebrity career while she does not. He is an artist having his first show at a major gallery, while she works at an ordinary coffee shop.

At a celebratory gathering with friends, she is constantly belittling him, constantly talking down his achievement through judicious use of fact coupled with any fiction she might care to invent. At a restaurant meal with his gallery owner and assorted invited guests, she invents an allergy, ‘absent-mindedly consumes a small amount of Thomas’ food and suffers an allergy attack, immediately becoming the focus of attention on what should be his evening rather than hers.… Read the rest

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Animation Features Live Action Movies

Where Is Anne Frank

Director – Ari Folman – 2021 – Belgium, France, Luxembourg, Netherlands, Israel – Cert. PG – 99m

*****

In Amsterdam, a year from now, her imaginary friend Kitty sets out to discover what happened to Anne Frank – out in cinemas on Friday, August 12th

Amsterdam, Holland, about a year from now. Early in the morning, the usual tourist queues are assembling outside the Anne Frank House, passing a tent housing refugees on the pavement. Inside, something strange happens as a glass case shatters and the original copy of Anne’s diary is exposed to ink from a pen, affecting the ink writing on the pages and materialising Kitty (voice: Ruby Stokes), the imaginary pen-friend to whom Anne addressed her diary.

The materialised Kitty is perplexed. Where is Anne Frank? What has happened to her, to the house? The staff, too, are perplexed. They can’t let the waiting crowds in with the case broken, but those people have been queueing for hours and it seems wrong not to open up for them. After a brief debate a solution is found and the diary moved to Anne’s room where it is placed on the desk where it naturally sits. The concerns of the house staff seem trivial compared to those of Kitty.… Read the rest

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Movies

Where Is Anne Frank

Hiding from deportation

Where Is Anne Frank
Directed by Ari Folman
Certificate PG, 99 minutes
Released 12 August

Amsterdam, about a year from now. Inside the Anne Frank House, Anne’s imaginary pen-friend Kitty (voiced by Ruby Stokes) materialises out of the ink from the pages of Anne’s diary. The perplexed Kitty wants to know what happened to Anne, and starts reading her diary to find out, taking it with her when she leaves the premises where she is invisible. Outside the house, she becomes visible.

Asking police ‘Where is Anne Frank?’ she is shown the bridge, hospital, school and theatre bearing Anne Frank’s name and is told, Anne Frank is all around you. [Read the rest at Reform magazine…]

[Read my longer review…]

Trailer:

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Features Live Action Movies

Pickpocket

Director – Robert Bresson – 1959 – France – Cert. PG – 76m

*****

Why is a man compelled to pursue acts of petty thievery – acclaimed, arresting, existential drama is out in cinemas on Friday, June 3rd

I have just rewatched Bresson’s classic and am still not entirely sure I have its measure. Perhaps that’s the thing about great works of art. Oh, to have seen it on its original release, had I been old enough, and watch it without the baggage of it being proclaimed a cinematic masterwork.

Words on the screen proclaim at the outset that this is not the thriller its title might suggest; it’s rather a study of a man who repeatedly commits crimes which is trying to understand why he would do that.

The characters, of whom the main protagonist Michel (Martin LaSalle) is the one who gets most screen time and indeed, is scarcely if ever off the scree, are played deadpan, with Bresson doing his utmost to ensure that his cast perform the roles without acting. He doesn’t want the actors’ craft to come between us and his images of people doing, being, talking. He seeks to avoid the artificiality of acting thereby allowing his performers to realise his images without any acting technique mediating them.… Read the rest

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Features Live Action Movies

Cry Macho

Director – Clint Eastwood – 2021 – US – Cert. 12 – 104m

***1/2

A rodeo star and horse trainer well past his prime is sent to bring his boss’ son back to Texas from his “abusive” mother in Mexico – out to rent on Premium Video on Demand from Monday, December 13th

1979. Mike Milo (Clint Eastwood) is late for work. Again. His boss Howard Polk (Dwight Yoakam) ticks him off. Milo verbally lays into him. Gets fired. Newsreel footage from back in the day shows Mike’s rodeo accident, when a horse threw him and he landed on his back. He’s never been the same since.

They go back a long way, though, and that isn’t the end of their relationship. Howard phones Mike for a favour. Howard hasn’t seen his son since the boy was six. He’s now 13 and living with his mother, Howard’s estranged ex, down in Mexico. Howard has heard is son is being abused, although he doesn’t clarify. He wants Mike to go down to Mexico and bring the boy back.

Mike is unsure but agrees. His attempt to complete this task will form the body of the movie. He finds the mother’s house easily enough.… Read the rest

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Heaven:
To The Land
Of Happiness
(Hebeun:
Haengbokeui Nararo,
행복의 나라로)

Director – Im Sang-soo – 2021 – South Korea – 101m

*****

A meds thief on the verge of arrest and an escaped convict inadvertently steal money from gangsters closing gala with a director Q&A as part of a strand of films celebrating actress Youn Yuh-jung at LKFF, the London Korean Film Festival which ran in cinemas from Thursday, November 4th to Friday, November 19th

The sexual frankness of director Im’s earlier A Good Lawyer’s Wife (2003) and The Housemaid (2010) is absent from his latest, a producer-suggested project more lightweight than his usual fare which nevertheless achieves a degree of poignancy. Its template is the German film Knockin’ On Heaven’s Door (Thomas Jahn, 1997) in which two terminally ill men steal a car so that one of them can visit the sea before he dies, the car unfortunately belonging to a gangster and carrying a quantity of cash in the boot.

Writing his own script around this loose premise, Im makes the man who wants to see the sea a convict, inmate 203 (Choi Min-sik from The Tiger, Park Hoon-jung, 2015; Lucy, Luc Besson, 2014; New World, Park Hoon-jung, 2013; Lady Vengeance, Park Chan Wook, 2005), sent to the hospital for an MRI scan where it’s discovered he has a brain tumour and two weeks to live.… Read the rest

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Animation Features Live Action Movies

Collectors
(Do-gul,
도굴,
lit. Grave Robbery)

**1/2

Director – Park Jung Bae – 2020 – South Korea – Cert. 12 – 114m

A disparate group of tomb raiders attempt to outwit each other to find and obtain a valuable archaeological artifact in this lightweight, comedy caper – from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 4th to Friday, November 19th

A grave hunter probing the earth with a cane-like tool hits an object several feet down. Putting his ear to the Earth, he hears a muffled child’s voice: “help me”. Horrified, he starts to dig the earth with his bare hands.

A strikingly graphic 2D-animated title sequence, in two-tone light ochre and black, with hands reaching out to one another through shafts of light, a boy crawling up an underground tunnel, a boy and girl reunited with an adult, a man crawling between multi-storey buildings by rope, high heeled female legs walking through a museum display of cultural artifacts, lots of modern urban imagery including driving a fast sports car through a city, lots of underground digging / mining imagery and a couple of male characters, one looking suspiciously like Indiana Jones, complete with hat and whip.

Burial alive is just one of the many disparate elements thrown together in this lightweight, comedy caper which combines historical Korean archaeology with grave robbing, double-cross, a super rich, big business villain, ruthless gangsters, Seoul locations, and a happy-go-lucky wheeler-dealer thief hero.… Read the rest

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Features Live Action Movies

Support The Girls

Director – Andrew Bujalski – 2018 – US – Cert. 15 – 93m

*****

The general manager of the Double Whammies sports bar must contend with all human life in the course of a particularly trying day – now on BFI Player

General manager Lisa (Regina Hall) unlocks the premises for another day’s work at the Double Whammies sports bar. Maci (Haley Lu Richardson) tells Lisa there’s a strange banging sound coming from the room with the safe. Maybe a trapped possum? Lisa will investigate. Meanwhile, though, she’s got to interview some young women for waitress posts. And she needs to get Danyelle (Shayna McHayle) to sweet talk Jay (John Elvis) from Sounds Town into lending them a sound system for tonight’s big fight on cable. On top of that, she’s running a car wash fundraiser under the moniker “Support The Girls” to help out Shaina (Jana Kramer) who’s in trouble.

Welcome to the world of Double Whammies. It’s an essay on boundaries. Lisa continually refers to Double Whammies as a “family place” and the institution walks a fine line between bare-midriffed young women in skimpy tops sporting curves and cleavage bearing the words “Double Whammies” and something altogether far dirtier.… Read the rest

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Animation Features Movies

Lupin III
The First
(Rupan Sansei
Za Fasuto,
ルパン三世
THE FIRST)

Director – Takashi Yamazaki – 2019 – Japan – Cert. 12a – 93m

****

Master thief Lupin III sets out to steal a diary protected by a lock with a fiendishly complex mechanism and becomes embroiled in an occult, Nazi plot to take over the world – screening in Scotland Loves Anime, Edinburgh on Monday, October 11th at 18.00 and Online (ten titles for only £4!!!) October 1st – November 1st

A character with a long history in Japan in anime, manga artist Monkey Punch’s celebrated gentleman thief Arsène Lupin III is a descendant of Frenchman Maurice LeBlanc‘s Arsène Lupin character. LeBlanc’s bona fide character recently featured in the French live action Netflix series Lupin (creator: George Kay, 2021). 

For this Japanese reboot, Lupin III and his fellow franchise characters are back on the big screen, now lovingly animated in state of the art 3D animation which has never looked quite like this. The nimble movements of Lupin as he typically evades the grasp of Interpol’s Inspector Zenigata by firing a climbing line at a ceiling, outwits an ingénue girl thief on Paris rooftops and finally has his stolen object taken off his hands by the shapely Fujiko Mine as she dangles from a helicopter rope ladder would look good in drawn animation – for similar antics look no further than earlier Lupin III outing The Castle Of Cagliostro (Hayao Miyazaki, 1980) – but they look considerably better rendered in full 3D CG here. … Read the rest