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Features Live Action Movies

Enys Men

Director – Mark Jenkin – 2022 – UK – Cert. 15 – 96m

*****

A lady environmentalist working on an uninhabited island off the Cornish coast becomes subject to powerful, localised forces from the area’s past – out in UK cinemas on Friday, January 13th

NB The title is pronounced “Enys Main”, the eponymous “Men” being as in “menhir”.

A radio receiver. A bird. An island. A woman in a red coat (Mary Woodvine). A flower. Jenkin seems to love the process of putting little bits of film together to make a whole that’s altogether larger than the sum of its constructed parts. If that same process was evident in his earlier, equally Cornish if less fantastical and black and white Bait (2019), his new film is radically different and, moreover, it’s in colour.

Enys Men being touted as a horror film – presumably with Jenkin’s blessing if the trailer is any indication – but I’m not sure that’s exactly what this film is. Some horror fans may well come away wondering while they bothered, while viewers put off by the term ‘horror’ may well respond positively to Jenkin’s latest – provided they can be persuaded into the cinema to see it.… Read the rest

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Features Live Action Movies

Decision To Leave (Heojil Kyolshim, 헤어질 결심)

Director – Park Chan-wook – 2022 – South Korea – Cert. 15 – 138m

*****

A married detective investigating the death of a climber becomes obsessed with the victim’s wife, who looks increasingly like the murderer – on MUBI from Friday, 9th December

Any sexual or romantic energy that once existed between city-based detective Hae-joon (Park Hae-il from Heaven: To The Land Of Happiness, Im Sang-soo, 2021, The Fortress, Hwang Dong-hyuk, 2017, The Host, 2006, Memories Of Murder, 2003, both Bong Joon ho) and seaside town-based wife (Jung Yi-seo, bit parts in Samjin Company English Class, Lee Jong-pil, 2020; Parasite, Bong Joon ho, 2019) has long since evaporated.

Investigating the fatal fall of skilled amateur climber Ki Do-soo (Yoo Seung-mok from The Gangster, The Cop, The Devil, Lee Won-Tae, 2019, also The Host, Memories Of Murder) where the man’s Chinese-born wife Seo-rye (Tang Wei, from Lust, Caution, Ang Lee, 2007) is a murder suspect, he falls for her…
[Read the full review at Dmovies.org]

Trailer:

Decision To Leave is on MUBI from Friday, 9th December.

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Documentary Features Live Action Movies

Doctor Who Am I

Director – Matthew Jacobs, Vanessa Yuille – 2022 – UK – Cert. 12a – 80m

****

Screenwriter Jacobs’ entry into US Dr. Who fan subculture follows his scripting of the 1996 Dr. Who TV movie that was supposed to launch the franchise Stateside but floppedout in UK cinemas on Thursday, October 27th and Blu-ray, DVD & Digital Download Monday, November 28th

What the hilarious narrative feature Galaxy Quest (Dean Parisot, 1999) did for Star Trek, this heartfelt yet hugely entertaining documentary does for Dr. Who. Matthew Jacobs, whose work includes the screenplay for Paperhouse (Bernard Rose, 1988) and the original story for offbeat Disney cartoon The Emperor’s New Groove (Mark Dindal, 2000), also wrote the script for the US network TV movie Doctor Who (1996) which was supposed to relaunch the BBC franchise in the US, a goal it spectacularly missed when no series proved forthcoming.

In retrospect, Jacobs considers that his script made two major errors in terms of the Doctor Who legacy. One, it recast the hitherto entirely alien Time Lord as half-human, and, two, it allowed him to kiss a member of the opposite sex, something no previous version of the doctor had ever been seen to do.… Read the rest

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Documentary Features Live Action Movies

Doctor Who Am I

Directed by Matthew Jacobs & Vanessa Yuille
Certificate 12a, 80 minutes
Released in cinemas 27 October and
DVD & Digital 28 November

What is a church, and why do people attend it? This is a documentary about Doctor Who fandom and conventions. At no point does it suggest, at least not in so many words, that such gatherings might be churches. Hold that word, ‘gathering’. It’s one that those of us who are religious often employ to describe ‘church’.

Screenwriter Matthew Jacobs has, for many years, avoided attending such gatherings… [Read the full review in Reform Magazine.]

Doctor Who Am I is out in cinemas in the UK on Thursday, October 27th and DVD & Digital Download Monday, 28th November.

Read a longer review elsewhere on this site.

Trailer:

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Animation Documentary Features Live Action Movies

Kurt Vonnegut: Unstuck In Time

Directors – Robert B. Weide, Dan Argott – 2021 – US – Cert. 15 – 127m

*****

A warm and compelling look at the life of writer Kurt Vonnegut, the influence upon him of the bombing of Dresden, and his decades-long friendship with director Weide – out in cinemas and on digital platforms from Friday, July 22nd, BFI Player Rental from Monday, August 22nd

Read my shorter review for Reform magazine.

The documentary Weide eventually made about Vonnegut took him the best part of four decades to complete. Weide opens with a statement about Vonnegut walking in the woods, feeling a tree and seeing the bombing of Dresden before it occurred. There seems no reason to doubt Vonnegut. He was unstuck in time, jumping around the years and decades. Weide first contacted him in 1982, never imagining that it would take him anything like as long to complete the film as it did. He starts looking at interviews of himself (“who wants to see a documentary in which a filmmaker appears as himself?”, he asks) – defined by where they were shot or what shirt Weide was wearing at the time.

Whatever else Vonnegut and his writing are, they are not conventional.… Read the rest

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Features Live Action Movies

Pickpocket

Director – Robert Bresson – 1959 – France – Cert. PG – 76m

*****

Why is a man compelled to pursue acts of petty thievery – acclaimed, arresting, existential drama is out in cinemas on Friday, June 3rd

I have just rewatched Bresson’s classic and am still not entirely sure I have its measure. Perhaps that’s the thing about great works of art. Oh, to have seen it on its original release, had I been old enough, and watch it without the baggage of it being proclaimed a cinematic masterwork.

Words on the screen proclaim at the outset that this is not the thriller its title might suggest; it’s rather a study of a man who repeatedly commits crimes which is trying to understand why he would do that.

The characters, of whom the main protagonist Michel (Martin LaSalle) is the one who gets most screen time and indeed, is scarcely if ever off the scree, are played deadpan, with Bresson doing his utmost to ensure that his cast perform the roles without acting. He doesn’t want the actors’ craft to come between us and his images of people doing, being, talking. He seeks to avoid the artificiality of acting thereby allowing his performers to realise his images without any acting technique mediating them.… Read the rest

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Art Documentary Features Live Action Movies Series Shorts Television

Greenaway By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.

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Features Live Action Movies

Wet Season (热带雨)

Director – Anthony Chen – 2019 – Singapore – 103m

****1/2

A Singaporean schoolboy becomes obsessed with his Mandarin language teacher – from the BFI London Film Festival and the London East Asia Film Festival (LEAFF) 2019.

It seems to be constantly raining in urban Singapore. Ling (Yeo Yann Yann) is forever sitting in her parked car injecting insulin. She has a job teaching Mandarin to a class in a local boys secondary school. Half a dozen of them are such poor students that she sets up a remedial class after hours to get them up to speed, but while they’re made to attend, they really aren’t interested. With one exception.

Wei-lun (Koh Jia Ler) will be in trouble with his parents if he doesn’t do well in Mandarin. As the other boys bunk off the remedial class with the slightest excuse, it pretty quickly develops into Ling teaching Wei-lun on a one-on-one basis. He doesn’t live that far from her home, so she often gives him a ride home in the car afterwards, unaware that behind her back he has for a long time been taking pictures of her with his mobile phone in class.

Ling has been trying to have a baby with her husband Andrew (Christopher Lee Ming-Shun) for some eight years.… Read the rest