Tag: journalist

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Features Live Action Movies Music

Blow the Night
(Yoru o Buttobas,
夜をぶっとばせ)

Director Chusei Sone – 1983 – Japan – Cert. 18 tbc – 108m

****

Two teenage girls: a high school dropout who falls in with gangs, and 24 hours in the life of a girl who knows a band – part of the Chusei Sone Double Feature on Blu-ray from Monday, July 27th.

NSFW

This starts out with a rock drummer playing a fill, freeze-framed almost immediately to the title of the film, then his band The Street Sliders – whose record company Epic / Sony put ¥10m into the film’s budget – launching into a blistering Japanese Punk / R&B number with the cheerful chorus “Masturbation! Masturbation!” The film travels quite some distance with a cut to disaffected schoolgirl Takada (Namie Takada playing a younger version of herself) being told by the principal that she just needs to turn up for school while the exams are on. “Well-behaved student, my ass!” says a suited teacher after the girl’s been dismissed. “What kind of student dyes her hair and her nails red?”

Well, Namie is the kind that gets in at home without keys in the afternoon by negotiating an open window, changes schools every couple of years, and lives with her sister, grandma.… Read the rest

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Features Live Action Movies

Scars of the Sun
(Taiyo no Kizu Ato,
太陽のきずあと)

Director – Chusei Sone – 1981 – Japan – Cert. 18 – 99m

***1/2

A young gang leader whose father is a successful literary figure finds himself battling against a rival – part of the Chusei Sone Double Feature on Blu-ray from Monday, July 27th.

NSFW

A dull, industrial pumping sound can be heard in the background. A man in a white raincoat and a hat waits. The wind blows his open coat. He takes out a cigarette. Down the road, another man steals a white car from a garage explaining, “I’ve a funeral to attend.” He picks up the raincoat and hat man.

Another car, red, heading in the opposite direction on the other side of the highway, U-turns and joins him. Both drive recklessly until the white one narrowly avoids a collision with a bicycle.

The other man asks Shuhei (Keniichi Kaneda), in the raincoat and hat, what they do about the now somewhat battered car. Shuhei says it can be fixed using his father’s money. When he tries to sign in for the funeral, he’s told to leave because the deceased wouldn’t have wanted him to attend.

They gather with others at a bar. His companion, Kobayashi, explains that Sugeru was so good at driving that he, Kobayashi, fell asleep.… Read the rest

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Animation Features Movies

Teenage Mutant
Ninja Turtles
Mutant Mayhem

Directors – Jeff Rowe, Kyler Spears – 2022 – US – Cert. PG – 99m

*****

The much loved comic-generated franchise gets a remarkable reboot in animation that breaks the filmmaking mould to really get under the skin of the teenage experience – plays in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June.

Hollywood animated children’s films since the advent of computer animation. They all look the same. Okay, that’s not entirely fair, but with notable exceptions like the Laika films and the recent Spider-Verse films there’s a definite homogeneity to this output overall, industry wisdom dictating the production parameters and the overall look and feel. There’s a mould there, the films make money and producers are terrified to break that mould. Not so here.

The irony is that the Teenage Mutant Ninja Turtles property, born out of a late night joke between two comic book artists who never expected to sell more than a one-off issue, has spawned numerous spin-offs in comics, animated TV series, video games and movies. Somehow, the previous six movies – three in the 1990s (including Teenage Mutant Ninja Turtles, Steve Barron, 1990; Teenage Mutant Ninja Turtles II: The Secret Of The Ooze, Michael Pressman, 1991), one in 2007, and two more in the last decade following a reboot in 2014 – never quite delivered on the promise of the franchise, as if everyone concerned was too focused on the moneymaking potential and trying to play everything safe, an approach completely at odds with that of the two artists who originated the property and simply thought of it as a fun idea worth developing.… Read the rest

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Features Live Action Movies Music

Köln 75
(Köln 75)

Director – Ido Fluk – 2025 – Germany – Cert. 15 – 112m

*****

How an 18-year-old girl came to stage what would become the biggest selling jazz album in history – narrative feature is out in UK cinemas on Friday, June 5th

At a party honouring her career as a music promoter, 50-year-old Vera Brandes (Suzanne Wolff) is upbraided by her dentist father (Ulrich Tukur from The White Ribbon, Michael Haneke, 2009; The Lives of Others, Florian Henckel Von Donnersmarck, 2006; Solaris, Steven Soderbergh, 2002; Lulu, George Moorse, Peter Zadek, TV movie, 1991) that she never amounted to anything. In a quasi-documentary sequence, she intervenes as narrator to talk about this being a really bad start, and proceeds to play, like a presenter in a music documentary, some music takes abandoned by bad starts from, among others The Cramps and Bob Dylan.

The film starts again, this time with 18-year-old Vera Brandes (Mala Emde) who enjoys hanging out with friends at jazz venues, such as the one where English club owner Ronnie Scott (Daniel Betts from September 5, Tim Fehlbaum, 2024; Alien Romulus, Fede Alvarez, 2024; Allied, Robert Zemeckis, 2016) is playing. Getting his attention by buying him an ice cream cone, Vera chats with him and, by the time she has walked her bicycle with him to his hotel has been commissioned to book him a European tour “because I can’t imagine anyone saying no to you.”… Read the rest

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Features Live Action Movies

A Pale View of Hills
(Toi Yamanamino Hikari,
遠い山なみの光)

Director – Kei Ishikawa – 2025 – UK, Japan, Poland – Cert. 12a – 123m

From the novel by Kazuo Ishiguro

***1/2

An aspiring journalist in 1982 England delves into her mother’s past life in 1952 Nagasaki and unearths dark family secrets – out in UK cinemas on Friday, March 13th

As will be seen from the above logline description, this essentially plays out in two timelines.

One is in Nagasaki, Japan in 1952, less than a decade after the dropping of the atomic bomb, where the married and barely visibly pregnant Etsuko (Suzo Hirose from Lupin III the First, Takashi Yamazaki, 2019; The Third Murder, Hirokazu Kore-eda, 2017; The Boy and the Beast, Mamoru Hosoda, 2015; Our Little Sister, Hirokazu Kore-eda, 2015) befriends Sachiko (Fumi Nikaido from River’s Edge, Isao Yukisada, 2018; Himizu, Sion Sono, 2011), the mother of local waif Mariko (Mio Suzuki), who lives in an isolated shack near the river and plans to emigrate to the US with a man named ‘Frank’.

The other is in a town in England somewhere near Greenham Common, Berkshire, in 1982, where aspiring journalist Niki (Camilla Aiko from Dr.… Read the rest

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Features Live Action Movies

BULK

All pic credits: d.p. Nick Gillespie

Director – Ben Wheatley – 2025 – UK – Cert. 15 – 90m

*****

An abducted journalist finds himself involved in multi-dimensional travel – quasi-experimental and completely bonkers sci-fi drama embarks on a tour of UK cinemas, from the smallest to the largest, on Thursday, January 15th

We are watching black and white footage. (The film occasionally uses colour, for instance footage of Sam Riley – from Islands, Jan-Ole Gerster, 2025; Firebrand, Karim Ainouz, 2023; Control, Anton Corbijn, 2007 – in a grey-blue suit reminiscing about what happened to his character). “25 kilometres from the epicentre,” says a voice, instantly recognisable as Bill Nighy (from Living, Oliver Hermanus, 2022; Minamata, Andrew Levitas, 2020; I Capture the Castle, Tim Fywell, 2003), who performs similar duties throughout, including reading the film’s title when it appears moments and several shots later on the screen.

Some of those shots are worth talking about in detail, because they help convey everything that’s great about this lovingly hand-to-mouth-crafted movie. They include library footage – a jet trail across what could be detail of a planet, troops watching an A-bomb explosion from the trenches.

As Nighy speaks, two tiny static figures stand in a landscape (which looks like a model although it could be a still photographic element behind which is composited live action footage of clouds moving across in a sky.… Read the rest

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Features Live Action Movies Music

Control

Director – Anton Corbijn – 2007 – UK – Cert. 15 – 122m

*****

UK release date 05/10/2007

The story of Joy Division lead singer Ian Curtis: his disintegrating marriage, struggles with epilepsy and eventual suicide – review originally published in Third Way magazine, September 2007

For the uninitiated, post-punk Mancunian band Joy Division formed in 1977, then achieved near immediate cult status through Tony Wilson’s Granada TV show and Factory Records label. The four-piece band grew out of a three-piece (guitar, bass, drums) who Ian Curtis (Sam Riley from Widow Clicquot, Thomas Napper, 2023; Firebrand, Karim Ainouz, 2023; Byzantium, Neil Jordan, 2012) joined as singer and songwriter. The resultant recordings still resonate down the annals of rock: even today, songs such as (to name but three) Transmission, the eponymous She’s Lost Control and Love Will Tear Us Apart carry an undeniable charge.

Curtis took his life in May 1980 just prior to the band’s first scheduled American tour. His three survivors carried on under the moniker New Order to become incredibly successful; yet to this writer’s mind, their work pales beside those early Curtis / Joy Division songs. Quite simply, his work with the band has a focus, a power and a bleakness rare in rock.… Read the rest

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Features Live Action Movies

Before We Vanish
(Sanpo Suru Shinryakusha,
散歩する侵略者,
lit. Strolling Invaders)

Director – Kiyoshi Kurosawa – 2017 – Japan – Cert. 15 – 129m

***

Three humans claiming to be aliens steal ideas from people’s heads as they prepare for their race’s forthcoming invasion – from LEAFF, the London East Asia Film Festival 2017

This review is of a first viewing of this film. It really doesn’t happen often, but I can imagine liking this film more second time round. It’s a very strange movie.

Hands take a goldfish from a group in a white bathtub and transfer it into a metal pan. A sailor suited schoolgirl carries the fish in a bag to another house. Inside the latter, on its floor, the fish struggles to breathe as it lies on the ground out of water.

Spattered with blood, the girl (Yuri Tsunematsu) walks happily along the middle of a busy road. As she strolls without a care, swerving to avoid her, a lorry crashes headlong into an oncoming car.

Elsewhere, something is wrong with Shinji Kase (Ryuhei Matsuda from The Raid 2, Gareth Evans, 2014). His behaviour alarms his wife Narumi (Masami Nagasawa from Our Little Sister, Hirokazu Kore-eda, 2015, and playing in LEAFF this Saturday 28/10).… Read the rest

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Features Live Action Movies

September 5

Director – Tim Fehlbaum – 2024 – US, Germany – Cert. 15 – 95m

****1/2

A dramatisation of the events of September 5, 1972 when broadcast TV sports journalists found themselves covering the terrorist kidnapping of Israeli athletes in the Olympic village – out in UK cinemas on Thursday, February 6th

There have been movies about the terrorist incident at the 1972 Olympics before: the documentary One Day in September (Kevin McDonald, 1999) and the drama about its aftermath Munich (Steven Spielberg, 2005). Like the latter, September 5 is a drama. What marks it out as different, however, is that it tells the story from the point of view of broadcast journalists working out of a studio.

In this respect, its feeling for capturing the processes of live US network television renders it not entirely dissimilar to recent release Saturday Night (Jason Reitman, 2024), yet in many ways, it couldn’t be more different. Saturday Night is about the birth of a legendary US comedy show; September 5 starts in an arguably similar area of entertainment (live sports coverage) before swiftly moving into the wider, more problematic area of live broadcast news coverage. The coverage of the incident around which September 5 is based forever changed the face of broadcast television media.… Read the rest

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Features Live Action Movies

Air America

Director – Roger Spottiswoode – 1990 – US – Cert. 15 – 113m

*

Reviewed in What’s On in London, January 1991.

Released on 4K UHD, Blu-ray and DVD in the UK on Monday, 7th October, 2024.

One of the most accurate ways to judge whether or not a movie is worth seeing is to look at the credits. Air America‘s director is Roger Spottiswoode, whose career has spanned such diverse movies as the gripping political thriller Under Fire (1983) and the tedious Tom Hanks and dog cop buddy movie for children Turner & Hooch (1989).

Spottiswoode has Mel Gibson heading his cast, but it isn’t a great help with a script as dire as this. Worse, Gibson these days is getting more comedy roles, and he simply isn’t as good in these as he was in more serious parts earlier in his career. Here, he plays a pilot of Air America, the secret, CIA-owned airline network which flies covert missions and goods around the Far East.

This might well have been another Under Fire, but as it stands, I’m afraid, the resemblance to Turner & Hooch is more evident. Like that film, this bores rather than entertains, lumbering along without any overall sense of structure or direction.… Read the rest