Categories
Features Live Action Movies

Nino
(Nino)

Director – Pauline Loquès – 2025 – France – Cert. 15 – 96m

****1/2

A young man attempts to cope with the news that he has throat cancer in his first weekend following diagnosis – out in UK cinemas on Friday, June 19th

There are some films you watch which are so close to parts of your own life that it’s impossible to be objective about them. This doesn’t happen very often to this writer, but it happened on this film. Over a year ago, completely out of the blue, I was diagnosed with breast cancer. As a UK citizen I’m entitled to free healthcare, and as a cancer patient my treatment is fast-tracked. My initial experience was of being tested for cancer, waiting a week or so for the results to come back, and having the presence of the cancer confirmed. That gave me around ten days to adjust, but it was a terrible shock. Not least because my (mis)understanding was that men didn’t get breast cancer, only women did, so that couldn’t possibly be what I had. And, obviously, it was life-changing.

Cut to the film Nino. A name film, named after its central character. What follows is my own highly personalised reaction as a cancer patient / survivor.… Read the rest

Categories
Animation Features Live Action Movies

Tokyo Fist
(東京フィスト)

Director – Shinya Tsukamoto – 1995 – Japan – Cert. 18 – 87m

*****

Shinya Tsukamoto ventures outside his Tetsuo trappings to deliver further explorations of the ‘New Flesh’ in boxing movie garb.

On Arrow Channel from Friday, September 22nd.

This review is an amalgam of my reviews for What’s On In London and Manga Mania.

Right from its opening angled camera of gym sparring partners, everything about apparent boxing movie Tokyo Fist is relentless. Apparent because this is the latest highly idiosyncratic offering from Japanese filmmaker Shinya Tsukamoto, the crazed genius behind the brilliant if unhinged Tetsuo films. Don’t be fooled by the boxing gloves – this is another round in the director’s ongoing engagement with the ‘New Flesh’, minus the science-fictional surface trappings.

Underpinned by another memorable Chu Ishikawa score, it opens in typically bravura fashion with slanted tracking camera shots of sparring partners in a gym, morphing moments later into a visual wipe in the manner of a knockout punch as a fist hurtles towards the viewer and the images disintegrates via a stop-motion iris constructed of offal.

The plot has an insurance salesman whose career is foundering run into an old school friend who is now a professional boxer.… Read the rest