London Underground Archives - Jeremy C. Processing

Take It or Leave It, starring Madness

Director – Dave Robinson – 1981 – UK – Cert. 12a – 86m

*****

Struggling with their day jobs, some friends get together and form a band, which becomes the ascendant ska / dance band Madness – previews on Wednesday, September 30th, out in cinemas in the UK on Thursday, October 1st, and on Blu-ray from Monday, October 19th

The band Madness occupy a unique place in British pop music history. They first appeared In the brief space following the punk and new wave movements of the late 1970s which embodied the idea that anyone could learn to play a musical instrument from scratch and any group of people could put together a band. It was very much a DIY aesthetic.

What Madness had is different, however. Like the title of their debut album One Step Beyond and its iconic cover photograph capturing the seven band members one pressed behind the other walking forward in a synchronised movement, they embodied, as their promotional catchphrase would have it, “that nutty sound”.

Very much a dance band, albeit one unlike any previous combo that had coined that term, they built their songs on ska rhythms and incorporated saxophones into the overall sound.… Read the rest

The Small Back Room

Directors – Michael Powell, Emeric Pressburger – 1949 – UK – Cert. PG – 106m

*****

In London during World War Two, a back room boffin and bomb disposal man struggles with alcoholism – 4K restoration played at BFI Southbank on Tuesday, May 28th prior to release on Blu-ray, DVD and Digital on Monday, June 3rd

This black and white, post-war era drama isn’t the first film that comes to mind when people think about Powell and Pressburger – it was made immediately after what today are regarded as three of their best colour features – A Matter of Life and Death (1946), Black Narcissus (1947) and their arguable masterpiece The Red Shoes (1948). And that was preceded by one of their finest black and white works, “i know where i’m going!” (1945).

In many ways, The Small Back Room couldn’t be more different. There’s a marvellous sense of whimsy about those films, even if the later ones are intense and savage in places. Like Black Narcissus and The Red Shoes – and, for that matter, Powell’s late solo masterpiece Peeping Tom (1960), an intensity lies at the heart of The Small Back Room.

Gone are the light, airy spaces of the earlier films, their sense of the outdoors expanse (and, in The Red Shoes, the expanded landscapes of the eponymous ballet sequence within the film).… Read the rest