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In Front Of Your Face (Dangsin-Eolgul-Apeseo, 당신얼굴 앞에서)

Director – Hong Sang Soo – 2021 – South Korea – Cert. 12a – 85m

*****

A Korean-born actress returns from the US to spend time with those close to her and attend a meeting with a director for a possible acting job – out in UK cinemas on Friday, September 23rd

A woman on a sofa. She gets up but can’t wake the woman sleeping in the bedroom. Later Sangok (Lee Hyeyoung, the sofa one) and Jeongok (Cho Yunhee, the bedroom one) talk – Jeongok had been having a really vivid dream – and go out for coffee and breakfast to a pleasant lakeside café, followed by a visit to the local café run by Jeongok’s son and his girlfriend. Sangok has a meeting with a director later at a restaurant to discuss a possible film project. Going there in the taxi, she gets a message from director Jaewon (Kwon Haehyo) on her phone that the venue changed, so changes the destination. Her admiring host makes her feel at home enough to explain her situation – and why she feels unable to do the film, which leaves him in a state of shock.

In the latter part of his career, director Hong has honed his personal filmmaking style and vocabulary into a distinctive form uniquely his own.… Read the rest

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Lucky Chan-sil (Chansilineun Bokdo Manhji, 찬실이는 복도 많지)

Director – Kim Cho-hee – 2019 – South Korea – 95m

****

When a film director she’s worked for over several years dies, his film producer has to rethink her life – currently streaming on MUBI as part of their New South Korean Cinema season

Director Ji (Seo Sang-won), his fortysomething producer Lee Chan-sil (Kang Mal-geum) and three or four others are drinking Soju round a table after a hard day’s work on the set. Suddenly, Ji slumps forward. Everyone thinks he’s kidding. He’s not. He’s dead. Unexpectedly dead. Ji makes little independent films in his own highly idiosyncratic style. If he’s no longer there, then the film, too, is dead. And Chan-sil, who has only worked with him, is suddenly out of a job.

With her regular income gone, she downsizes and moves into a cheap flat owned by an ageing live-in landlady (Youn Yuh-jung). It’s near the top of a hill, so other members of the abandoned film production help her carry stuff up there. She sees a lot of her flighty actress friend Sophie (Yeung Soon-ah) for whom she now goes to work as a cleaner. These changes of circumstance give her the both the space and the opportunity to reassess her life.… Read the rest

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Features Live Action Movies

The Woman Who Ran (Domangchin Yeoja, 도망친 여자)

Director – Hong Sang Soo – 2020 – South Korea – Cert. 12A – 77m

*****

Three women – plus one. An urban woman’s visits to three out-of-town friends gently calls into question both their and her everyday lives – at Curzon Bloomsbury and on Curzon Home Cinema from Friday, December 11th, then on MUBI from Sunday, December 20th

Seoul resident Gam-hee (Kim Min-hee) is away from her husband for a few days and while he’s on a rare business trip is taking the opportunity to visit old friends. As she explains to each of them, her husband says that people in love should stick to each other. She feels loved.

Yet this mantra is called into question by the presence and lives of the three women she visits. Divorcee Young-soon (Seo Young-hwa) has a nice little apartment which she shares with a flatmate Young-ji (Lee Eun-mi) who is an incredible cook. Su-young (Song Seon-mi), who puts together dance performances, has discovered a nice little local bar full of artists, architects and other creative types. Woo-jin (Kim Sae-byuk) is tiring of her famous author husband Mr. Jung (Kwon Hae-hyo) who she thinks talks too much.

Jung is only seen briefly towards the end and is representative of the men in the film in that he is a peripheral character in the drama.… Read the rest