Tag: holiday home

Possible Love
(Ganeunghan Sarang,
가능한 사랑)

Post author By Jeremy Clarke
Post date October 12 2026
No Comments on Possible Love
(Ganeunghan Sarang,
가능한 사랑)

Possible Love (L to R) Jeon Do-yeon as Mi-ok, Sul Kyung-gu as Ho-seok, Cho Yeo-jeong as Ye-ji in Possible Love Cr. Courtesy of Netflix © 2026

Possible Love (Ganeunghan Sarang, 가능한 사랑)

Director – Lee Chang Dong – 2026 – South Korea – Cert. 15 – 164m

*****

A filmmaker working on a documentary about workers who’ve been laid off from their companies invites a worker’s wife and her husband to stay at her and her husband’s lavish coastal home – plays the London Film Festival (LFF) Sunday, 11th, Wednesday 14th, Sunday 18th October, then out in UK cinemas on Friday, October 23rd, the London Korean Film Festival on Tuesday, 3rd November, and is on Netflix from Friday, November 6th

The family of laid-off manual worker Ho-seok (Sul Kyung-gu from A Normal Family, Hur Jin-ho, 2023; Memoir of a Murderer, Won Shin-yeon, 2017; Peppermint Candy, Lee Chang Dong, 1999), his wife Mi-ok (Jeon Do-yeon from Beasts Clawing at Straws, Kim Yong-hoon, 2020; The Housemaid, Im Sang-soo, 2010) and their young son Cheol (Ha Lim) attend the funeral of one of Ho-seok’s fellow laid-off workmates. The reticent Ho-seok plans to stay in the car, but then goes in to the ceremony some time after the rest of his family and stays for the wake where, against what he’s promised his wife, he drinks, and as he starts to lose it, the pair get into an argument in public.… Read the rest

Tags argument, beach, business partner, camera, Cho Yeo-jeong, client, coastal home, commandment, company, consortium, covet, covetousness, documentary, documentary filmmaker, drink, drinking, expensive, filming, filmmaker, financial, former workmate, funeral, googles, handbag, handsome, haves and have-nots, high price, holiday home, husbands and wives, inability to connect, industrial action, interview, invite, Jeon Do-yeon, jungle, laid off, laptop, Lee Chang Dong, LFF, LFF 2026, LKFF, LKFF 2026, London Film Festival, London Film Festival (LFF), London Film Festival 2026, London Korean Film Festival, London Korean Film Festival 2026, make a killing, marriage, monied, mysterious, news bulletins, ornate, Possible Love, private beach, privilege, recording, relax, reticent, row, rural and urban, social divide, social system, South Korea, spacious, Sul Kyung-gu, time zone, trauma, unwind, video calls, virtual meeting, wake, wealth, worker, working life, workmates, Zo In-sung

Features Live Action Movies

Funny Games
(1997)

Funny Games (1997)

Director – Michael Haneke – 1997 – Austria – Cert.18 – 103m

*****

Two young men turn up at a family’s holiday home to humiliate and torture them via a series of controlling exchanges (or games) – plays in Complicit: A Michael Haneke Retrospective, in UK cinemas from Saturday, June 21st and on BFI Player from Thursday, September 11th 2025

Review originally published in Shivers around the time of the film’s 1997 London Film Festival premiere

With Hollywood currently rediscovering the profitability of slick, fun horror movies in the blockbusting wake of Scream (Wes Craven, 1996), Europe proves itself well capable of delivering work at the other end of the spectrum. Funny Games is the latest brainchild of Austrian-born Michael Haneke (Benny’s Video, 1992).

Like Scream, Funny Games never misses a trick on the technical level. Unlike Scream, its intention is not a non-stop, mass-consumption, vicarious thrill-laden roller coaster ride (which Funny Games certainly isn’t) but a rigorous and unrelenting, one way descent into madness, fear and despair depicting violence, mutilation, torture and – above all – amoral manipulation of one’s fellow human beings – as truly horrific.

To dismiss Funny Games as either moral lecture or morality play would do it great disservice.… Read the rest

Tags action movie, actioner, amoral, Arno Frisch, Austria, blood, chopping vegetables, Complicit: A Michael Haneke Retrospective, control, controlling, descent into madness, despair, dog, everyday normality, family, fear, Frank Giering, games, gore, Hide and Seek, holiday home, Hollywood, horrify, horror, horror thrille, human depravity portrayal of violence, humiliate, kitchen, lakeside, manipulation, media, Michael Haneke, mundane activity, mutilation, naturalism, naturalistic observation, nuclear family, parents and children, pleasurable audience consumption, polite, press scan/rewind, psycho, retaliation, rigorous, shotgun, shy, Stefan Clapczynski, Susanne Lothar, taciturn, tell me it's only a movie, thrill, thrillers, Tom And Jerry, tormentors, torture, TV remote, Ulrich Muhe, unrelenting, upsetting, viewer, violence, well-spoken, young men

Features Live Action Movies

Afire
(Roter Himmel)

Director – Christian Petzold – 2022 – Germany – Cert. 12a – 102m

*****

Two male friends’ plans to stay in his mother’s woodland house are disrupted by first a car breakdown, then a female guest of his mother’s, and finally forest fires – out in UK cinemas on Friday, August 25th

Summer. Leon (Thomas Schubert from Breathing, Karl Markovics, 2011) and Felix (Langston Uibel) are driving to the latter’s mother’s holiday home on the Baltic coast when their car breaks down. Felix knows a short cut so they go through the woods,. When they reach the cottage, after getting lost, a guest is already there, a young woman Nadja (Paula Beer from Transit, Christian Petzold, 2018; Frantz, François Ozon, 2016), the daughter of a friend of Felix’s mother. At least, her belongings – underwear strewn around the big bedroom, cereal in the kitchen – are there.

Felix phones his mother to learn there’s a double booking. Not to worry – the pair can stay in the small bedroom. Except, Leon can’t sleep at night because of the sound of Nadja enjoying sex with someone through the paper-thin walls.

He doesn’t know how to confront her about this.… Read the rest