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Features Live Action Movies

Cry Macho

Director – Clint Eastwood – 2021 – US – Cert. 12 – 104m

***1/2

A rodeo star and horse trainer well past his prime is sent to bring his boss’ son back to Texas from his “abusive” mother in Mexico – out in cinemas on Friday, November 12th

1979. Mike Milo (Clint Eastwood) is late for work. Again. His boss Howard Polk (Dwight Yoakam) ticks him off. Milo verbally lays into him. Gets fired. Newsreel footage from back in the day shows Mike’s rodeo accident, when a horse threw him and he landed on his back. He’s never been the same since.

They go back a long way, though, and that isn’t the end of their relationship. Howard phones Mike for a favour. Howard hasn’t seen his son since the boy was six. He’s now 13 and living with his mother, Howard’s estranged ex, down in Mexico. Howard has heard is son is being abused, although he doesn’t clarify. He wants Mike to go down to Mexico and bring the boy back.

Mike is unsure but agrees. His attempt to complete this task will form the body of the movie. He finds the mother’s house easily enough. She turns out the sort who hosts a party a night and has plain clothes security people on her property; also the kind of person who considers it a personal insult if she asks you to drink with her or sleep with her and you refuse.… Read the rest

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Features Live Action Movies

Seven Samurai (Shichinin no Samurai)

Director – Akira Kurosawa – 1954 – Japan – Cert. PG – 207m – Oscar nominated

Seven samurai must defend a poor village of farmers from bandits in one of the greatest action movies ever made – both released in cinemas in a brand-new restoration from Friday, October 29th and currently streaming on BFI Player as part of the Japan 2021 programme alongside 21 other Kurosawa films together with a much wider selection of Japanese movies.

Seven Samurai opens with a group of horsemen on a horizon. Notwithstanding the Japanese titles on the screen, you could be watching a Hollywood Western. Although what follows is a tale of samurai, bandits and farmers, it’s so close to ideas in a Western that Hollywood replaced sword with guns and retooled it as the hugely successful The Magnificent Seven (1960).

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The plot concerns a small farming village threatened by bandits, who attack at harvest time and take all the crops. The farmers find a group of samurai prepared to defend them against the bandits in return for food and lodging. From a script co-written with two others Kurosawa delivers a measured epic which explodes into action in its final hour and a bit… [Read more]

I review Seven Samurai for All The Anime.… Read the rest

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Features Live Action Movies

Ran (乱)

Director – Akira Kurosawa – 1985 – Japan – Cert. 15 – 162m

*****

This spectacular samurai period epic is currently streaming on BFI Player as part of the Japan programme alongside 21 other Kurosawa films together with a much wider selection of Japanese movies.

The following review originally appeared in Funimation UK. It was published to coincide with the film’s 2016 restoration. Stray Dog, Rashomon, Yojimbo, I Live In Fear, The Hidden Fortress, Throne Of Blood, The Lower Depths and High And Low, all of which are in the current season’s 22, also get a mention. As does Kagemusha which, curiously, isn’t.

Jeremy Clarke on Akira Kurosawa’s live action epic.

Ran is Akira Kurosawa’s remarkable 1985 free adaptation of King Lear, rereleased in cinemas worldwide in 2016 on the back of the 400th anniversary of William Shakespeare’s death.

More than any other Japanese film director, Akira Kurosawa (1910-1998) is responsible for bringing that country’s movies to the attention of international audiences. His first big exposure abroad came with the jidaigeki or period drama Rashomon (1950) which dramatised the story of a rape victim from different, successive character viewpoints.… Read the rest

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Animation Art Movies Shorts

The Battle Of San Romano

Director – Georges Schwizgebel – 2017 – Switzerland – 2m 26s

*****

The Battle Of San Romano is the fourth of 13 Original Short Films in the Annecy Festival 2020’s selection for We Are One: A Global Film Festival.

This film is based on the eponymous painting by Paulo Uccello in London’s National Gallery which has produced this helpful filmed talk about it. The painting’s subject matter is a 1432 battle between two regional Italian armies. The camera as we know it today didn’t exist at that time and had it done so, Uccello might anyway not have been very interested in using it to record an historical record as such. He seems to be more interested in constructing representational images, forms, and the illusion of three dimensional space.

What interests Schwizgebel is not so much the subject of the painting but the painting itself. It’s a study of the painting in much the same way that painters make studies of subjects with a view to exploring them, perhaps for use in a larger composition. Whether he is employing animation in quite the right medium is debatable. When I say medium, I mean that of the short film.

This short feels less like a film with a beginning, middle and end and more like a cycling loop of images which could go on for ever, so much so that I’ve found myself going back to it and re-watching in whole or in part.… Read the rest