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Animation Documentary Features Live Action Movies Music

Moonage Daydream

Director – Brett Morgen – 2022 – US – Cert. 15 – 135m

*****

David Bowie explored through his own words, accompanied by images of his life and art, many of his songs and extracts from numerous live performances – out in IMAX in the UK on Friday, September 16th and wide in cinemas on Friday, September 23rd.

In 2018, seasoned writer-director-editor Brett Morgen (Jane, 2017; Kurt Cobain: Montage Of Heck, 2015; The Kid Stays In The Picture, 2002) was granted unprecedented access to David Bowie’s personal archives and four years later we have the first film to be supported by the Bowie estate. Knowing all this, you enter the cinema wondering exactly what you’re going to get.

You’re immediately confronted by a quote about Nietzsche and God which is then revealed as a quote from Bowie 2002, the film immediately putting Bowie on a par with one of the nineteenth century’s greatest philosophers and arguably even God. The subject of Nietsche doesn’t come back up, but God does, quite a bit, with Bowie’s religious-leaning song “Word On A Wing” putting in an appearance and David’s voice-over talking about “something…a force directing the universe”. Like many of us today, he struggles with the word ‘God’ – is it the right word?… Read the rest

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Features Live Action Movies

House Of Gucci

Director – Ridley Scott – 2021 – US – Cert. 15 – 157m

*****

A woman marries into the wealthy Gucci family and inadvertently brings about its downfall – out in cinemas on Friday, November 26th

First impressions.

A beautiful day. A well-dressed man (Adam Driver) relaxes at the café, pays his bill, cycles through the streets. Life is good. He reaches his destination. As he approaches the door, a voice asks, “Mr. Gucci?”

Milan, 1978. Another beautiful day. A woman dressed and moving like a goddess (Lady Gaga) walks past trucks and workers to her father’s transportation business office where she works as his assistant. Later, a friend asks her to a costume party. She dances. She looks incredible. She goes for a drink. The barman (Driver) turns out not to be not the barman. He makes her a drink anyway. He’s Maurizio. Gucci. He knows the host. She’s Patrizia Reggiani. She doesn’t. He tells her he can’t dance. She drags him onto the dance floor and makes him look good even though he does nothing. He leaves at midnight, worried he’ll turn into a frog. It’s a pumpkin, she calls after him.

She stalks him, ‘accidentally’ bumping into him at a bookshop where he’s buying armfuls of legal books (he’s studying to be a lawyer).… Read the rest

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Features Live Action Movies

Censor

Director – Prano Bailey-Bond – 2021 – UK – Cert. – 84m

****

In the 1980s so-called ‘video nasties’ era, a BBFC examiner increasingly confuses horror films with reality – on MUBI from Sunday, October 31st

A peculiarly British film in that it pertains to the way so-called ‘video nasties’ were dealt with by the UK censor in the 1980s. With the rise of video technology, a legal loophole meant that while cinema films were given a certificate by the UK censor, films released straight to video were not. A number of horror films far more violent and bloody than the censor would allow for cinema exhibition thus found their way onto VHS videotape, into video stores and onto the nation’s home TV screens via the video player.

Sections of the UK press ran stories of ‘video nasties’ suggesting that seeing such videos would corrupt children and impressionable members of society. One or two Tory MPs campaigned for changes to the law, resulting in the 1984 Video Recordings Act. Now videos came under the BBFC’s remit (it changed its name from the British Board Of Film Censors to the British Board Of Film Classification) and video titles were examined then passed, passed with cuts or banned.… Read the rest

Categories
Animation Documentary Features Live Action Movies Music

WITCH We Intend To Cause Havoc

Director – Gio Arlotta – 2019 – Italy, Czech Republic – Cert. 12 – 98m – English Language

***1/2

Winsome if shallow documentary follows survivors from Zambia’s seventies music Zamrock phenomenon as they reform and tour Europe – in cinemas and on VoD from Friday, July 2nd

On the verge of a pan-African trip that will take the narrator through Zambia alongside bassist / vocalist Jacco Gardner and drummer Nic Mauskoviç, intensive research reveals the Zamrock phenomenon of the 1970s which mixed traditional African rhythms with psychedelic rock music of which the band WITCH was the leading proponent. The name later turned in to an acronym for We Intend To Cause Havoc at the suggestion of the band’s then graphic designer. Sadly, many of the original band members are now dead following the AIDS crisis which hit the African continent pretty hard.

At Zanis, the state-owned television company, we enter a 16mm archive that hasn’t been opened for 17 years because the room key had been lost. The music section reveals footage of James Brown performing in Africa but nothing of WITCH even though apparently they were all over broadcast TV at the time – much of what was taped of them may well have been recorded over by footage of President Kaunda on his latest walkabout.… Read the rest

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Features Live Action Movies

Sputnik

Director – Egor Abramenko – 2020 – Russia – Cert. 15 – 113m

***** some of the underlying concepts and the special effects

** everything else

Available on VoD from Friday, August 14th. Now on Netflix

In the early 1980s a two-man Russian spacecraft undergoes a mysterious incident during its return to Earth leaving one of the crew dead. He has had half his helmet and half his head ripped off.

Survivor Konstantin Veshnyakov (Pyotr Fyodorov) is confined to a research base in the middle of nowhere for observation. Supervisor Kirill Averchenko (Aleksey Demidov) recruits psychiatrist Tatyana Klimova (Oksana Akinshina) who is in trouble for taking ethically questionable decisions concerning the life of a patient, believing that she did the right thing and saved a life. Averchenko needs someone who will do whatever it takes and damn the consequences and he would appear to have judged her correctly. Once there, however, she finds herself in conflict with chief scientist Yan Rigel (Anton Vasilev).

She quickly learns that the surviving, isolated cosmonaut is the host to an alien parasite which leaves his body at specific times of night then returns. And Konstantin, who suffered memory blackout during the return to Earth, doesn’t seem to know about the parasite.… Read the rest