Robert McFarlane Archives - Jeremy C. Processing

Artists / Directors – Barney Steel, Ersin Han Ersin, Robin McNicholas – 2026 – UK – 25m

*****

A sensory experience centred around a moving image of the Thames as part of the global water network based on data sets – installation at St. Martin-in-the-Fields crypt 12:30-21:00 hours from Saturday, October 3rd to Sunday, October 18th as part of the London Film Festival’s LFF Expanded strand

A little waiting area shows a series of hand-crafted hangings by artist Elena Landinez showing various river tributaries before you enter the experience space proper. Before entering that space, you are alerted to the fact that the experience includes a total blackout section, also that there are pottery vessels handmade by ceramicist Ludmilla Balkis inside the space for you to take containing water that was cloud some two weeks ago, from which you can drink. Seating is mostly bean bags on the floor, and a single row of conventional seating at the back.

So I’m sitting on a seat at the back – or is it the back? – not really knowing what to expect. The lights go down: total blackout. All around me, sounds. (These started, I think, before the blackout, as if little rivulets of water were running somewhere.)… Read the rest

Eric Ravilious:
Drawn To War

Director – Margy Kinmonth – 2022 – UK – Cert. PG – 87m

***1/2

The career of the British watercolour artist tragically killed while serving as an official war artist in World War Two – now available to watch online following UK cinema release on Friday, July 1st 2022

The first official war artist to be commissioned in World War Two, Eric Ravilious was on an aircraft which set out from Iceland in 1942 and never came back. There is no exact record of what took place, covered by the phrase “missing in action”, but in all likelihood the plane went down in the sea. Kinmonth finds simple images to convey the incident, which appears in both her opening introduction to Ravilious’ life and her closing reel representing his passing – a warplane descending, our viewpoint falling towards the surface of the sea, an indistinct body moving in water filled with bubbles. At the end, the cold blue of the water contrasts with the gentler, rural green of the family house and surroundings back home.

After his death, Ravilious’ art was largely ignored. Alan Bennett, an admirer of the artist’s work, puts this down to the work’s cheerful and unthreatening nature and a prevailing view that art should grapple with dark and foreboding subject matter.… Read the rest