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Ponette
(Ponette)

Ponette (Ponette)

Director – Jacques Doillon – 1996 – France – Cert. PG – 97m

*****

A four-year-old girl must come to terms with the car crash death of her mother – out in UK cinemas on Friday, June 26th 1998

A truly extraordinary film defying easy categorisation, the plot of Ponette is essentially very simple – a four-year-old girl must come to terms with the car crash death of her mother. If Hollywood had attempted anything like this, you can almost guarantee the material would be cynically manipulated to tug at the heartstrings, go out of its way not to offend anyone and strive to reap maximum rewards at the box office by pleasing as many people as possible. Ponette, however, comes not from Hollywood but France where such things are approached very differently.

Much is said in these pages and elsewhere about actors, but when a four year old scoops Best Actress at the Venice Film Festival, you know something remarkable is going on. You’d be justified in wondering how far children can genuinely act and how far they are merely being exploited by unscrupulous film makers, but here, established director Jacques Doillon (Le Jeune Werther, 1993) and crew have taken great care that the children involved never confused the demands of their acting with reality (anyway, why should they?)… Read the rest

Categories
Features Live Action Movies

Mr. Vampire IV
aka
Mr. Vampire
Saga IV
(Geung See
Suk Suk,
靈幻先生)

Director – Ricky Lau – 1988 – Hong Kong – Cert. 12 – 96m

***1/2

A feud between Taoist and Buddhist neighbours, and a tentative romance between their boy and girl apprentices, are interrupted by the arrival of a coffin, from which a hopping corpse escapes – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The fourth and final ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

This once again shakes up the formula to deliver something different from its predecessors. Where the third film replaced the franchise’s jiangshi (hopping corpses) with flying ghosts, this fourth entry brings jiangshi back again and yet, curiously, they only come into play in about half of the film. The other half concerns two next door neighbours who don’t get on with one another. As with the previous films, the knockabout comedy sensibility holds the whole thing together.

The second major change is the conspicuous absence of star Lam Ching-ying who previously played the jiangshi-fighting, Taoist priest. According to the Blu-ray booklet’s helpful essay on these films by James Oliver, this appears to be down to the fact that Lam simply wasn’t available, a theory backed up by the fact that he subsequently worked again with most of those involved in the franchise.… Read the rest