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Broker
(Beurokeo,
브로커)

Director – Hirokazu Kore-eda – 2022 – South Korea – Cert. 12 – 129m

***

Kore-eda’s second feature outside his native Japan is a curious tale of two traffickers of abandoned babies to childless couples whose business is disrupted by their latest charge’s mother– out in UK cinemas on Friday, February 24th

It’s an intriguing pitch. Kore-eda. the great humanist Japanese director of such extraordinary films as (among others) films After Life (1998), I Wish (2011), Like Father, Like Son (2013), The Third Murder (2017) and the Best Foreign Film Oscar nominee Shoplifters (2018), directs a movie in South Korea. And yet, Broker, like his previous The Truth (2019), similarly made in a country other than his native Japan – in this instance France – is strangely unmoving compared to his home-shot, Japanese work. Although he hasn’t lost his touch as can be seen from some of his work for Japanese TV (A Day-Off Of Kusumi Arimura, 2020).

Whatever the problems are with his working abroad, the the calibre of the cast the director attracts is not one of them. The Truth had Catherine Deneuve, Juliette Binoche and Ethan Hawke, two of the finest living French actresses and arguably one of the best American actors; for Broker, the cast includes top South Korean talent Song Kang Ho and Doona Bae.… Read the rest

Categories
Features Live Action Movies

Eastern Promises

Director – David Cronenberg – 2007 – Canada, UK – Cert. 18 – 100m

****

After a London midwife delivers a dying woman’s baby she finds herself attracting the attention of the Russian mafia – reviewed in Third Way, 2007; on BBC iPlayer until Thursday, October 6th 2022

An immediately recognisable, ethnically diverse London unseen in previous movies about the capital. A Chechen unexpectedly gets his throat cut in a barber’s shop; a pregnant Russian teenager walks into a chemist’s, asks for help and collapses in a pool of her own blood. Given the director, you’d be forgiven for expecting such imagery to pervade the whole film, but Eastern Promises originated not with Cronenberg but screenwriter Steven Knight, whose acclaimed screenplay for Dirty Pretty Things (Stephen Frears, 2002) explored the hidden, ethnic workforce in the underbelly of contemporary, multicultural London. (He also wrote the recent Wilberforce biopic Amazing Grace, Michael Apted, 2006).

Eastern Promises takes us into related territory, again in the capital – this time Russian Vory V Zakone gangsters, sex trafficking and murder. Cronenberg puts this on the screen with all the precision and finesse one would expect, eliciting terrific performances and contributions from cast and crew.

Trafalgar hospital midwife Anna Khitrova (Naomi Watts), the daughter of a Russian father and an English mother, provides our point of entry into this unfamiliar world as the midwife who must deliver the baby from the dying teenager.… Read the rest