Features Live Action Movies

The Burning Sea (Nordsjøen)

Director – John Andreas Andersen – 2022 – Norway – Cert. 12 – 104m


An underwater technician attempts to rescue her lover who is trapped and probably dead on an oil rig amidst impending ecological disaster – out on digital on Monday, May 30th

The Norwegian title translates literally as North Sea, so renaming the film The Burning Sea makes it sound more dramatic and ups the ante considerably. That increased selling point comes at a price, though. Instead of an oil rig disaster movie, you’re now expecting a sea on fire movie which doesn’t happen ’til the last reel. Still, director Andersen’s films include the impressive disaster movie The Quake (2018) while the writing team of Harald Rosenløw-Eeg (The Quake, 2018; The Wave, Roar Uthaug, 2015) and Lars Gudmestad (Headhunters, Morten Tyldum, 2011) looks promising enough. Unlike those films, however, this one lapses fairly quickly into cliché.

It spends its first 10 minutes largely on romantic drama with Sofia (Kristine Kujath Thorp from the wonderful Ninjababy, Yngvild Sve Flikke, 2021) content to be living her life with lover Stian (Henrik Bjelland) and his pre-teen son Odin (Nils Elias Olsen) at a distance rather than living together permanently with them.… Read the rest

Features Live Action Movies

Pelle The Conqueror (Pelle Erobreren)

Director – Billie August – 1987 – Denmark – Cert. 15 – 157m


Winner of Best Foreign Language Film at the 1988 (61st) Oscars

Babette’s Feast (Babettes gæstebud)


Director – Gabriel Axel – 1987 – Denmark – Cert. U – 103m

Winner of Best Foreign Language Film at the 1987 (60th) Oscars.

This double review originally appeared in the Church Times.


Comments on Social and Religious Austerity.

Social hardship and religious severity have long been an artistic staple in Scandinavian films; two current video releases illustrate the point admirably. Pelle, the young lad of Pelle The Conqueror, is told he can conquer the whole world by his father (Max Von Sydow).

The turn of the century reality is less attractive, since the Swedish father and son are forced by economic necessity to migrate to neighbouring Denmark in search of farm labouring work. In Denmark, the boy boy struggles to keep his dreams alive despite local anti-Swede prejudice.

The tale and its setting strike a curious parallel with Babette’s Feast, in which Parisian refugee of the 1871 Communard uprising Babette (Stephan Audran) arrives in the Jutland Danish coastal region to seek refuge.… Read the rest