Month: January 2024

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Features Live Action Movies

All of Us Strangers

Director – Andrew Haigh – 2023 – UK – Cert. 15 – 105m

*****

A gay Londoner travels by train to visit his parents in Sanderstead, following their deaths in a car crash when he was 12 years old – out on digital from Tuesday, March 12th

He (Andrew Scott) lives alone in a London tower block. Not only is he the single occupant of his flat, there’s almost no-one else in the building. When he goes outside for a breath of fresh air, he sees a guy in the window of one of the other apartments. Later, there’s a knock at his door. It’s the guy (Paul Mescal), who is slightly drunk, comes on strong and tries to get himself invited in. The visitor’s name is Harry. The occupant introduces himself as Adam, but doesn’t let Harry in.

By day, Adam writes screenplays. But he’s got stuck, so after perusing some personal effects, he takes the train to Sanderstead. There, he watches a boy in a window. He follows a man across an area of parkland. Coming out of a shop, the man spots him and asks him to come over. You think it might be a pickup – but no, it’s his dad (Jamie Bell).… Read the rest

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Features Live Action Movies

Padre Pio

Director – Abel Ferrara – 2022 – Germany, Italy – Cert. 15 – 104m

***1/2

Post-WW1, In San Giovanni Rotondo, Italy, a Catholic mystic undergoes temptation while down in the village, armed landowners and military officers attempt to halt the rising tide of socialism – out on Blu-ray, DVD & DL from Monday, March 11th

Ferrara has long been something of an outsider, working with small budgets. This current offering is highly uneven, very strong and moving in places, betrayed by a lack of planning and resources in others. Perhaps its besetting sin (to use Christian religious parlance) is that it doesn’t deliver exactly what it sets out to: this is not exactly a portrait of early 20th Century, Catholic mystic Pio (Shia LaBeouf). The friar really only forms half of the film – arguably its weaker half – dealing only intermittently with his life from arrival in the impoverished Italian village of San Giovanni Rotondo in 1916 through to his visitation by Jesus and first manifestation of stigmata some years later.

The other half of the film, running in parallel to this, deals with the aftermath of World War One in that same village, as men return from the Front to be reunited with wives and mothers.… Read the rest

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Features Live Action Movies

The End We Start From

Director – Mahalia Belo – 2023 – UK – Cert. 15 – 102m

***1/2

As parts of the UK are flooded and submerged by an ecological disaster, a woman births a baby she must then bring up – on Digital from Monday, March 4th following its release in UK cinemas on Friday, January 19th

On the one hand, this starts off with a woman (Jodie Comer) giving birth and then experiencing the process of being a new mother, with all the joys and stresses that entails. On the other, this shows the UK being overtaken and flooded by an eco-disaster, and how people respond to that situation both individually and en masse. The second scenario is reminiscent of any number of disaster and / or science fiction movies about flooding, apocalypse or dystopia (When Worlds Collide, Rudolph Maté, 1951; Children of Men, Alfonso Cuarón, 2006; Waterworld, Kevin Reynolds, 1995): if you approach this movie expecting something like that, you’re going to be disappointed, because although that element is very much present in the film, it’s little more than the backdrop.

It plays more like a road movie, in which the heroine – the husband having dropped out of the narrative towards the end of the first reel – meets a series of people on her travels, each of whom offer their own individual insight into the state of things and how the new mother might move forward.… Read the rest

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Features Live Action Movies

American Fiction

Director – Cord Jefferson – 2023 – US – Cert. 15 – 117m

*****

A black, American college Literature professor, unexpectedly finds celebrity via an anonymous alter-ego when he writes a cliché-ridden book about ‘the black experience’ – out in UK cinemas on Friday, February 2nd

College professor Thelonius ‘Monk’ Ellison (Jeffrey Wright) is a black academic at a white university. He teaches literature. While he’s teaching a class on the literature of the American South, a young, white, female student objects to the “N-word”, walks out of the class, and – in due course – gets him put on an unpaid Sabbatical. He’s a published novelist who hasn’t had anything published for years, including a manuscript currently doing the rounds through his agent Arthur, whereas other, white, faculty members publish work he considers beneath him yet which also sell in volume in airports.

His Sabbatical ties in with the fact of his going to a Literature Festival in his home city of Boston, where he finds his seminar poorly attended because it’s up against one by rising publishing sensation Sintara Golden (Issa Rae), author of We’s Lives in Da Ghetto, which, when he investigates her session, turns out to be what he considers pandering to black stereotypes of living in poverty, crime and misery.… Read the rest

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Animation Features Movies Music

Blue Giant
(BLUE GIANT)

Director – Yuzura Tachikawa – 2023 – Japan – Cert. 12a – 120m

*****

Three 18-year-olds form a jazz band with the aim of playing at Tokyo’s top jazz club – out in UK cinemas on Wednesday, January 31st and Thursday, February 1st

Before this property was a movie – an animated movie – it was a manga. Which, on one level, is nothing that out of the ordinary in Japan (see, for instance, basketball movie The First Slam Dunk, Takehiko Inoue, 2022) but on another is extraordinary. Blue Giant is about music, specifically jazz, even more specifically teenager Dai Miyamoto (voice: Yuki Yamada; musicianship: Tomoaki Baba) who gives up basketball and decides he wants to be the best tenor sax player in the world. He rehearses intensively by the banks of the river in the city of Sendai where he lives, leaving for Tokyo at age 18 and talking his way into moving in with old pal Shunji Tamada (voice: Amane Okayama; musicianship: Shun Ishikawa).

Unsure where to start, Dai visits a bar named Jazz – Take Two where the friendly Mama-san Akiko (voice: Sayaka Kinoshita), who no longer hosts live jazz gigs there, takes pity on him and plays him selections from her vast wall of jazz LPs.… Read the rest

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Features Live Action Movies

Jackdaw

Director – Jamie Childs – 2023 – UK – Cert. 15 – 97m

**

When ex-British army mercenary Jack Dawson – a.k.a. Jackdaw – retrieves a package from the North Sea for a client, things go horribly wrong, forcing him to go through the North East in search of answers – British action thriller is out in UK cinemas on Friday, January 26th

Jackdaw is the nickname for Jack Dawson (Oliver Jackson-Cohen from Emily Frances O’Connor, 2022; The Lost Daughter, Maggie Gyllenhaal, 2021; The Invisible Man, Leigh Whannel, 2020), an ex-army mercenary who looks after his down syndrome brother Simon (Leon Harrop). A call comes in to his answering machine for what appears to be a routine job picking up a package from the coastal waters of the North Sea, and it pays well, so might provide the much-needed opportunity for the two brothers to improve their lot. Jack is good at what he does, but the job proves to be far less routine than stated, as he finds himself first the quarry of a pursuit then discovers his brother has been kidnapped. In search of answers, he sets off on visiting a trail of contacts across the underworld of the North of England.… Read the rest

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Features Live Action Movies

The Holdovers

Director – Alexander Payne – 2023 – US – Cert. 15 – 133m

*****

A teenage pupil must remain at school in the care of his strict and widely despised Ancient History teacher over the 1970 Christmas holidays – out in UK cinemas on Friday, January 19th

A school movie with a difference: this takes place not in term time, but in the holidays. Specifically, a New England boys’ boarding school in the 1970 Christmas holidays, when, for various reasons, five pupils – three teenage, two younger – are unable to go home for the seasonal break, so must instead be looked after by a member of staff at the school. That task falls to ancient history teacher Paul Hunham (Paul Giamatti), who is filling in for the member of staff who made up a story about a difficult family health situation to get out of being lumbered with the task. Paul is put upon for jobs like this because he’s the guy who can’t say no; he’s also a stickler for hard work and discipline who is disliked by fellow teaching staff and pupils alike.

Once the other staff and students have left, one other person remains on the premises: the head cook Mary Lamb (Da’Vine Joy Randolph) who has a connection to the institution beyond her employment.… Read the rest

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Features Live Action Movies

In Broad Daylight
(Bak Yat Ji Ha,
白日之下)

Director – Lawrence Kwan Chun Kan – 2023 – Hong Kong – Cert. 15 – 106m

***1/2

A woman uncovers a catalogue of abuse visited upon the residents of the Hong Kong care home in which her grandfather lives – out in UK cinemas on Friday, January 19th

This opens and closes to the strains of ‘We’ll Meet Again’ and images of Hong Kong buildings reaching towards the sky.

Ling Hu Kay (Jennifer Wu from The Shadows, Glenn Chan, 2020; Tracey, Li Jun, 2018) enters the Rainbow Bridge Care Home in search of her grandfather Chow Kin-Tong (David Chiang from Election, Johnnie To, 2005; The Adventurers, Ringo Lam, 1995; Once Upon a Time in China II, Tsui Hark, 1992; Yes, Madam!, Corey Yuen, 1985; Shaolin Temple, Chang Cheh, Wu Ma, 1976) who she hasn’t visited for a while as she’s been abroad in Canada. He doesn’t remember her. Chow’s roommate is the amiable Shui (Woo Fung). Shocked at finding a dead rat in their room, she finds the manager Cheung Kim-wah (a memorable Bowie Lam The Crossing, 2014; Hard Boiled, 1992, both John Woo) who informs her both that while they are always understaffed, the place is like a family where everyone pitches in.… Read the rest

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Features Live Action Movies

Mean Girls (2024)

Directors – Samantha Jayne, Arturo Perez Jr. – 2024 – US – Cert. 12a – 112m

**

A reimagining as a musical of the eponymous, 2004 US High School movie in which the new girl finds herself up against a girl clique – out in UK cinemas on Friday, Wednesday, January 17th

Raised and homeschooled on the open plains of Kenya, 16-year-old Cady Heron (Angourie Rice) is in for a shock when her mum suddenly decides the family is moving back to the US. The shock comes specifically in terms of High School, which she swiftly discovers to be a hostile world of exclusive cliques.

Two outsiders Janis (Auli’i Cravalho) and Damian (Jaquel Spivey) take it upon themselves to explain who’s who and against their advice, she falls in with the Plastics: Regina George (Reneé Rapp), Gretchen (Bebe Wood), and Karen (Avantika), a group of three rich, bitchy and style-obsessed girls who regard themselves as superior to everyone else.

Cady swiftly puts a foot wrong by falling head over heels for Regina’s boyfriend Aaron Samuels (Christopher Briney), and the narrative swiftly develops into a conflict between her and the other three Plastics, particularly Regina. It’s a musical, too: cue song and dance numbers.… Read the rest

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Features Live Action Movies

The Boys in the Boat

Director – George Clooney – 2023 – US – Cert. 12a – 123m

*****

Based on a true story. A group of students become the rowing team who compete in the 1936 Berlin Olympics – out in UK cinemas on Friday, January 12th

Washington State, the mid-1930s. Engineering student Joe Rantz (Callum Turner) can barely afford to live, sleeping in an abandoned, wrecked automobile at night and faced with University fees he can’t pay during the day. Desperate for some – any – work that pays enough to help him get by, he is encouraged by fellow student Roger Morris (Sam Strike) to sign up for the rowing team. Only nine people can ultimately be chosen for the team (eight plus a reserve), and to get there all applicants must undergo a rigorous trial process so that coach Al Ulbrickson (Joel Edgerton from Master Gardener, Paul Schrader, 2022, and much else) and his team can select the best men for the job.

It’s backbreaking work, and against all odds, both Rantz and Morris make it into the team. Curiously, the film starts off as being about the two of them, but as the narrative progresses, the focus on Morris fades as the emphasis shifts both to Rantz and the whole eight-man-strong team.… Read the rest