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Features Live Action Movies

Mama’s Affair (阿媽有咗第二個)

Director – Kearen Pang – 2022 – Hong Kong – Cert. PG – 127m

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A former music business exec tries to get back into the game managing a boy singer while her jealous teenage son takes his exams – out in UK cinemas on Friday, August 19th

Essentially a three-hander, this centres around middle-aged mother Mei-fung (Teresa Mo Shun-kwan), her son, Jonathan (Jer Lau) who is doing exams and hopes the study at the UK’s Cambridge and similarly aged youth Fang Ching (Keung To). The two teenagers are played by members of phenomenally successful Cantopop boy band Mirror, arguably the production’s main selling point. It also has an unashamed music industry focus. Mei-fung, whose marriage is on the rocks, is a former record label executive who has decided to go back to the workplace now that her son is on the verge of going abroad.

She originally got out of the business at the insistence of her husband following a miscarriage. She was something of a workaholic, necessitated by her job of looking after talent, babysitting stars to the extent that juggling career and potential motherhood was well nigh impossible. Trying to get back into the game twenty years on, she find those former colleagues still involved don’t really see her return as viable, and she winds up working for a former associate who is now passionately running a private school for kids with an emphasis on creativity and the arts.… Read the rest

Categories
Animation Features Live Action Movies

a-ha The Movie

Directors – Thomas Robsahm, Aslaug Holm – 2021 – Norway, Germany – Cert. 12a – 108m

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The rise and career of the enduring, three-piece, Norwegian band a-ha – out in cinemas on Friday, May 20th

Norwegian trio a-ha are arguably best known for two songs. They swept to fame on the strength of their first hit Take On Me, which features extensively in this documentary. They were later asked to do the title for Bond movie The Living Daylights (John Glen, 1987), which gets only a few minutes screen time somewhere in the middle here, so I’ll get that out of the way first. The band write their own material and found themselves having to work with legendary Bond composer John Barry as their producer on this gig who, as they saw it, was used to having musical input and getting his own way. They talk about recording the song in such a way as to get round him.

Perhaps what this best illustrates is that musicians (artists, composers, bands) often work and operate within their own sealed worlds and if they have to work with rivals, sometimes it works, sometimes it doesn’t. In this instance, it doesn’t sound a good experience for either party.… Read the rest