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The Body
(2024)
(Il Corpo)

Director – Vincenzo Alfieri – 2024 – Italy – 115m

*****

The body of a rich industrialist’s wife vanishes from the morgue after her death – stylish giallo premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

An unashamed genre piece, The Body is a giallo – an Italian crime and murder mystery named after the yellow book covers of their literary equivalents. While it absolutely fits into that very specific Italian genre, it’s actually the fourth remake of Spanish murder mystery The Body (Oriol Paulo, 2012) following remakes in India (twice, as Game, A.M.R. Ramesh, 2016 and The Body, Jeethu Joseph, 2019) and South Korea (The Vanished, Lee Chang-hee, 2018).

The current version juxtaposes stock elements from gialli and popular fiction with some highly original ideas which may or may not have been used in the earlier versions as yet unseen by this writer. The stock elements include: the womaniser suspected of murdering his wife, the hard-bitten inspector investigating the case, the man who has married into wealth, and the university professor having an affair with a student. The highly original ideas: a man running out in front of a car, a corpse disappearing from a morgue, and a married woman who is also a practical joker.… Read the rest

Categories
Features Live Action Movies

In Fabric

Director – Peter Strickland – 2018 – UK – Cert. 15 – 118m

*****

A red dress bought from and returned to a department store wreaks terrible fates on serial owners in a film much stranger and more worthwhile than it sounds – now on MUBI and Curzon Home Cinema

A wildly inventive and unashamedly British affair, Strickland’s latest film mixes tacky 1970s aesthetics with several workplaces – a department store, a personal loans company and a washing machine repair firm. Clothing emporium Dentley & Soper is run on a series of arcane regulations, obedience to the seemingly arbitrary rules for conduct of personnel at Waingel’s Bank is encouraged by smarmy middle management types Stash and Clive (Julian Barrett and Steve Oram) while washing machine repair firm Slaverton’s Wash insists any personnel who mend their own machines must do so on the firm’s books.

Although the film is constructed on the portmanteau template used in many horror films, whether it’s a horror movie as such rather than a very strange and stylish arthouse movie is open to debate. Loosely linked narratives are woven around serial characters – Waingel’s employee Sheila (Marianne Jean-Baptiste), Slaverton’s repair man Reg Speaks (Leo Bill) and his fiancée Babs (Hayley Squires).… Read the rest