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Roxy (Roxy)

Director – Dito Tsintsadze – 2022 – Germany, Georgia, Belgium – Cert. none – 100m

*****

When a taxi driver’s latest clients retain his services, both end up getting much more than they bargained for– premieres in the 26th Tallinn Black Nights Film Festival

The eponymous Roxy is a fight dog who has so far killed 12, no, 14 dogs. We first become aware of him when, for no good reason, he bites a pedestrian’s hand, causing his walker to hand a wad of banknotes to seemingly unflappable, hired taxi driver Thomas Brenner (Devid Streisow) to straighten the situation out. Then his new fare has put Roxy on the back seat, his panting head inches away from Thomas’ face. “You have to buy a muzzle for this dog,” Thomas calmly explains to his fare. “It’s the law in Germany.”

Thomas, whose working life consists of picking up an arrival from the railway station, taking them where they want to go, and then returning to the station to pick up the next arrival, loves routine and order. In his intermittent voice-over running through the film, we learn that his grandfather was in the Wehrmacht and his father the Stasi, the latter eventually committing suicide in 1990.… Read the rest

Categories
Features Live Action Movies

Gurkha Warrior

Director – Milan Chams – 2022 – Nepal – Cert. 15 – 115m

**

A small Gurkha unit is dropped into the Malayan jungle by helicopter on a search and rescue mission to save a number of the comrades who have been captured – previews in UK cinemas on Saturday, November 4th, out in UK cinemas on Friday, November 10th

There’s a very sweet frame story bookending Gurkha Warrior in which an old man takes his young and curious grandson to a hilltop in Nepal with mountains in the background for his annual ritual of laying a commemorative wreath at its foot and saluting in memory of fallen war comrades. When he explains this to his grandson as they walk away along the ridge, the latter picks a flower off a nearby bush and runs back to leave the flower beside the old man’s wreath. His grandfather is deeply moved by this.

That very much sums up this film, the director and star of which both served as Gurkhas. The narrative takes place against the backdrop of the Malaya Emergency (1948-1960), but since that’s never explained and given that audiences are likely to be unfamiliar with the historical background, the film floats in an unfortunate war film netherworld lacking any sort of context.… Read the rest