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A Better Tomorrow II
(Yingxiong Bense 2,
英雄本色2)

A Better Tomorrow II (Yingxiong Bense 2, 英雄本色2)

Director – John Woo – 1987 – Hong Kong – Cert. 18 – 105m – Workprint cut 140m

The first half **

The second half *****

Workprint cut *****

To continue the franchise, Chow Yun-fat returns playing the brother of his character in the first film, a New York restaurateur – 4K Restoration is out on 4K UHD and Blu-ray from Monday, 28th September

There’s something hugely endearing when Chow Yun-fat appears here, playing the brother of his character in the first film, insisting his name is not Mark but Ken. Nevertheless, he has on hand his late brother’s coat, with a few holes from bullets, to don in the closing scenes. Mark can’t possibly return having died at the end of the first film, and yet, to all intents and purposes, he’s back for this sequel!

The film as it appeared in release prints feels like little more than an excuse to have another big shoot out with Chow Yun-fat and others at the end, and you can feel Woo struggling as he tries to find a way of getting there without completely losing interest.

(Update: for struggling read; struggling with the editing required to get the film down to 105 minutes for cinema release.… Read the rest

Categories
Features Live Action Movies

A Better Tomorrow
(Yingxiong Bense,
英雄本色)

A Better Tomorrow (Yingxiong Bense, 英雄本色)

Director – John Woo – 1986 – Hong Kong – Cert. 18 – 94m

*****

The seminal gangster movie that crystallised John Woo’s now-trademark style of brotherhood, bullets and blood and catapulted Chow Yun Fat to Oriental, big screen stardom – 4K Restoration is out on 4K UHD and Blu-ray from Monday, 28th September

After a decade directing comedies and kung fu movies (many for Golden Harvest), Woo’s last two films had been box office flops when producer Tsui Hark gave him the opportunity to make A Better Tomorrow, loosely based at least in plot and character terms on the gritty The Story of a Discharged Prisoner / Yingxiong Bense (Kong Lung, 1967).

Hong Kong’s cinema owners had no problems with two of the three proposed leading men – Ti Lung (from Drunken Master II, Liu Chia-Liang, 1994; Shaolin Temple, Chang Cheh, Wu Ma, 1976) had achieved great success in director Chang Cheh’s martial arts epics at Shaw Brothers (Woo had worked as assistant to Chang early in his career) and Leslie Cheung (from Happy Together, Wong Kar-wai, 1997; Once a Thief, John Woo, 1991; A Chinese Ghost Story, Tsui Hark, 1987) was a successful singer – but Tsui and Woo had to fight hard for third lead Chow Yun Fat, a big TV star lacking any box office clout.… Read the rest

Categories
Features Live Action Movies

Stuntman
(Mou Tai Do,
武替道)

Directors – Albert & Herbart Leung – 2024 – Hong Kong – Cert. 15 – 114m

****

20 years after a stuntman on his team was hospitalised when a stunt went wrong, an action choreographer takes on his first stunt job since the tragic incident – out on digital from Monday, 12 May 2025

This opens with a terrific cops and robbers fight in a shopping mall at the top of an escalator bearing remarkable resemblance to (and just as exciting as) the one towards the end of Police Story (Jackie Chan, 1985). However, while this might be an obvious homage to that film specifically and 1980s Hong Kong action cinema generally, it’s far from a mere attempt to retread the same ground: we suddenly cut from the cops and robbers scenario to reveal a film crew of that period shooting an action movie.

There is a particularly dangerous stunt coming up. A (stunt)man must jump off a bridge onto a lorry as it passes below, with a car immediately behind. (Again, this is remarkably similar to the stunt in Police Story II (Jackie Chan, 1988) where Chan leaps off a balcony onto a lorry passing in the street.) In the current film, for the stunt to come off, the stuntman must jump at exactly the moment the action choreographer Sam Lee (Lam Yiu Sing from The Goldfinger, Felix Chong, 2023; Where the Wind Blows, Philip Yung, 2022; Memories to Choke on, Drinks to Wash Them Down, Leung Ming Kai, Kate Reilly, 2019; Dream Home, Cheung Pang-ho, 2010) tells him; to wait until he can see the truck would be too late and cause considerable, possibly fatal, injury.… Read the rest