Director – Jang Sun-woo – 1991 – South Korea – Cert. 18 – 138m
An academic returns to Korea expecting to hook up with the woman student with whom he lived in Paris, and they meet up, but she now repulses his physical advances – part of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th
As soon as R (Moon Sung-keun) arrives at the airport in Korea, he makes contact with J (Kang Soo-Yeon) and they get a room together, but she confounds his expectations by fending off his attempts at physical sex with her. This wasn’t what he was expecting, since she seemed willing enough when they lived together in Paris. He is desperate to have sex with her, but instead she offers to drive him first to the bus station and then to his home town, where he is reunited with his wife (Kim Bo-yeon), kids and extended family.
Whatever affection he once had for his wife has long since evaporated, and he callously repulses her attempts at intimacy in the bedroom. Brief scenes between the husband and wife punctuate the remaining narrative, the wife becoming increasingly hostile.… Read the rest
Director – Park Song-yeol – 2020 – South Korea – Cert. 12 – 90m
A young, unemployed, married Seoul couple struggle to make ends meet – from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th
Married Seoul couple Young-tae and Jeong-hee (played by screenwriters Park Song-yeol and Won Hyung-ra) are in financial trouble. Neither of them has a secure job with a regular income. They aren’t the only ones: he lends his mate Myung-su the family camera for a week so the latter can do some professional wedding photography to earn some money. If this sounds a bit odd, it sounds odder still when Young-tae finds his calls blocked and can’t get the camera back.
Desperate for money, Young-tae goes for interviews and, after a row with an old friend who purports to be setting up a business but turns out trying to recruit him for a network marketing operation, which Young-tae dismisses as a pyramid scheme, he eventually picks up a job as a cabbie where one night he gets into a row with a customer over taking a quicker, toll road rather than a slower, free road and loses his deposit with the company.… Read the rest
Director – Im Kwon-taek – 1989 – South Korea – Cert. 18 – 121m
As a young woman attempts to live as a Buddhist monk, she embarks on a series of increasingly physical sexual relationships – part of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th
Soon Nyeo (Kang Soo-yeon) enters a monastery as a novice. She reflects on her earlier life. Alienated from her mother, who she accuses of living off the interest of money made exploiting poor people, she develops a habit of following men on their travels. First up is a monk who knew her father who suggests that the latter failed as a monk. After she’s walked with him a while, he deliberately puts her back on a train.
As a student, she becomes fascinated by her class’ teacher Hyeon Jong, 29, (Chon Yoo-in) who, she learns later, lost his wife when she was killed in the Gwangju uprising while eight months pregnant. Uninvited, Soon accompanies Hyeon in his train travels around the country investigating sites of historical interest relating to a peasant uprising having promised his late wife he would one day write about this for her.… Read the rest
Director – Choi Dong-hoon – 2022 – South Korea – Cert. 12 – 142m
In Part One of a proposed double feature, aliens incarcerate prisoners in human brains and time travel between present day and fourteenth century Korea and mayhem ensures – from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th
The first film of a two part adventure, which would be more sensibly released as Alienoid – Part One (which may already be the case in some territories), this revolves around multiple protagonists in two separate timelines divided by six or seven centuries. In the fourteenth century, Guard, who morphs between true robot and fake human appearances not unlike the T-1000 of Terminator 2 Judgement Day (James Cameron, 1991), and his even more confusing companion Thunder, who is sometimes a car, sometimes a flying pod and sometimes any number of human manifestations (both / all played by Kim Woo-bin), fail to save a woman from dying after an alien escapes incarceration within her brain, however Thunder rescues the woman’s baby.
The pair travel forward in time to raise Lee Ahn (Choi Yu-ri) in the twenty-first century where she sees what she’s not supposed to: the impregnation process whereby alien prisoners are incarcerated in human brains, a memory wiped immediately afterwards from the humans used for this purpose, meaning people wander around not knowing there are aliens trapped inside their heads.… Read the rest
LKFF, the London Korean Film Festival runs in cinemas from Thursday, November 3rd to Thursday, November 17th
The London Korean Film Festival kicks off tonight with Alienoid (Choi Dong-hoon, 2022), the first instalment of a two-part SF epic which mashes up ideas from Hollywood SF and time travel fare Alien, The Terminator and Back To The Future with epic Korean period dramas. The plot apparently involves a robot guard, prisoners trapped in human brain cells, time travel back some 600 years and a MacGuffin known as the Divine Blade. Cast includes Kim Tae-ri (The Handmaiden, Park Chan-wook, 2016).
Friday 4th sees one of the director’s earlier blockbusters, the heist movie The Thieves (Choi Dong-hoon, 2012) in which five Korean criminals head for Macao to steal another MacGuffin, a 318-carat diamond called ‘Tear of the Sun’ worth over $20 million. The latter film is presented in collaboration with the V&A’s current exhibition Hallyu! The Korean Wave. Both screenings will be followed by a Q&A with director Choi.
The Festival bows out in two weeks time with two naval warfare blockbusters, again epic historical productions, this time the first two parts of a proposed trilogy.… Read the rest