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Breakout Brothers (To Yuk Hing Dai, 逃獄兄弟)

Director – Mak Ho-pong – 2020 – Hong Kong – 12 (Camden Council) – 90m

****

Three prison inmates attempt to escape so that they can attend to various pressing, personal issues– online in the UK as part of Focus Hong Kong 2022 Making Waves from Friday, July 8th to Sunday, July 10th

The generic side of Hong Kong movies (kung fu, supernatural, swordplay, gangster, horror, comedy) has long been one of the strengths of that territory’s film production. This one has already spawned two sequels (Breakout Brothers 2, 2021 and Breakout Brothers 3, 2022, both Mak Ho-pong). In essence, it’s deceptively simple: three inmates in prison attempt to break out. This is hardly an original concept, however two elements makes it different.

One, it’s conceived and shot as a caper movie. It’s not really a comedy, but it most definitely has a lightweight feel. This is brilliantly established from the get-go with the introduction of the score by Pong Chow and Noel Li, which follows a long tradition of themes in caper movies and TV series typified by Mission: Impossible (composed by Lalo Schifrin, 1966) with its driving yet off-kilter bass-line. In Breakout Brothers, this is accompanied by a striking, graphic,opening title sequence as good as that for Collectors (Park Jung Bae, 2020), the difference here being that Breakout Brothers lives up to the promise of its superlative title sequence whereas Collectors doesn’t.… Read the rest

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The Wicker Man: The Final Cut

Director – Robin Hardy – 1973 – UK – Cert. 15 – 94m

*****

A Christian police sergeant investigating a missing child on a remote Scottish island meets a terrible fate – out in UK cinemas from Friday, September 27th, 2013

Originally released forty years ago in the UK in a cut down version its director disliked, The Wicker Man now reaches our cinema screens in a longer, restored version which he says fulfils his original vision. Its plot is deceptively simple. A Christian police sergeant flies to a remote Scottish island in response to a letter about a missing child. But when he arrives on Summerisle, no-one seems to have heard of that child. It gradually emerges that the policeman has stumbled into an intricate web of lies and deceit wherein a terrible fate awaits him….

Using material from a recently discovered, longer US release print – rechristened The Final Cut by Hardy who assembled this cut in 1979 – it’s a provocative work on a number of levels. Sergeant Howie (Edward Woodward)’s Christian values comprise dogma about Christ being the Resurrection and the Life plus traditional sexual mores: he’s engaged to be married and does not believe in sex before marriage.… Read the rest

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Relic

Director – Natalie Erica James – 2019 – Australia – Cert. 15 – 89m

****1/2

A daughter and her mother must look after their ageing grandmother in her house which seems to possess a dark character – in cinemas and platforms including BFI Player from Friday, October 30th and now Shudder UK from Tuesday, 11th May 2021

Driving from Melbourne to visit her grandmother Edna in her house in the country, grown-up daughter Sam (Bella Heathcote) and her mother Kay (Emily Mortimer) get a phone call from the local policeman informing them the old lady has gone missing. When they get to the house and enter via the large cat flap, sure enough grandma is nowhere to be found. It feels lived in though, even though there are rooms filled with boxes of junk she’s never managed to sort out or get rid of. They try and tidy up, but it’s a huge task and they barely make a dent in what needs to be done.

They go out with police combing the local woods, to no avail. Sam runs into friendly next door neighbour with learning difficulties Jamie (Chris Bunton), 18, who lives at home with his father. James has no idea where Edna is either.… Read the rest