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Annette

Director – Leos Carax – 2021 – France, US – Cert. 15 – 141m

****1/2

This musical conceived and composed by Sparks plays out as a very dark opera ending in tragedy – out in cinemas on Friday, September 3rd

Although billed as a musical, this may actually be closer to opera given that even though it starts as a story about two people deeply in love, it veers into very dark territory.

And yet framing all that, and underscoring it throughout, is the sheer pleasure of writing / composing songs… and, for that matter, performing them. The opening song is So May We Start while the closer, as the credits roll, is It’s The End. (For added enjoyment, watch 90% of the audience leave before the last song starts. Or in my case, 10% of my fellow critics.)

The former starts with the band, the brothers Mael (singer Russell and keyboard player / composer Ron, profiled in recent documentary The Sparks Brothers, Edgar Wright, 2021) and a backing band in a recording studio in an invitation for the proceedings to get going, swiftly joined by the film’s two leads, while the latter ends with seemingly the entire movie cast and crew walking through the countryside hoping we’ve enjoyed the show and asking us to tell our friends if we did so.… Read the rest

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Features Live Action Movies

The Offering (L’Ofrena)

Director – Ventura Durall – 2020 – Spain – Cert. 18 tbc – 111m

**

When two former lovers run into one another, the fallout theatens to derail both their marriages – out in cinemas, virtual cinemas and VoD from Friday, July 30th

This starts off with webcam porn actress Rita (Verónica Echegui) giving a come on to an unseen viewer in American English, which is pretty odd because everything else is in Spanish. Surely not a cheap shot by the producers to sell the film to the English-speaking world? Anyone who thinks they’re in for an internet exposé along the lines of Cam (Daniel Goldhaber, 2018) is however in for a disappointment. Apart from a line later on where Rita is asked her job and replies, “I used to be a porn actress”, the whole sequence is gratuitous.

More relevant is the scene’s interruption by the arrival of Jan (Alex Brendemühl), sent by a relative to deliver the first of the narrative’s two eponymous offerings, a tall box containing a message or artefact from a deceased loved one. This has echoes of the Violet Evergarden anime series and its spin-off feature (Taichi Ishidate, 2020) in which the heroine works for a company which helps dying or terminally ill clients to write a letter or in some cases a lengthy series of letters to their loved ones to be delivered after the client’s death.… Read the rest