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Art Exhibitions Immersive Music

Middlesex Hospital Blues

Middlesex Hospital Blues

Curators – Iain Forsyth, Jane Pollard – 2026 – UK

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A chapel interior is repurposed as a reinvention of Derek Jarman’s final film Blue – exhibition / installation at Fitzrovia Chapel from Friday, October 16th to Wednesday, November 18th

Pollard and Forsythe’s third and final installation / exhibition at the Fitzrovia Chapel is a deceptively simple setup. 

With the space opening from mid-morning to midday to five or six pm depending on day of the week, most visitors will be entering the building from daylight – although, as the evenings creep in, towards the end of the day, and losing an extra hour of daylight in the evening after the clocks go back an hour on Sunday, October 25th, some visitors may be entering from fading light or even darkness.

Photo © Jeremy Clarke

Entering from daylight as this visitor did, one is immediately struck by the lighting. 

In a reimagining of the late director Derek Jarman’s final film Blue (1993), the interior is lit in that colour, which has the effect of locking the architectural interior into a sort of perpetual twilight, and not one in which the light goes slowly from light to dark but which seems more or less fixed. … Read the rest

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Movies Features Live Action

Enys Men

Enys Men

Director – Mark Jenkin – 2022 – UK – Cert. 15 – 96m

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A lady environmentalist working on an uninhabited island off the Cornish coast becomes subject to powerful, localised forces from the area’s past – out on UK Blu-ray/DVD combi and on BFI Player on Monday, May 8th

NB The title is pronounced “Enys Main”, the eponymous “Men” being as in “menhir”.

A radio receiver. A bird. An island. A woman in a red coat (Mary Woodvine). A flower. Jenkin seems to love the process of putting little bits of film together to make a whole that’s altogether larger than the sum of its constructed parts. If that same process was evident in his earlier, equally Cornish if less fantastical and black and white Bait (2019), his new film is radically different and, moreover, it’s in colour.

Enys Men is being touted as a horror film – presumably with Jenkin’s blessing if the trailer is any indication – but I’m not sure that’s exactly what this film is. Some horror fans may well come away wondering while they bothered, while viewers put off by the term ‘horror’ may well respond positively to Jenkin’s latest – provided they can be persuaded into the cinema to see it.… Read the rest