Tag: R&D

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Jurassic World Rebirth

Director – Gareth Edwards – 2025 – US – Cert. – 134m

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A group of mercenary hunters and a traumatised family find themselves on an equatorial island populated by mutant dinosaurs – out in UK cinemas on Wednesday, July 2nd

The difficult seventh movie, made on a shorter production schedule than its predecessors – according to the production notes – and probably made too quickly for its own good. First there were three Jurassic Park movies, then there were three Jurassic World movies, and now there’s a seventh Jurassic. What to call it? Jurassic Beyond? Jurassic Outside? Jurassic Environment? Jurassic Habitat? Jurassic Equator? Jurassic Island? Jurassic Laboratory? Jurassic Lab? Jurassic Experiment? Jurassic Mutation? (Those took me a mere five minutes.) No: unable to think of a word to replace Park or World, this one is saddled with the marketing-led Jurassic World Rebirth. Which no doubt will do the job, but when Michael Crichton coined Jurassic Park for his novel’s title and Spielberg ran with it, no-one outside of palaeontologists and dinosaur-geeks (I number myself among the latter) knew what ‘Jurassic’ was. It didn’t matter: it was Spielberg and dinosaurs, that sold it, and the film more than lived up to the lure and the promise.… Read the rest

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Features Live Action Movies

Sasquatch Sunset

Director – David & Nathan Zellner – 2024 – US – Cert. 15 – 88m

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As recreated by actors wearing primate suits, a family of Sasquatches are photographed in the wild over the course of a year – on Blu-ray and Digital from Monday, August 26th, packed with more than three hours of UK exclusive special features

In the US and Canada, the Bigfoot or Sasquatch is a staple of American folklore; a primate alleged to live in various American woodlands habitats, an assertion supported by such dubious artefacts as the Patterson-Gimlin film, amateur footage of a Bigfoot female walking through a forest. It’s far from conclusive, and could well be a man in an ape suit.

There is, however, no doubt whatsoever that the four Sasquatches in Sasquatch Sunset are human beings wearing ape suits. The film doesn’t try to pass itself off as anything other than actors playing a family of the creatures, and uses no narration voice-over to tell the audience what to think. Rather, it follows its creatures through a year of their existence in the wild, from Spring through Winter. It isn’t attempting to prove the existence of these creatures one way or the other; rather, it’s an attempt to imagine what they might look like and how they might behave if they were (or are) real.… Read the rest

Categories
Features Live Action Movies

Oppenheimer

Director – Christopher Nolan – 2023 – US – Cert. 15 – 180m

*****

Drama about the father of the atomic bomb, shot with IMAX cameras and best watched in IMAX 70mm format – out in UK cinemas on Friday, July 21st

There are certain hallmarks to Christopher Nolan’s feature length movies. Since The Dark Knight (Nolan, 2008), his second Batman movie, he has been shooting a proportion of each one with IMAX cameras. Seen projected on a screen the size of three double-decker London buses at London’s BFI Waterloo IMAX, these are larger than life experiences in a way that movies shown in the viewer’s own home on a screen, even a large one, can never be. And while Nolan is interested in character and performance, most of his movies in the IMAX format, even the historically inspired WW2 movie Dunkirk (Nolan, 2017), contain memorable action, exploiting the vastness of the IMAX screen to great kinetic effect whether it’s Batman roaring along on the Batbike, co-conspirators free floating inside a falling transit van in Inception (Nolan, 2010) or British WW2 soldiers trapped inside a flooding ship.

There is, however, a problem with watching Nolan’s IMAX-intended films in a lesser theatrical cinema format: the framing.… Read the rest