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The Northman

Director – Robert Eggers – 2022 – US – Cert. 15 – 136m

*****

A 10th Century Viking prince vows revenge on his father king’s killer and sees it through to death – out in cinemas on Friday, April 15th

Young Viking Prince Amleth (Oscar Novak from The Batman) is thrilled when his warrior father King Aurvandil War-Raven (Ethan Hawke) returns with a line of prisoners in two to his fortified stronghold and Queen Gudrún (Nicole Kidman). Father and son are devoted to each other, participating in a private ritual involving bodily sounds and consumption of an hallucinogenic liquid that causes the boy to experience a vision of his family line: a tree of life where the trunk is a spine and branches are umbilical cords attached to grown kings as the viewpoint pans up reveal the boy attached to the highest cord. He is now prepared to take over the rule of the kingdom when his father dies.

He doesn’t seem to get on quite so well with his mother, who warns him never to enter her room unannounced. At a banquet in honour of Aurvandil, his dour brother Fjölnir (Claes Bang from The Square, Ruben Östlund, 2017) takes exception to court jester Heimir the Fool (Willem Dafoe).… Read the rest

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Promising Young Woman

Director – Emerald Fennell – 2020 – US – Cert. US R – 113m

*****

A med school dropout seeks revenge on the students and others complicit in her best friend’s rape years before – on Sky Cinema and Now from Friday, April 16th

Cassie (Carey Mulligan) goes to bars, gets wasted and is picked up by men whose intentions are less than honourable. However, all is not what it seems – before you can shout spoiler alert (and we’re not going to because this is the start of the film, given away in the trailer and effectively part of the narrative set up) she’s not wasted at all, only pretending. Depending on exactly how dishonourable these men’s intentions are, she exacts her revenge accordingly.

These acts are premeditated in the sense that she goes out, entraps men and does what she does, but not in the sense that she knows any of the men beforehand. Indeed, they choose her, so you could argue their fate is self-inflicted. And were any of them to behave chivalrously – take her home, put her to bed, not try to take sexual advantage, perhaps phone the next day to check she was okay – she’d probably look favourably on them for doing the decent thing.… Read the rest

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The Gangster, The Cop, The Devil (Akinjeon, 악인전)

Director – Lee Won-Tae – 2019 – South Korea – Cert. 15 – 109m

****

Better the devil you know. A no-nonsense cop and a ruthless gangland boss join forces to catch a serial killer in this South Korean thrilleron BBC Four Sunday, March 7th 22.00 and for one year after

Violent motorist Kang Kyung-ho (Kim Sungkyu) tailgates cars then after he and they have both pulled over stabs their unsuspecting drivers to death. One night, he picks mob boss Jang Dong-su (Ma Dong-seok) who fights back and gets away, inflicting wounds on the killer despite being first stabbed in the back. Meanwhile, his nemesis, cop Jung Tae-suk (Kim Mu-Yeol), is pursuing the same serial killer. Cop and gangster enter into an uneasy alliance to catch the murderer.

As South Korean gangster and crime movies have developed in recent decades, they’ve generally become slicker and, on one level, technically more proficient. Yet on another level, earlier South Korean gangster movies, while rougher around the edges, often have a lot more going on underneath the surface. This one however, while covering everything with the contemporary, superficially fast-paced and slick veneer with lots of impressive car chases and extremely violent one-on-one or group fights, achieves much more interesting dynamics beneath the slick, mass produced veneer.… Read the rest

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The Cheaters

Director – Paulette McDonagh – 1930 – Australia – 95m
***1/2

A criminal gang leader’s lifelong vow for revenge threatens the future happiness of his daughter in this beautifully restored and presented Australian silent -– free to watch on BFI Player as part of the BFI London Film Festival 2020 from 13.00 hrs Sunday, October 11th to 13.00 hrs Wednesday, October 14th

The first thing to say about this film is that it looks in remarkably good nick by any standards. Judging by the restoration trailer, this is an amazing testimony to today’s technology. Much of the footage before had deteriorated to near unwatchable. After the process, it looks fantastic.

As for the silent side of things, the current presentation on BFI Player shows the film windowboxed as you’d expect but then also the keyboard accompanist in locked off shot, keyboards and hands only, also windowboxed in a comparatively tiny image at the bottom left. This proves extremely effective and provides an excellent model for both future online screenings of silents and presentation on home video media such as Blu-ray or DVD.

The film medium has come a long way since 1929, so this film begs the question, is it any good?… Read the rest