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Art Documentary Exhibitions Features Live Action Movies

Hopper: An American Love Story

Director – Phil Grabsky – 2022 – UK – Cert. 12a – 94m

*****

The story of American painter Edward Hopper, and how his artistic career was facilitated by his fellow artist wife Jo out in UK cinemas on Tuesday, October 18th

Latest entry in Grabsky’s generally excellent Exhibition On Screen series about art and artists covers the career of Edward Hopper to tie in with a major Hopper exhibition (Edward Hopper’s New York) at the Whitney Museum of American Art, New York. The big (and most welcome) surprise is that it charts not just Hopper’s life and work but also that of fellow artist Josephine Nivison, later his wife Josephine Nivison Hopper, whose career was largely eclipsed by his during his lifetime. To be fair, it doesn’t really go into her life before the point at which she became involved in his.

Hopper was born in 1882 and raised in the Nyack, New York house his parents had built (an enviable state, indicative of their and his time, which must surely influence one’s outlook on life). Religion and church were important to the Hoppers, but theirs was the brand of Christianity unafraid to engage with the outside world which at that time meant vast quantities of books and periodicals; the young Edward acquired a love of books from his avid reader father.… Read the rest

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Features Live Action Movies

The Green Knight

Director – David Lowery – 2021 – UK – Cert. 15 – 130m

***1/2

A retelling of the story of Sir Gawain and the Green Knight from Arthurian mythology – out in cinemas on Friday, September 24th

This immediately sets out its stall with a woman leading a horse out of a courtyard and Gawain (Dev Patel) being awoken by a bucket of water on Christmas Day thrown by his lover Essel (Alicia Vikander) in a building which may or may not be a brothel. He attends mass with her, then goes back to his mother (Sarita Choudhury) who is going to pass attending the King’s court this Christmas Day.

The colour blind casting here has the good sense to cast Gawain and his mother in a similar ethnicity, which is certainly consistent and avoids the problems it produced in The Personal History Of David Copperfield (Armando Ianucci, 2019).

Whatever expectations of straightforward narrative the unwary moviegoer might have had from watching the trailer have been dashed. Much of the rest of the film is similarly oblique. While there is a basic underlying structure of a quest, what happens in the course of that quest comprises serial events and incidents en route that seemingly bear scant relation to the quest itself.… Read the rest