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Animation Features Live Action Movies

The Matrix

Directors – Larry and Andy Wachowski – 1999 – US – Cert.15 – 136 mins

*****

The Matrix combines tropes of Japanese animation with live action Hong Kong stunt choreography and groundbreaking ‘bullet time’ special effects.

UK release: June 11th 1999;

Article originally published in Manga Max, Number 8, July 1999.

1999. The Matrix is about to E.X.P.L.O.D.E.

Technically, a matrix is a multidimensional array of locations, with each cell uniquely addressable. Contents not specified. Back in late April, when Hollywood blockbuster The Matrix was first screened for UK press, Warners’ line beneath the film’s title on the publicity flier ran, Blockbusting futuristic thriller with ground-breaking special effects. Perhaps it should have read, Blockbusting futuristic thriller with ground-breaking special effects and Hong Kong styled action. Or even, Blockbusting futuristic thriller with ground-breaking special effects and Hong Kong styled action reconceived in terms of anime. Okay, it’s a bit of a mouthful, but it’s closer to the truth.

Ostensibly a megabudget Joel Silver (Lethal Weapon / Die Hard / Predator / Speed / Road House / Assassins) SF actioner well beyond the extremities of this magazine’s remit, directed by the Wachowski Brothers (writer‑directors of Bound, screenwriters for Assassins), The Matrix opens with an incredible sequence wherein Trinity (Carrie‑Anne Moss, who looks for all the world like a Westernised version of a Hong Kong starlet in cat burglar get up… Black Cat’s Jade Leung or Irma Vep’s Maggie Cheung, perhaps?)… Read the rest

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Live Action Movies Shorts

Beautiful New Bay Area Project

Director – Kiyoshi Kurosawa – 2013 – Japan – 29m

****

A company director steals a woman worker’s name tag and she fights and kickboxes him and his people to get it back – currently on MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa

A young man (Emoto Tasuku) is president of the company he has inherited from his father. His right hand man encourages him to pitch on a development project on the side of the river. He hangs out on a construction site and watches the workers go about their jobs. He is particularly taken with woman worker Takako (Mita Moa).

So much so that he tries to strike up a conversation with her, but she ignores him. Indeed, she goes out of her way to vanish from his sight to where he can’t find her. So he later in her full view steals her name tag from a board and hides it in his office. He instructs his security that if the woman appears in his building, she is to be thrown out.

That sets up the final ten plus minutes of the short in which to access his office and her purloined name tag she must physically kickbox her way past several guards to fight him for the tag.… Read the rest