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There’s Something
in the Barn

Director – Magnus Martens – 2023 – Norway – Cert. 15 – 100m

*

An American family immigrates to Norway where a relative has died and left them a farmhouse with a barn… and there’s something in the barn – badly misjudged horror comedy is out in UK cinemas and on digital download from Friday, December 1st

I have watched this film so that you don’t have to.

Incidentally, it has some of the best film stills I’ve ever seen. They are truly great. Don’t let that fool you: it’s a rotten movie.

One year after the unpleasant death of their Norwegian relative, the Californian nuclear family of dad, step-mum, son and daughter arrive at his farmhouse and barn in Norway which they’ve inherited. The unpleasant death is intriguing and workable if unoriginal horror fare; there is indeed something in the barn, and it’s not happy. So not happy, that it kills the relative.

But once the Californian family appear, the film undergoes a huge shift of tone from straight horror to pretty embarrassing comedy. Or, more accurately, alleged comedy because the laughs (or laugh – I think I may have laughed once) are (is) few and far between. Dad Bill (Martin Starr) is a happy-go-lucky, irritating, nerdy caricature; his new wife – and therefore step-mum to his kids – Carol (Amrita Acharia) is an equally annoying, former self-help guru.… Read the rest

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Infinity Pool

Director – Brandon Cronenberg – 2023 – Canada, Hungary, France – Cert. 18 – 117m

*****

WARNING: NSFW

A man holidaying abroad at a resort with his wealthy wife is lured into a series of crimes, punishable locally by death unless you’re rich enough to buy your way out – in UK cinemas from Friday, March 24th

An infinity pool is a swimming pool designed so that at least one edge appears to go on forever, blending into a seascape or waterscape such as an ocean or lake. It’s limitless. One character in this film once installed such a pool for a local hotel, but that’s really not the point. Which is, something that has no boundary, that appears to extend into infinity. Like the moral transgressions in this film, once the preventative edges of incurred punishment are removed from the perpetration of criminal acts, for which the idea of the infinity pool stands as a metaphor. This may not make sense now, but it will once you’ve watched the film and thought about it.

James (Alexander Skarsgärd) and Em (Cleopatra Coleman) Foster are holidaying at a resort. To date, he is a one-book writer: his book was published to rotten reviews and sank without trace and he can’t seem to find an idea for the second one.… Read the rest

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In Front Of Your Face
(Dangsin Eolgul Ap-eseo,
당신얼굴 앞에서)

Director – Hong Sang Soo – 2021 – South Korea – Cert. 12a – 85m

*****

A Korean-born actress returns from the US to spend time with those close to her and attend a meeting with a director for a possible acting job – out in UK cinemas on Friday, September 23rd

A woman on a sofa. She gets up but can’t wake the woman sleeping in the bedroom. Later Sangok (Lee Hyeyoung, the sofa one) and Jeongok (Cho Yunhee, the bedroom one) talk – Jeongok had been having a really vivid dream – and go out for coffee and breakfast to a pleasant lakeside café, followed by a visit to the local café run by Jeongok’s son and his girlfriend. Sangok has a meeting with a director later at a restaurant to discuss a possible film project. Going there in the taxi, she gets a message from director Jaewon (Kwon Haehyo) on her phone that the venue changed, so changes the destination. Her admiring host makes her feel at home enough to explain her situation – and why she feels unable to do the film, which leaves him in a state of shock.

In the latter part of his career, director Hong has honed his personal filmmaking style and vocabulary into a distinctive form uniquely his own.… Read the rest

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See How They Run

Director – Tom George – 2022 – UK – Cert. 12a – 98m

**

A barely competent Inspector and a trainee WPC investigate a backstage murder at The Mousetrap in 1950s London’s theatreland – out in UK cinemas on Friday, September 9th

London West End, 1953. Following his involvement in a fight at a party to celebrate the hundredth performance of The Mousetrap at The Ambassadors Theatre, blacklisted Hollywood film director Leo Kopernick (Adrien Brody), hired by John Woolf (Reece Shearsmith) to make a film of the play, gets into fisticuffs with the play’s leading man Richard “Dickie” Attenborough (Harris Dickinson) over the latter’s wife and co-star Sheila Sim (Pearl Shanda).

Later, Kopernick is murdered backstage by a mystery assailant. Perhaps it’s pertinent that Kopernick has ruffled numerous feathers in and around the production, not least foppish, English literary figure Mervyn Cocker Norris (David Oyelowo) who has been hired to write the script and despises everything Kopernick stands for, a feeling which proves in flashback to be mutual.

Thus begins a whodunit based around the world’s longest running play. The police are called in, with Commissioner Harold Scott (Tim Key) assigning alcoholic Inspector Stoppard (Sam Rockwell) and film buff and over-enthusiastic trainee WPC Stalker (Saoirse Ronan) to the case.… Read the rest

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The Forgiven

Director – John Michael McDonagh – 2021 – UK/Ireland – Cert. 18 – 117m

****

A wealthy alcoholic driving to a rich school friend’s party in the Sahar desert accidentally kills a local and sparks a cross-cultural incident that will have profound consequences for him – out in UK cinemas on Friday, September 2nd

Wealthy married couple David and Jo Henninger (Ralph Fiennes and Jessica Chastain) travel to Tangier in what he calls “ah – l’Afrique” to attend a rich friend’s party at his isolated home in the middle of the Sahara. This involves driving some 400 miles through poorly mapped desert terrain. David is a high-functioning alcoholic (“I’ve always thought the high-functioning should cancel out the alcoholic”, he says) who indulges himself from a bottle before he starts to drive and the couple argue a great deal. Perhaps their relationship is nearing its end.

En route, they get lost, but in the middle of the night eventually find the turn off. They stop, bicker, then start up again and immediately hit local teenager Driss (Omar Ghazaoui) who has stepped out in front of the stationary car to sell them a fossil. Burying his ID, they bundle his dead body into the car hoping that their host will know what to do.… Read the rest

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A Far Shore
(Tooi Tokoro,
遠いところ)

Director – Masaaki Kudo – 2022 – Japan – 128m

****

An underage Okinawa bar hostess attempts to raise her small son while worsening circumstances conspire against her – world premiere in the Karlovy Vary International Film Festival (KVIFF) 2022 which runs from Friday, July 1st to Saturday, July 9th

A man in Okinawa club Night Babylon asks her age of a hostess: “you don’t seem very old”. It turns out the girls in question are under 18 (the legal age limit for working there; in Japan, it’s also illegal to consume alcohol under the age of 20). In fact, these girls are 17 and proud of the fact that in “wild Okinawa”, the hostesses in bars are so young. The hostesses in question are Aoi (Kotono Hanase) and her friend Mio (Yumemi Ishida), and when not working, they like to party hard, for instance to celebrate a friend’s birthday, which involves much drinking and dancing in a club. There don’t appear to be any men in their immediate peer group: they’re all women.

Once she returns home from her club night shift, Aoi calls in on her grandmother to pick up her two-year-old son Kengo (Tsuki Hasegawa).… Read the rest

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All My Friends Hate Me

Director – Andrew Gaynord – 2021 – UK – Cert. 15 – 93m

***

A thirtysomething charity worker’s birthday weekend at the country house of rich friends from his student days turns into a nightmare – out in cinemas on Friday, June 10th

Pete (Tom Stourton, who co-wrote this with Tom Palmer, with both of them producers here) heads off to the house of rich friends in Devon he hasn’t seen since university days for a weekend celebrating his 31st birthday. He doesn’t know the area well and gets lost en route. He’s a bit shocked to find a dog tied up in a field and far more shocked when he disturbs a man sleeping in a parked car who goes berserk and pursues him like a madman, causing the panicking Pete to rapidly flee in his car.

He parks by a gate and a local comes over. “Do you know the way to the manor?”, he asks. “Yes,” comes the reply. “Could you tell it me then,” he asks again. “Yes, I can,” comes the reply. Eventually, he gets the address out of the man. He later relays this story to his friends at the manor, unaware that the man, Norman (Christopher Fairbank), the local who looks after the grounds, has just come in the door behind him.… Read the rest

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Compartment
No. 6
(Hytti Nro 6)

Director – Juho Kuosmanen – 2021 – Finland – Cert. 15 – 107m

*****

A student taking a long, sleeper train from Moscow to the Arctic finds herself sharing a compartment with a drunken male slob – out in cinemas on Friday, April 8th

Finnish archaeology student Laura (Seidi Haarla) lives in Moscow with her life of the party, professor lover Irina (Dinara Druckerova) in the latter’s Moscow flat where life is a constant round of social gatherings and parties. Irina’s busy schedule causes her to drop out of a proposed visit to Murmansk to see the petroglyphs, so Laura takes the Artika train (Artic train) alone and finds herself sharing her first class, two person sleeper cabin with Lhoja (Yuriy Borisov from Petrov’s Flu, Kirill Serebrennikov, 2021) who knocks back the vodka and leaves half-eaten packets of food all over the shared table. She takes an immediate dislike to him.

And that’s the setup of the film: not so much a road movie as a rail movie, the bulk of what follows taking place on the train (a fascinating location in itself) with off-train episodes at various stops en route including St. Petersburg (which places the year at 1991 or after when the city was renamed from Leningrad) and a finale in Murmansk.… Read the rest

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Deep Water
(2022)

Director – Adrian Lyne – 2022 – US – Cert. US-R – 115m

****

A man is jealous of the lovers of his beautiful but promiscuous wife who start mysteriously dying one by one – out on Prime Video in the UK on Friday, March 18th

Vic (Ben Affleck) is devoted to his wife Melinda (Ana de Armas from No Time To Die, 2021, Cary Joji Fukunaga) for whom he would do anything, including give her her freedom. Since she doesn’t like being tied down to just one man, this means the freedom to sleep with any man she wants. She drinks a lot too and often stays out all night, refusing to tell Vic where she’s been in the morning. The trouble is, some time ago she slept with a man named MacRae and he vanished. Disappeared. No-one knows what happened to him.

Then one night, at a party he’s hosting, Vic scares Melinda’s current lover Joel (Brendan C. Miller) by confessing to the crime, by way of a joke. Or is it? Joel is inclined to think Vic the murderer. After a job offer causes Joel to leave the area, Melinda starts meeting a piano teacher Charles (Jacob Elordi).… Read the rest

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Flag Day

Director – Sean Penn – 2021 – US – Cert. 15 – 109m

****

A woman struggles to come to terms with her father who is a criminal and a pathological liar – out in cinemas on Friday, January 28th

This at once follows a linear narrative trajectory and doesn’t. On the one level, Jennifer grows into a woman, argues with her parents (with good reason) and attempts to find herself and make her way in the world. On the other level, images and sequences move effortlessly between Jennifer aged six (Addison Tymec), Jennifer as a young teenager (Jadyn Rylee) and the adult Jennifer (Dylan Penn). Sometimes it feels like the adult Jennifer having a flashback, sometimes it seems like we’re one of her younger selves, all very vivid and real. Sometimes it’s memory, sometimes it’s experience.

It’s based on the real life memoir of Jennifer Vogel, who apparently wrote the book trying to sort out her feelings about her unorthodox upbringing.

It starts and (more or less) ends with a line of cop cars pursuing suspect John Vogel (Sean Penn) wanted for counterfeiting. As the images roll over us, there’s a lot of adult Jennifer voice over in the first ten or so minutes (and elsewhere at odd moments in the film).… Read the rest