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Animation Features Movies

One Piece Film: Red (One Piece Film: Red)

Director – Goro Taniguchi – 2022 – Japan – Cert. 12a – 115m

***1/2

A girl who wants to sing to the world and usher in an era of happiness has been possessed by a dark power which has other plans – out in UK cinemas on Friday, November 4th (IMAX, subbed), Saturday, November 5th (dubbed)

A female voice promises “a great genesis of happiness for all”. There is great anticipation at the prospect of the beloved singer Uta performing live for the first time. Like her “genesis of happiness” sound bite, this teenager’s songs are full of phrases that sound superficially attractive but, for anyone pausing for a moment to think about them, are pure, contentless fluff. As she belts out phrases like, “you can’t stop magic” to adoring multitudes that revere all this like some utopian manifesto (which perhaps is already implied by the name Uta) and the rather more cynical pirate section of the audience (for this is a world in which pirates operate) plan to kidnap her and make a pile of money, a teenager throws an organic looking rope-like extension which attaches itself to a spot near her as if it were as grappling hook and allows it to pull within a few feet of her, to the annoyance of the pirates whose plan it disrupts.… Read the rest

Categories
Features Live Action Movies

Intimate Strangers (Wanbyeokhan tain, 완벽한 타인)

Director – Lee Jae-kyoo – 2018 – South Korea – Cert. 15 – 115m

****

Four couples attend a dinner party where a game with mobile phones threatens to revel all their intimate secrets – online from 2pm Friday, November 6th to 2pm Monday, November 9th, book here, from the Special Focus: Friends and Family strand of the London Korean Film Festival (LKFF) taking place right now

A group of male friends since childhood and their wives and girlfriends meet for a house-warming of one of their number. One of the wives suggests a game. Why don’t they all put their mobile phones on the table and share any call, text, email or data that comes in?

Actually, it turns out there are some very good reasons why not – as they will all discover during the course of the evening. Indeed, the film’s final five minutes or so (and, strangely, this is not a spoiler) shows the couples driving home separately and contentedly after a pleasant evening where they wisely declined to play the game. All’s right with the world.

However, in between that coda and the opening, 34 years earlier prologue in which the four men’s childhood selves catch fish through a hole in the ice of a frozen river then spend the evening together round a camp fire in the dark, the four couples do indeed play this game at the present day house-warming.… Read the rest