Tag: Jiří Trnka

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Animation Features Movies Music

The Czech Year
(Špalíček)

Director – Jiří Trnka – 1947 – Czechoslovakia – Cert. PG – 80m

*****

A celebration of Czech peasant life, with a striking Christian element – on the Blu-ray Jiří Trnka: Puppet Master, released in the UK on Monday, August 10th

Originally made as a series of short films which were subsequently edited into a feature, a similar strategy later adopted by fellow countryman Jan Švankmajer making Alice (1988), this opens (after a static title sequence) with a song about musicians wondering how they can afford a dulcimer. There’s a feeling of community among a villagers’ marching band comprising double bass, clarinet, serpent and horn, who are joined for processions and dances by assorted villagers. As the song ends, they are scattered but not dispersed by a death-like scarecrow figure on a cart.

A bear who has joined in their revelry is revealed as an actor whose bear mask has come off and been lost when he has fallen in a freezing stream (it has ice on top), and the season of winter is introduced by a pan along a model backdrop which appears to be painted on layers of glass. There are precedents for this technique, whether you look at Disney’s 2D animation experiments with the many glass levels of the multiplane camera used to achieve the illusion of depth on, for example, Fantasia (1940) or those of special effects animator Willis O’Brien who for such works as The Lost World (Harry O.… Read the rest

Categories
Animation Movies Shorts

The Hand
(Ruka)

Director – Jiří Trnka – 1965 – Czechoslovakia – Cert. PG – 18m

*****

A potter’s quiet life is interrupted by a giant hand which wants him to remake his pots in its image – on the Blu-ray Jiří Trnka: Puppet Master, released in the UK on Monday, August 10th

He sleeps peacefully on his simple bed in his room. We hear footsteps as we move around the room – is someone watching him? If so, he’s blissfully unaware of the fact. In the centre of the room is a potter’s wheel. On either side of the door are numerous pots. In the corner, a mirror; below it, a watering can on a little table. Moving towards his bed, we pass a window with a flower in a pot on the window’s interior sill.

He gets up, does some basic exercises, checks his tongue in the mirror, waters the plant on the window sill. Birds can be heard singing. The he gets down to the business of the day: making pots on his wheel. He is absorbed. But, an interruption. A knock at the door. Nothing there.

Eventually, a giant hand pushes its way through the shuttered window, the impact knocking the plant to the floor and shattering its pot.… Read the rest

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Animation Art Exhibitions Movies

LAIKA
FRAME x FRAME

Pic: Toby Lewis Thomas, courtesy LAIKA and BFI

*****

Exhibition shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential – click here) accompanied by the Stop Motion animation season including all five LAIKA feature films and much, much more

In the best part of two decades, US-based Laika Studios – named after the first dog in space – has carved itself a niche as arguably the foremost producer of stop-motion animation puppet films. That’s distinctly different from the other leading company in the stop-motion field, UK-based Aardman Animations, who specialise in plasticine animation. The difference is that plasticine is a malleable substance that can be reworked and remodelled one frame at a time, whereas although puppets can be moved a frame at a time, they can’t be remodelled.

Laika have consistently (and deservedly, in this writer’s opinion) picked up Oscar nominations for each of their five features, a remarkable achievement that speaks of the high quality of their work. Their five features (with a sixth forthcoming) are:

  • Coraline (2009): A young girl is lured into a darker, parallel world.
  • Paranorman (2012): A boy who can speak with the dead, ostracised by his local community, must save his town from dark forces by righting centuries-old wrongs.
… Read the rest