Tag: trauma

Whalefall

Whalefall

Director – Brian Duffield – 2026 – US – Cert. 15 – 106m

The abusive father drama (about half an hour) ***

The whale scenes (most of the film) *****

A man’s memories of his emotionally abusive father help him to survive when he is swallowed by a whale – out in UK cinemas on Friday, October 16th

This is very much a film of two elements. On the one hand, it’s about a bereaved man coming to terms with his memories of his recently deceased, abusive father. On the other hand, it is the spectacle, indeed, the experience, of a man being swallowed by a sperm whale. The whole thing, based on a novel by Daniel Krauss, is set in a coastal town and, mostly, in the nearby ocean.

In the opening 10 minutes, Mitt Gardiner (Josh Brolin from Dune & sequels, 2026, 2024, 2021, Sicario, 2015, all Denis Villeneuve; No Country for Old Men, Joel and Ethan Coen, 2007), an experienced diver losing his fight against a rare cancer named mesothelioma, steps off the side of a boat into the ocean and is never seen again. (Except in flashback.) Before jumping into the water, he seals a number of letters and puts them in a box on the deck.… Read the rest

Features Live Action Movies

Possible Love
(Ganeunghan Sarang,
가능한 사랑)

Post author By Jeremy Clarke
Post date October 12 2026
No Comments on Possible Love
(Ganeunghan Sarang,
가능한 사랑)

Possible Love (L to R) Jeon Do-yeon as Mi-ok, Sul Kyung-gu as Ho-seok, Cho Yeo-jeong as Ye-ji in Possible Love Cr. Courtesy of Netflix © 2026

Possible Love (Ganeunghan Sarang, 가능한 사랑)

Director – Lee Chang Dong – 2026 – South Korea – Cert. 15 tbc – 164m

*****

A filmmaker working on a documentary about workers who’ve been laid off from their companies invites a worker’s wife and her husband to stay at her and her husband’s lavish coastal home – plays the London Film Festival (LFF) Sunday, 11th, Wednesday 14th, Sunday 18th October, then out in UK cinemas on Friday, October 23rd, the London Korean Film Festival on Tuesday, 3rd November, and is on Netflix from Friday, November 6th

The family of laid-off manual worker Ho-seok (Sul Kyung-gu from A Normal Family, Hur Jin-ho, 2023; Memoir of a Murderer, Won Shin-yeon, 2017; Peppermint Candy, Lee Chang Dong, 1999), his wife Mi-ok (Jeon Do-yeon from Beasts Clawing at Straws, Kim Yong-hoon, 2020; The Housemaid, Im Sang-soo, 2010) and their young son Cheol (Ha Lim) attend the funeral of one of Ho-seok’s fellow laid-off workmates. The reticent Ho-seok plans to stay in the car, but then goes in to the ceremony some time after the rest of his family and stays for the wake where, against what he’s promised his wife, he drinks, and as he starts to lose it, the pair get into an argument in public.… Read the rest

Tags argument, beach, business partner, camera, Cho Yeo-jeong, client, coastal home, commandment, company, consortium, covet, covetousness, documentary, documentary filmmaker, drink, drinking, expensive, filming, filmmaker, financial, former workmate, funeral, googles, handbag, handsome, haves and have-nots, high price, holiday home, husbands and wives, inability to connect, industrial action, interview, invite, Jeon Do-yeon, jungle, laid off, laptop, Lee Chang Dong, LFF, LFF 2026, LKFF, LKFF 2026, London Film Festival, London Film Festival (LFF), London Film Festival 2026, London Korean Film Festival, London Korean Film Festival 2026, make a killing, marriage, monied, mysterious, news bulletins, ornate, Possible Love, private beach, privilege, recording, relax, reticent, row, rural and urban, social divide, social system, South Korea, spacious, Sul Kyung-gu, time zone, trauma, unwind, video calls, virtual meeting, wake, wealth, worker, working life, workmates, Zo In-sung

Features Live Action Movies

Heart of the Beast

Heart of the Beast

Director – David Ayer – 2026 – US – Cert. 12a – 100m

*****

A heart attack and his plane’s crash landing force a pilot and his dog to cross the Alaskan wilderness on foot – out in UK cinemas on Wednesday, September 23rd

In a framing device that opens and closes the narrative, a woman (Anna Lambe) is driving her car along a road in Alaska in the middle of nowhere. She is forced to stop by a dog standing facing towards her in the middle of the road. As if it were trying to tell her something…

Some days earlier, retired, special forces soldier James Belmont (Brad Pitt) and his former combat dog Odin are travelling around Alaska by Cessna seaplane. They land on an unspoiled lake. Odin has a prosthetic leg. They pitch tent on the beach, then go exploring in the nearby woods where they are surprised to run across another human being.

There shouldn’t be anyone else around these parts, and the suspicious James reverts to combat mode, deploying his gun in readiness. However, the stranger (J.K. Simmons) turns out to be friendly, simply another person enjoying the solitude of the place, who tells them he’s pitched his own tent next to theirs.… Read the rest

Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen
Frida Kahlo
Special Edition
with new material from
the making of an icon

Post author By Jeremy Clarke
Post date May 19 2026
No Comments on Exhibition on Screen
Frida Kahlo
Special Edition
with new material from
the making of an icon

Frida Kahlo, The Two Fridas, 1939 © EXHIBITION ON SCREEN

Exhibition on Screen: Frida Kahlo – Special Edition
with new material from the making of an icon

Director – Ali Ray – 2020, 2026 – UK – Cert. U – 93m, 101m

*****

The tragic yet resonant life of Mexican artist Frida Kahlo, and her transformation into a modern, cultural icon – out in UK cinemas from Tuesday, May 19th

As dour piano chords play, a title announces that Frida Kahlo held only three solo exhibitions in her lifetime. This is contrasted with an auction where “one of her most complex self portraits” The Dream (The Bed) / El Sueño (La Cama) (1940) auctions for a starting price of $22m and selling for $47m. As of November 2025, this was the highest ever value for a work by a female artist achieved at an auction.

Now, in 2026, the Museum of Fine Arts, Houston and the Tate Modern, London collaborate on a major exhibition entitled Frida: the making of an icon, opening on Friday, June 19th at the Tate. Exhibition on Screen’s Special Edition of their 2020 film concludes with ten minutes of newly shot footage of that exhibition.

Frida works at a writing desk as she (voice: Diana Bermudez) reads the latter she is composing.… Read the rest

Tags 1910 Mexican Revolution, a German immigrant, abortion, activist, advertising, affair, Alfredo Vichis Roque, Ali Ray, Amelia Mesa-Bains, androgynous, animals, Anna Chancellor, anti-birth, anti-colonial, architect, art, art exhibition, artist, Astrid Hadad, athletics, attention-seeking, auction, bedridden, biographer, biographies, bisexual, bleeding, bleeding womb, blood, blood vessel, bone treatment, boyfriend, braid of flowers, brand, Brandels University, brown-skinned heroine, buried, bus accident, Carlos Phillips Olmedo, Carmen Lomas Garza, Casa Azul, Catherine Wood, Catholic, celeb, censorship, Chicano, Christian, Christian symbolism, civil rights, civil war, clothes, colonialism, colour photographer, Communist Party, communities, confined, consumer culture, corpse, counterculture, cracked landscape, Cristina Kahlo, curator, day and night, defiant, defiant gaze, desolation, Detroit, Diana Bermudez, dictatorship, Diego Rivera, Diego Riviera, disability, divorce, divorce proceedings, doctor, doctor’s orders, dog, dog deity, Dolores Olmedo Museum, earring of a hand, earrings, exhibition, Exhibition On Screen, faith journey, fathers and daughters, female body, fingerprint, folk culture, fractured spine, Frida Kahlo, Frida Kahlo Museum, Frida: the making of an icon, Gabriel Porras, gallery, Gannit Ankori, gay identity, gender fluidity, global brand, global food supply, green, group show, Hayden Herrara, Hilda Trujillo, Hindu, Hindu symbolism, historian, hope, hospital visits, housebound, Houston, husbands and wives, hybridisation of plants, iconicity, identity, injury, Interim Director, Juan O’Gorman, Las Cachuchas, Latin American Art, Le Corbusier, left-wing, letter, library, London exhibition, love affairs, Luther Burbank, Madonna and child, male and female, man plant, manifesto, Mari Carmen Ramirez, marriage, Mary McCartney, matriarchy, medical bills, medical training, menagerie, Mexican art, Mexican Woman, Mexico, Mexico City, Mexico City’s National Preparatory School, miscarriage, mixed race, mothers and daughters, mouth, Munchausen syndrome, mural, Muralism, museum, Museum of Fine Arts, myth, nails, naive painting, necklace of thorns, new government, new social movement, New York, newspaper article, Nickolas Muray, nun, opening night, opposites, ornate rings, orthopaedic brace, pain, painting, Paris, philosopher, Polio, politics, portrait, posing for photographs, pre-Hispanic art, pregnancy, Professor of Art History, prostitute, public buildings, religious paintings, Renaissance, retablos, retablos artist, revolution, revolutionary, roots, rules, Rupert Garcia, San Francisco, sartorial identity, schooling, scientist, self-portrait, sexual violence against women, sisters, skull, solo exhibition, Spain, Spanish / Indian descent, Spanish colonialism, spider-monkey, stabbed to death, still life, student movement, studio, sun and moon, surgery, surgical scissors, Surrealism, Tate External Curator, Tate Modern, Texas, the Blue House, The Human Condition, three quarter portraits, Tijuana, Tobias Ostrander, torso, tourist boats, Tracey Emin, trauma, UK, umbilical chord, underworld, US, vaginal blood, Warhol, Warholesque silkscreen print, wealth, women artists, work from photographs, workers' rights, writer, writing desk, Xolotl, Yasumasa Morimura, yin and yang

Features Live Action Movies

Miroirs No.3
(Miroirs No.3)

Post author By Jeremy Clarke
Post date April 17 2026
No Comments on Miroirs No.3
(Miroirs No.3)

Miroirs No.3 (Miroirs No.3)

Director – Christian Petzold – 2025 – Germany – Cert. 15 – 86m

**1/2

A traumatised woman who survives a car crash moves in with a woman living near the crash site, unaware that the second woman is not what she seems – out in UK cinemas on Friday, April 17th

She stares out from a bridge, watches the water go by from underneath it. Returning home, she’s lost her bag. Her partner wants to know where she’s been. Anyway, Debbi (Victoire Laly) and Roger (Marcel Heupermann) are waiting. The four go off in the car. While her partner and Roger swap notes on the song playing on the car sound system, Laura (Paula Beer from Afire, Christian Petzold, 2023; Transit, Christian Petzold, 2019; Never Look Away, Florian Henckel von Donnersmarck, 2018, Frantz, François Ozon, 2016) is distracted, noticing a woman standing in her driveway as they pass. When they stop to check their itinerary, Laura just stands there. She wants to go home, telling partner Jakob (Philip Froissant) she isn’t feeling well.

Driving Laura to the station in the other couple’s car, so she can go home while the other three carry on as planned, Jakob nearly collides with the woman on the drive.… Read the rest

Features Live Action Movies

Undertone

Undertone

Director – Ian Tuason – 2025 – Canada – Cert. 15 – 94m

The co-host of a paranormal podcast is disturbed by ten mysterious sound files even as her elderly mother is nearing death in her bedroom upstairs – out in UK and Ireland cinemas on Friday, April 10th

A two person paranormal podcast comprises Evy Babic (Nina Kiri) and Justin (voice: Adam DiMarco) in a good cop / bad cop routine. Adam’s good cop is always willing to believe – or at least hoping – that the incident or phenomena underlying the latest episode is real, however strange or unlikely it might be. Evy’s bad cop always assumes the phenomena are fake or a hoax, until or unless she has incontrovertible evidence that suggests otherwise.

We never see Justin since the movie focuses on Evy living in her house and Justin only appears (on the soundtrack) as her co-host when they go live on air or in conversation with her on the phone outside of that recording / broadcasting process. You might think that focusing on the subject of the paranormal would drive someone off the deep end, but for Evy, doing the podcast with Justin is the one thing that keeps her sane.… Read the rest

Tags 360 degree immersive sound, Adam DiMarco, bedroom, bedroom upstairs, believe, broadcasting, Canada, Catholic, co-host, conversation, couple, dying, elderly mother, evidence, faith and no faith. out to get you, family circumstances, good cop / bad cop, Graham Beasley; immersive horror, hoax, hope, horror, host, house, house interior, Ian Tuason, iconography, immediate reaction, incident, internet, live on air, malevolent force, Mercedes Coyle, Michèle Duquet, mothers and daughters, mystery, nearing death, Nina Kiri, not quite right, paranormal, phenomena real and fake, phone, play sound backwards, podcast, recording, shocker, show, slow death, slowly dying, sound files, soundtrack, trauma, Undertone, upstairs and downstairs, watched, watching

Dance Features Live Action Movies Music

The Testament
of Ann Lee

The Testament of Ann Lee

Directed by Mona Fastvold
Certificate 15
130 minutes
Released 27 February and on Disney+ from 13 May

Few films accurately chronicle a specific, historical Christian sect, fewer still do so as a musical. I knew virtually nothing about the Shakers, before seeing The Testament of Ann Lee, which is based on a true story. | found much to admire in their religion, yet I was appalled by two aspects.

Read the rest of my Reformed magazine review here.

Read my later review for this website here.

The Testament of Ann Lee is on Disney+ from Wednesday, March 13th following its release in cinemas in the UK on Friday, February 27th 2026

Teaser Trailer (Cert. 12a, which really gives no indication of some of the more extreme elements in the film):

Trailer

Animation Features Movies

Savages
(Sauvages)

Savages (Sauvages)

Director – Claude Barras – 2024 – Switzerland – Cert. PG – 87m

French with English subtitles.

*****

An indigenous pre-teenage girl stands up to loggers destroyingthe local rainforest – stop-frame animated feature from the director of My Life as a Courgette is out in UK cinemas on Friday, August 1st

From its opening moments in darkness following unsettling creature noises suggesting a jungle forest, followed by jungle forest establishing shots – a frog jumping across a river via a series of stones, a snake slithering around a tree, a baby orangutan (non-verbal voice: soundtrack composer and co-sound editor Charles de Ville) swinging on a branch – it’s clear that this has high ambitions indeed. All the above would be one thing to execute in live action – a few location natural history shots… possibly library footage. In model – or stop-motion – animation, you need to physically build everything in terms of miniature model sets, so to achieve such images is a major undertaking.

Having already set the production bar high, this then pushes it up further with the rasping sound of a chainsaw, as the tree heights on which the baby orangutan and its mother (voice: de Ville again), who has just rescued the infant from the attentions of the deadly snake, are resting suddenly topples into a camp of workers who are going about their allotted task of destroying the creature’s natural habitat.… Read the rest

Tags 11-year-old, 3D animation, ancestors, animation, animator, Babette De Coster, baby, backing of the authorities, Benoît Poelvoorde, Borneo, bulldozer, capitalism, chainsaw, Charles de Ville, child-eating monster, children struggling to cope, Claude Barras, compromise, contemporary life, cousin, darkness, digitally immersive environment, economics of deforestation, embarrassment, environment, environmental theme, fathers and children, film activities, financial gain, followed by jungle, forest, frog, grandfather, grandfathers and children, habitat destruction, hands-on physicality, harvest fruit, heritage, incoming call, indigenous, infant, jungle forest, learned survival skills, loggers, loss of a parent, loss of the mother, Martin Verset, maternal instincts, miniature, model, model animation, model sets, modern technology, monster in the forest, mother’s death, mothers and children, myth making, native, natural habitat, natural outdoors world, nuclear family, orangutan, orphan, ostracise, Oxbridge graduate, palm oil extraction, peer group, Penan, perceived societal norm, Pierre-Isaïe Duc, police, pre-teenage, puppets blink, rainforest, rampage, rasping, resistance, ringtone, rucksack, Sauvages, savage, Savages, school, single-parent families, smartphone battery died, smartphone obsession, smelly boy, snake, spoken language, stop-frame, stop-motion, struggling to cope, swinging on a branch, Switzerland, trauma, tree, tropic, true to his roots, venomous snake, viral video

Features Live Action Movies

Dangerous Animals

Director – Sean Byrne – 2025 – Australia – Cert. 15 – 98m

*****

A free-spirited girl surfer must outwit the shark tour operator who has kidnapped her and whose idea of looking after customers is feeding them to the sharks – out in UK cinemas on Friday, June 6th

Greg (Liam Greinke) invites Brit backpacker Heather (Ella Newton) to join him on a shark swim. So, off they go to Tucker (Jai Courtney), who runs shark-seeing tours using his boat. As in Jaws (Steven Spielberg, 1975), you go in the cage, the cage goes in the water, the sharks are outside the cage. Heather has second thoughts, but the couple go for it, which turns out to be an amazing experience. You won’t believe what happens next. Greg certainly doesn’t. (Be advised: some online trailers give the game away. Thankfully, Vertigo’s teaser trailer, below, doesn’t.)

Free-spirited surfer Zephyr (Hessie Harrison) lives out of her van and one night indulges in passion there with yuppie Moses (Josh Heuston) parked outside his house, swiftly driving off afterwards before he has had a chance to take their relationship further, which is a pity from his point of view since he feels some sort of deeper connection.… Read the rest

Features Live Action Movies

Before We Vanish
(Sanpo Suru Shinryakusha,
散歩する侵略者,
lit. Strolling Invaders)

Post author By Jeremy Clarke
Post date May 1 2025
No Comments on Before We Vanish
(Sanpo Suru Shinryakusha,
散歩する侵略者,
lit. Strolling Invaders)

Director – Kiyoshi Kurosawa – 2017 – Japan – Cert. 15 – 129m

***

Three humans claiming to be aliens steal ideas from people’s heads as they prepare for their race’s forthcoming invasion – from LEAFF, the London East Asia Film Festival 2017

This review is of a first viewing of this film. It really doesn’t happen often, but I can imagine liking this film more second time round. It’s a very strange movie.

Hands take a goldfish from a group in a white bathtub and transfer it into a metal pan. A sailor suited schoolgirl carries the fish in a bag to another house. Inside the latter, on its floor, the fish struggles to breathe as it lies on the ground out of water.

Spattered with blood, the girl (Yuri Tsunematsu) walks happily along the middle of a busy road. As she strolls without a care, swerving to avoid her, a lorry crashes headlong into an oncoming car.

Elsewhere, something is wrong with Shinji Kase (Ryuhei Matsuda from The Raid 2, Gareth Evans, 2014). His behaviour alarms his wife Narumi (Masami Nagasawa from Our Little Sister, Hirokazu Kore-eda, 2015, and playing in LEAFF this Saturday 28/10).… Read the rest