armies Archives - Jeremy C. Processing

Creation
Of The Gods
I:
Kingdom
Of Storms
(Feng Shen
Di Yi Bu:
Zhao Ge Feng Yun,
封神第一部
朝歌风云,
lit.
Investiture
Of The Gods
Part I:
Zhaoge Turmoil)

Director – Wuershan – 2023 – China – Cert. 15 – 148m

****

A king’s infatuation with a beautiful woman possessed by a vixen demon threatens to bring down a terrible curse upon his kingdom – first part of epic, period, mythological adventure trilogy is out in UK and Irish cinemas on Friday, September 22nd

This first trilogy instalment of an adaptation of the Xu Zhonglin-attributed novel Investiture Of The Gods, written towards the end of the Ming dynasty (1368-1644), deals with the downfall of the Shang dynasty (which existed well before a thousand years BC). While the tale may well contain elements of historical truth, it also mixes in supernatural deities and creatures to cover an awful lot of ground in its two and a half hours’ running length.

The novel is known by a number of titles in Chinese, one of which is Fengshen Bang, an artefact of which name turns up in this film as a sort of MacGuffin, here a mystical scroll endowing its owner with great power which at least one major character seeks to possess, others seek to help him do so and immortals want to make sure it gets into the right (i.e. righteous or deserving) hands rather than his.… Read the rest

Final Fantasy:
The Spirits Within

Directors – Hironobu Sakaguchi, Motonori Sakakibara – 2001 – Japan, US – Cert. PG – 106m

*****

Earth (and its attendant spirit Gaia) have been attacked by aliens, its human and animal populations decimated, its cities deserted – review originally published in Ad Hoc magazine, 2001

The first computer-generated movie to dispense with real live actors in favour of their computer-generated counterparts – at least as far as the visuals go – Final Fantasy The Spirits Within proves as radical a departure as the first animated feature Snow White And The Seven Dwarfs (1937), the convincing computer-generated characters of Jurassic Park (Steven Spielberg, 1993) and the first computer-animated feature Toy Story (John Lasseter, 1995).

The lead heroine’s hair and the creases in the characters’ clothing both convince utterly. The characters’ movements are taken off real people and fed into a computer by a process known as motion capture, which also provided the incredible moving freeze-frame moments in The Matrix (Larry and Andy Wachowski, 1999).

Mouth movements spouting pre-recorded speech doesn’t quite come off every time while the facial expressions haven’t quite managed all the subtleties of human visages. Most of them, true, though not quite all. But then, the computer technology here is way ahead of another of this year’s animation highlights, the cartoony Shrek (Andrew Adamson, Vicky Jensen, 2001).… Read the rest